Elegant Debts

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Craig Clunas is Percival David Chair of Chinese Art at SOAS, London, and the author of Superfluous Things (1991), Fruitful Sites: Garden Culture in Ming Dynasty China (Reaktion Books, 1996), Pictures and Visuality in Early Modern China (Reaktion Books, 1997) and Art in China (1997).

出版者:University of Hawaii Press
作者:Craig Clunas
出品人:
页数:232
译者:
出版时间:2004-6-28
价格:USD 57.00
装帧:Hardcover
isbn号码:9780824827724
丛书系列:
图书标签:
  • 艺术史 
  • 柯律格 
  • 海外中国研究 
  • 艺术 
  • 海外中国艺术研究 
  • Craig_Clunas 
  • 欧美艺术史学界 
  • 中华书画史 
  •  
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This book takes an innovative approach to one of the great figures of Chinese culture, the writer and painter Wen Zhengming (1470-1559). Renowned as one of the great "scholar painters" of the Ming dynasty, Wen was enmeshed in a complex web of social obligations, his "elegant debts" as he called them, which led to many of his most celebrated works. Using an unprecedented quantity of primary sources for his life and work, Elegant Debts looks at the ways in which social obligation and gift exchange were central to personal and individual identity in the Ming period. The book also examines Wen's family relationships, his friends, mentors, and pupils, his sense of a distinct local identity, and the interplay of national and regional politics with the achievements of his long life. It uses the insights of a range of scholarship--art history, social and literary history, and anthropology--to show how "self" was constructed in Ming China. In doing so, it makes a major contribution toward a more diverse art history that is less dependent on European conceptions of artists and their work. Craig Clunas has published extensively in the field, and is widely recognized as one of the world's leading scholars of Ming culture. Featuring many images of the work of one of China's major painters, this book is accessible to all who are interested in China's culture and history, as well as to students and scholars of art history and the history of culture.

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艺术史教授柯律格(Craig Clunas)从人情义务与交往互惠的角度,梳理考察了明代书画大家文徵明的社交生活,并以小见大,使读者体验到中国古代社会社会关系的某些特性。 对某位艺术家展开研究,离不开对其作品的交待、分析与阐释,遵循如此进路,可以得出艺术家的...  

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总有一些艺术家,因其有趣、复杂、多产、且留下足够多的资料供人翻检、且死了些年头难以自辩,而成为研究员和研究生们的“学术富矿”。明人文徵明,不仅是富矿、还是富于国际知名度的富矿——作为吴门画派的宗师,他的画作“风润秀朗”,颇有苏州甜糯软香的风味,比之八大...  

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历史有的时候是很模糊的,尤其是当历史围绕着一些特定人物的名字展开的时候。1559年,文徵明去世,作为一个保守、平和、有分寸感的读书人被加进了历史的列表,和所有类似的志向高洁,安贫乐道的读书人融为一体,成为模糊一片的历史中的另一个名字。 可对于绝大多数的人来说,这...  

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如果文徵明那个时代有facebook或者微信的话,那么这个被称为“江南四大才子”之一的文艺青年的朋友圈是什么样的?会不会像他画中的人物一样,总是一副不懂人情世故,神龙见首不见尾的世外高人“隐士”形象? 说起“江南四大才子”,人们首先会想到唐伯虎,他和秋香的爱情故事几...  

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总有一些艺术家,因其有趣、复杂、多产、且留下足够多的资料供人翻检、且死了些年头难以自辩,而成为研究员和研究生们的“学术富矿”。明人文徵明,不仅是富矿、还是富于国际知名度的富矿——作为吴门画派的宗师,他的画作“风润秀朗”,颇有苏州甜糯软香的风味,比之八大...  

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欢迎观赏雅思9分作文

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从此就有了文徵明情结

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角度有趣,條理清晰,思考謹慎,是對純藝術分析很好的補充,搞藝術研究不能不懂物質環境和市場。

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