John McPhee was born in Princeton, New Jersey, and was educated at Princeton University and Cambridge University. His writing career began at Time magazine and led to his long association with the New Yorker, where he has been a staff writer since 1965. The same year he published his first book, A Sense of Where You Are, with FSG, and soon followed with The Headmaster (1966), Oranges (1967), The Pine Barrens (1968), A Roomful of Hovings and Other Profiles (collection, 1968), Levels of the Game (1968), The Crofter and the Laird (1970), Encounters with the Archdruid (1971), The Deltoid Pumpkin Seed (1973), The Curve of Binding Energy (1974), Pieces of the Frame (collection, 1975), and The Survival of the Bark Canoe (1975). Both Encounters with the Archdruid and The Curve of Binding Energy were nominated for National Book Awards. Selections from these books make up The John McPhee Reader (1976).
Since 1977, the year in which McPhee received the Award in Literature from the American Academy of Arts and Letters and the bestselling Coming into the Country appeared in print, Farrar, Straus and Giroux has published Giving Good Weight (collection, 1979), Basin and Range (1981), In Suspect Terrain (1983), La Place de la Concorde Suisse (1984), Table of Contents (collection, 1985), Rising from the Plains (1986), Heirs of General Practice (in a paperback edition, 1986), The Control of Nature (1989), Looking for a Ship (1990), Assembling California (1993), The Ransom of Russian Art (1994), The Second John McPhee Reader (1996), Irons in the Fire (collection, 1997), Annals of the Former World (1998). Annals of the Former World, McPhee’s tetralogy on geology, was published in a single volume in 1998 and was awarded the Pulitzer Prize in 1999. The Founding Fish was published in 2002.
Draft No. 4 is a master class on the writer’s craft. In a series of playful, expertly wrought essays, John McPhee shares insights he has gathered over his career and has refined while teaching at Princeton University, where he has nurtured some of the most esteemed writers of recent decades. McPhee offers definitive guidance in the decisions regarding arrangement, diction, and tone that shape nonfiction pieces, and he presents extracts from his work, subjecting them to wry scrutiny. In one essay, he considers the delicate art of getting sources to tell you what they might not otherwise reveal. In another, he discusses how to use flashback to place a bear encounter in a travel narrative, while observing that “readers are not supposed to notice the structure. It is meant to be about as visible as someone’s bones.” The result is a vivid depiction of the writing process, from reporting to drafting to revising―and revising, and revising.
非虚构写作这件事,接触不多。所以以下都是些门外汉的偷窥。 唯二的两本书,是看了一半的《被仰望与被遗忘的》。开篇描述觉得精彩又生动,画面感十足如临其境,再配上一些节奏,一部脑内电影已经成型。但再往下看,就觉得兴趣寥寥,相似的东西太多了。大量数字的呈现,对于细节...
评分在火车上又通读完一遍书,也看完了这本书目前的所有书评,麦克菲在书中提到自己回应读者来信时有一句,“有你这样目光如猞猁的读者,把那几千字浏览过一遍,哪怕只发现一处错误,我也感到非常欣慰。”也正是出于(学习)这样的心态,读完这些书评之后,我觉得可以对其中提出的...
评分 评分出于不剧透的目的,就不详细介绍书本所说内容了。 一句话简单概括之:这本书介绍了非虚构写作的准备、创作和修改过程。 作者是一位非虚构写作的大师,也有很多普利策奖得主通过他的课程得到启发,但是我依然只给这本书三颗星。 理由如下: 第一,重点不明。 真正理论性的内容比...
评分目前为止,这本书我只读了两遍。 在拿到这本书之前,我对约翰•麦克菲一无所知。简介上提到的“荣获普利策奖”、“普林斯顿大学教授”、 “‘中国纪实三部曲’而为读者所熟知的彼得‧海斯勒的老师”等这些名号,引起了我的兴趣。最初,我甚至以为这本书是指导你如何进行非...
First book bought in an airport. He talked like Woody Allen - rambling ideas in a surprisingly elegant way...
评分一册小书竟然看了整整一年半,真是拖延症哈哈。内容还是挺有意思的,只是别抱着太强的目的去读就好了。
评分#What is this?!
评分何伟nonfiction写作“启蒙”老师教写作的书
评分何伟nonfiction写作“启蒙”老师教写作的书
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