Children born on Sunday are said to have special gifts of sensitivity, imagination, and clairvoyance, including the ability to see goblins and ghosts. The protagonist of this touching and deeply affecting novel is a young boy named Pu, a Sunday's child. Pu is eight and his brother Dag ten when their mother rents Pastor Dahlberg's ramshackle house for the summer. It is the first summer the family has not stayed with their grandmother in her comfortable home a few miles away, but Pu's father has let it be known that if he is to join them for vacation, it will have to be in a house of their own. Sunday's Children is the story of that summer, of the magical landscape and the people who pass through it: Pu's overbearing grandmother, his drunken uncle, the beautiful tutor, his terrorizing brother, and his feuding parents. Pu hates his brother's endless teasing, enjoys holding his baby sister and playing with trains, adores his mother, worships yet fears his father. But Pu also thinks about death, dwells on the strange stories of ghosts the servant girls tell, and broods about the painful arguments between his parents. As the novel opens, Pu, his heart full of high expectations, is on his way to the railroad station to meet his father. But much to Pu's chagrin, when his father arrives, he is restless, absent-minded, and melancholy. They take a trip together, a journey that at times brings them closer but ultimately deepens the growing darkness between them. The author enriches the reader's sense of that relationship through a series of "flashbacks to the future", in which the protagonist visits his ill and dying father in later years. As a child Pu approached his father with completeadoration. As an adult, with distance, he brought anger. But in the end he brings understanding. In his review of the film adapted from Bergman's novel, Vincent Canby called it "a gorgeous, richly poignant memoir, so full of mirrors,
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这本书带给我的是一种对“时间”和“记忆”的全新思考。它不仅仅讲述了一个发生过的故事,更深入地探讨了时间流逝对个体生命的影响,以及记忆如何在岁月的冲刷下发生扭曲与重塑。书中那些关于过去的回溯和对未来的期盼,交织成一张复杂的情感网,让人不禁反思自己与过往的关系。作者处理“回忆”的方式非常巧妙,它不是简单的倒叙,而是以一种碎片化、非线性的方式穿插其中,完美地模拟了人类大脑中记忆提取的过程——有时清晰,有时模糊,充满主观色彩。这种对时间哲学的探讨,使得这本书的深度远超一般的叙事作品。它具有一种恒久的魅力,相信多年后重读,依然能从中挖掘出新的感悟,这无疑是一部值得珍藏的佳作。
评分这本书的开篇就抓住我了,那种细腻的情感描摹,仿佛能透过文字感受到人物的呼吸和心跳。作者对日常细节的捕捉能力简直出神入化,随便一个场景的转换,都能让你瞬间沉浸其中,体会到那种微妙的情绪波动。我尤其喜欢书中对人物内心世界的刻画,没有刻意煽情,却让人回味无穷。比如主人公面对困境时的挣扎与选择,那种真实感让人感同身受,甚至会忍不住思考如果是我处在那个位置会怎么做。叙事节奏把握得恰到好处,时而舒缓如涓涓细流,时而又突然爆发,将故事推向高潮,这种张弛有度的叙事手法,让阅读过程充满了惊喜。而且,这本书的语言风格很有特点,它不像某些作品那样追求华丽辞藻的堆砌,而是用一种质朴却极具力量的文字,直击人心最柔软的地方。读完后,久久不能平静,脑海中会不断回放书中的片段,那种挥之不去的意境,才是好作品的标志。
评分不得不提的是,这本书所营造的氛围感实在太强了。作者似乎拥有一种魔力,能够将特定的时间、地点、甚至气味,都浓缩进文字里,让你仿佛能身临其境地体验书中的世界。那股特有的年代气息,那种地域独有的风土人情,都被描绘得栩栩如生,让人心生向往,又带着一丝不易察觉的惆怅。这种沉浸式的体验,让我几乎忘记了现实中的一切琐事,完全被故事所吸引。情节的发展虽然缓慢,但每一步都走得异常扎实,为后期的情感爆发积蓄了足够的力量。它不是那种追求爆点的小说,更像是一部慢火熬制的汤品,需要耐心品味,才能体会到其中蕴含的浓厚底蕴。我喜欢这种不急不躁,却步步为营的叙事策略,它体现了作者对掌控故事节奏的绝对自信。
评分从文学技巧的角度来看,这本书的语言功力无疑是顶尖的。它的句式变化多端,长短句交错运用,配合得天衣无缝,读起来朗朗上口,却又不失其深沉的内涵。作者对意象的运用达到了炉火纯青的地步,一些看似平常的景物,经过他的笔触,立刻被赋予了强烈的象征意义,成为推动情感或揭示主题的关键元素。这种高超的象征手法,让整本书的文学品味得到了极大的提升。更难得的是,作者似乎并不卖弄技巧,所有这些精妙的安排都服务于故事本身,让读者在欣赏其优美文字的同时,丝毫不觉得刻意或矫饰。每次读完一个段落,我都会忍不住回头再读一遍,去细细咂摸那些神来之笔的妙处,这种享受是纯粹的阅读愉悦。
评分这本书的结构设计非常精巧,像是多条河流最终汇入同一片海洋,看似各自独立,实则内在有着千丝万缕的联系。作者似乎深谙“留白”的艺术,很多地方并未直接点破,而是巧妙地留下想象的空间给读者,这极大地增强了阅读的主动性和参与感。我常常在阅读时停下来,对着某一段对话或某个意象反复揣摩,试图去挖掘作者隐藏在字里行间的深意。角色的塑造立体得令人惊叹,他们不是扁平化的符号,而是有着各自的复杂性、矛盾性和成长的轨迹。我特别欣赏作者在处理人际关系上的成熟度,没有简单地划分好人和坏人,更多的是展现了人性本身的灰度与无奈。全书读下来,有一种被精心引导着思考的愉悦感,它不直接给你答案,而是提供了一个观察世界的独特视角。那种阅读的智力上的满足感,是很多情节驱动型小说难以给予的。
评分其实是在film forum看了一场电影。为什么随便一挑就是一场他儿子拍的而不是Ingmar自己拍的。orz
评分其实是在film forum看了一场电影。为什么随便一挑就是一场他儿子拍的而不是Ingmar自己拍的。orz
评分其实是在film forum看了一场电影。为什么随便一挑就是一场他儿子拍的而不是Ingmar自己拍的。orz
评分其实是在film forum看了一场电影。为什么随便一挑就是一场他儿子拍的而不是Ingmar自己拍的。orz
评分其实是在film forum看了一场电影。为什么随便一挑就是一场他儿子拍的而不是Ingmar自己拍的。orz
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