图书标签: 写作 非虚构 Writing JohnMcPhee 英语 NONFICTION 美国 英文原版
发表于2024-11-05
Draft No. 4 pdf epub mobi txt 电子书 下载 2024
Draft No. 4 is a master class on the writer’s craft. In a series of playful, expertly wrought essays, John McPhee shares insights he has gathered over his career and has refined while teaching at Princeton University, where he has nurtured some of the most esteemed writers of recent decades. McPhee offers definitive guidance in the decisions regarding arrangement, diction, and tone that shape nonfiction pieces, and he presents extracts from his work, subjecting them to wry scrutiny. In one essay, he considers the delicate art of getting sources to tell you what they might not otherwise reveal. In another, he discusses how to use flashback to place a bear encounter in a travel narrative, while observing that “readers are not supposed to notice the structure. It is meant to be about as visible as someone’s bones.” The result is a vivid depiction of the writing process, from reporting to drafting to revising―and revising, and revising.
John McPhee was born in Princeton, New Jersey, and was educated at Princeton University and Cambridge University. His writing career began at Time magazine and led to his long association with the New Yorker, where he has been a staff writer since 1965. The same year he published his first book, A Sense of Where You Are, with FSG, and soon followed with The Headmaster (1966), Oranges (1967), The Pine Barrens (1968), A Roomful of Hovings and Other Profiles (collection, 1968), Levels of the Game (1968), The Crofter and the Laird (1970), Encounters with the Archdruid (1971), The Deltoid Pumpkin Seed (1973), The Curve of Binding Energy (1974), Pieces of the Frame (collection, 1975), and The Survival of the Bark Canoe (1975). Both Encounters with the Archdruid and The Curve of Binding Energy were nominated for National Book Awards. Selections from these books make up The John McPhee Reader (1976).
Since 1977, the year in which McPhee received the Award in Literature from the American Academy of Arts and Letters and the bestselling Coming into the Country appeared in print, Farrar, Straus and Giroux has published Giving Good Weight (collection, 1979), Basin and Range (1981), In Suspect Terrain (1983), La Place de la Concorde Suisse (1984), Table of Contents (collection, 1985), Rising from the Plains (1986), Heirs of General Practice (in a paperback edition, 1986), The Control of Nature (1989), Looking for a Ship (1990), Assembling California (1993), The Ransom of Russian Art (1994), The Second John McPhee Reader (1996), Irons in the Fire (collection, 1997), Annals of the Former World (1998). Annals of the Former World, McPhee’s tetralogy on geology, was published in a single volume in 1998 and was awarded the Pulitzer Prize in 1999. The Founding Fish was published in 2002.
为最前面两个章节打4????。就如John Mcphee自己说的,后面几张的points of references很多我都get不到,看的稍稍有点吃力。是一本会再翻阅的书。
评分为最前面两个章节打4????。就如John Mcphee自己说的,后面几张的points of references很多我都get不到,看的稍稍有点吃力。是一本会再翻阅的书。
评分一册小书竟然看了整整一年半,真是拖延症哈哈。内容还是挺有意思的,只是别抱着太强的目的去读就好了。
评分纽约客的文章骨子里都是先起个调调然后再说正紧事儿,毕竟"the name of the subject shall not be the title."; 作者的难得之处在于不但是一个好的非虚构作家,更是一个好的老师。
评分一册小书竟然看了整整一年半,真是拖延症哈哈。内容还是挺有意思的,只是别抱着太强的目的去读就好了。
非虚构写作这件事,接触不多。所以以下都是些门外汉的偷窥。 唯二的两本书,是看了一半的《被仰望与被遗忘的》。开篇描述觉得精彩又生动,画面感十足如临其境,再配上一些节奏,一部脑内电影已经成型。但再往下看,就觉得兴趣寥寥,相似的东西太多了。大量数字的呈现,对于细节...
评分✨把写作定义为一种“手艺”是再准确不过的了,因为写作这事儿,不仅源自于可遇不可求的创作灵气,更要求写作者日积月累的实践与训练,需要不断精进、不断锤炼,需要如匠人一般精心雕琢,是一场身与心的长途跋涉。看完约翰·麦克菲的这本《写作这门手艺》更是深觉如此。 ✨...
评分文/芮娜 某个下午,我逛书店的时候,一眼就望到了《写作这门手艺:普林斯顿大学写作课》这本书,瞬间被它的书名吸引到了。我想,凡是喜欢写作的人都应该会对这类书有着强烈的兴趣吧!或者说,是求知欲! 起初,看到书的副标题——“普林斯顿大学写作课”,以为会是一本比较严...
评分拿到这本书,是在长假第一天。 正准备在烤串店尽力一撸的我趿拉着一双鞋,兴冲冲地倒提着快递袋子,重新坐回店里,感觉自己像是浊世中的一朵晶莹的奇葩。充满仪式感地翻开看了几行,只觉书里天马行空的符号文字和店内浓厚的油烟痴缠在一起,直冲我的泪道和鼻腔,让我目眩神迷。...
评分何伟曾经提到,在普林斯顿上的非虚构写作课是他从虚构写作转向非虚构写作的一个重要契机,而那门课的老师正是这本书的作者 John McPhee。John McPhee 在美国非虚构写作界算是一个大名鼎鼎的人物,他不仅培养了像何伟以及现任 The New Yorker 主编 David Reminik 这样出色的学生...
Draft No. 4 pdf epub mobi txt 电子书 下载 2024