For nearly 40 years, David Lynch's works have enthralled, mystified, and provoked viewers. Lynch's films delve into the subjective consciousness of his characters to reveal both the depraved darkness and luminous spirituality of human nature. From his experimental shorts of the 1960s to feature films like Eraserhead, The Elephant Man, Blue Velvet, Wild at Heart, Mulholland Drive, and INLAND EMPIRE, Lynch has pushed the boundaries of cinematic storytelling.
In David Lynch: Beautiful Dark, author Greg Olson explores the surreal intricacies of the director's unique visual and visceral style not only in his full-length films but also his early forays into painting and short films, as well as his television landmark, Twin Peaks. This in-depth exploration is the first full-length work to analyze the intimate symbiosis between Lynch's life experience and artistic expressions: from the small-town child to the teenage painter to the 60-year-old Internet and digital media experimenter.
To fully delineate the director's life and art, Olson received unprecedented participation from Lynch, his parents, siblings, old school friends, romantic partners, children, and decades of professional colleagues as well as observed the filming of Twin Peaks: Fire Walk With Me. Throughout this study, Olson provides thorough analyses of the filmmaker's works as Lynch conceived, crafted, and completed them. Consequently, David Lynch: Beautiful Dark is the definitive study of one of the most influential and idiosyncratic directors of the last four decades.
Greg Olson is the Film Curator of the Seattle Art Museum. He has written on film for several publications including The Seattle Times, Moviemaker, Premiere and Film Comment. He has contributed to the books Vietnam War Films and Contemporary Literary Criticism. He is a board member of the Film Noir Foundation and a juror for the American Film Institute's annual 100 Years...100 Movies television programs.
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**第二段评价:** 坦白说,我原本以为这是一本晦涩难懂的艺术理论书,但读完之后,发现它更像是一部充满哲思的个人札记。作者的叙事节奏非常独特,时而急促如同一场突发的噩梦,时而又舒缓得如同午后的冗长白日梦。这种叙事上的跳跃感,恰恰是其魅力的所在。它挑战了传统的线性叙事习惯,迫使读者必须调动所有的感官和逻辑去跟进。尤其是在处理角色动机的那几章,简直是大师级的心理侧写,那些被压抑的欲望、那些未竟的童年创伤,都在文字中被剥茧抽丝般地展现出来,令人不寒而栗却又深感理解。它没有给我任何明确的答案,而是抛出了无数更深刻的问题,促使我反思自己对“怪诞”与“秩序”的认知边界。
评分**第四段评价:** 对于一个对流行文化边缘保持好奇的观察者来说,这本书提供了一个绝佳的视角,去审视那些主流审美之外的创作力量。作者的文笔犀利、毫不留情,敢于直面作品中最黑暗、最令人不适的部分,而不是仅仅停留在表面的赞美。那种对“畸形”和“完美”之间张力的探讨,非常发人深省。它让我意识到,真正的艺术往往诞生于对既定规则的破坏和对禁忌的试探之中。书中引用的各种文化典故和艺术流派的交叉引用,也足够老道,显示出作者扎实的学识功底,但令人欣慰的是,这些引用从未显得卖弄,而是自然地融入了整体的论述体系中,服务于表达核心的主题。
评分**第三段评价:** 这本书的装帧和设计本身就值得称赞,每一页的排版都透露出一种精心策划的疏离感。纸张的质地、字体的选择,都与内容散发出的那种复古的、略带霉味的怀旧感完美契合。阅读的过程,与其说是获取知识,不如说是一种沉浸式的体验。作者在描述那些标志性的场景时,所用的词汇充满了画面感,仿佛能闻到空气中弥漫的咖啡香或雨后泥土的气息。我特别欣赏作者对于“声音设计”的着墨,那种对环境音、对不和谐音效的细致捕捉和分析,极大地拓宽了我对电影艺术的理解维度。这绝非一本速食读物,它需要你放慢呼吸,用心地去咀嚼每一个句子里的潜台词。
评分**第一段评价:** 这本书简直是视觉的盛宴,作者对影像的掌控力简直出神入化。那种迷离、暧昧,又带着一丝令人不安的氛围,完美地捕捉了某种难以言喻的“美学”。我特别喜欢作者在探讨某些经典场景时,那种深入骨髓的解析,仿佛能穿透银幕,直达导演的内心世界。书中对于光影、构图的描述,细致到让人忍不住想立刻拿起相机去实践一番。它不是那种枯燥的学术分析,而是充满了感性的共鸣,读起来就像是跟随一位资深的影评人,进行了一场漫长而私密的午夜电影马拉松,让人在光怪陆离的故事碎片中,拼凑出属于自己的意义。每一次翻页,都像是一次对潜意识深处的探访,那种游走在现实与梦境边缘的体验,真是妙不可言,让人意犹未尽。
评分**第五段评价:** 我一直觉得,那些伟大的艺术家都是孤立的,他们作品中的符号往往是他们孤独心灵的投射。这本书的论述,很大程度上印证了我的看法。它细腻地剖析了创作者个体如何构建起一个完整的、自洽的“世界观”,一个独立于我们日常经验之外的平行宇宙。这种构建的艰辛与最终呈现的令人目眩的复杂性之间形成的巨大反差,是这本书最引人入胜之处。读完合上书本时,我感觉自己像是刚从一个漫长而曲折的迷宫中走出来,虽然筋疲力尽,但内心却充满了某种被净化的、近乎宗教般的满足感。它不仅仅是关于某位创作者的评论集,更像是一本关于“如何保持艺术纯粹性”的厚重指南。
评分有点造作。比较喜欢Lynch自己的语言风格-深入浅出,简单,大方和明了。
评分林奇入門最棒的書
评分林奇入門最棒的書
评分还我纯洁的视角
评分还我纯洁的视角
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