K-pop Live

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Suk-Young Kim is Professor of Critical Studies and the Director of the Center for Performance Studies at the University of California, Los Angeles. She is also the author of the award-winning book DMZ Crossing: Performing Emotional Citizenship Along the Korean Border (2014). Her research and commentary have been featured on CNN and NPR.

出版者:Stanford University Press
作者:Suk-Young Kim
出品人:
頁數:280
译者:
出版時間:2018-8-7
價格:USD 90.00
裝幀:Hardcover
isbn號碼:9781503605039
叢書系列:
圖書標籤:
  • KPOP 
  • 音樂 
  • K-pop 
  • 韓國 
  • 愛豆 
  • 偶像 
  • Transnationalism 
  • Ethnography 
  •  
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1990s South Korea saw the transition from a military dictatorship to a civilian government, from a manufacturing economy to a postindustrial hub, and from a cloistered society to a more dynamic transnational juncture. These seismic shifts had a profound impact on the media industry and the rise of K-pop. In K-pop Live, Suk-Young Kim investigates the meteoric ascent of Korean popular music in relation to the rise of personal technology and social media, situating a feverish cross-media partnership within the Korean historical context and broader questions about what it means to be "live" and "alive."

Based on in-depth interviews with K-pop industry personnel, media experts, critics, and fans, as well as archival research, K-pop Live explores how the industry has managed the tough sell of live music in a marketplace in which virtually everything is available online. Teasing out digital media's courtship of "liveness" in the production and consumption of K-pop, Kim investigates the nuances of the affective mode in which human subjects interact with one another in the digital age. Observing performances online, in concert, and even through the use of holographic performers, Kim offers readers a step-by-step guide through the K-pop industry's variegated efforts to diversify media platforms as a way of reaching a wider global network of music consumers. In an era when digital technology inserts itself into nearly all social relationships, Kim reveals how "what is live" becomes a question of how we exist as increasingly mediated subjects, fragmented and isolated by technological wonders while also longing for a sense of belonging and being alive through an interactive mode of exchange we often call "live."

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在導師的政治人類學課上讀過,現在迴想起來似乎能記得的一點是作者將人們對生命轉瞬即逝的感嘆和對liveness的追求聯係在一起,當時看的一知半解,以後有時間會找來再讀。此外,作者還提到瞭K-pop作為一種娛樂文化的跨國流動。

评分

在導師的政治人類學課上讀過,現在迴想起來似乎能記得的一點是作者將人們對生命轉瞬即逝的感嘆和對liveness的追求聯係在一起,當時看的一知半解,以後有時間會找來再讀。此外,作者還提到瞭K-pop作為一種娛樂文化的跨國流動。

评分

讀起來特彆舒服的學術書籍:)

评分

讀起來特彆舒服的學術書籍:)

评分

讀起來特彆舒服的學術書籍:)

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