The Unwomanly Face of War pdf epub mobi txt 电子书 下载 2025
Svetlana Alexievich was born in Ivano-Frankivsk, Ukraine, in 1948 and has spent most of her life in the Soviet Union and present-day Belarus, with prolonged periods of exile in Western Europe. Starting out as a journalist, she developed her own nonfiction genre, which gathers a chorus of voices to describe a specific historical moment. Her works include The Unwomanly Face of War (1985), Last Witnesses (1985), Zinky Boys (1990), Voices from Chernobyl (1997), and Secondhand Time (2013). She has won many international awards, including the 2015 Nobel Prize in Literature “for her polyphonic writings, a monument to suffering and courage in our time.”
- 纪实文学
- 苏联卫国战争
- 女性
- 历史
- 诺贝尔文学奖
- 白俄罗斯
- 外国文学
- 纪实
For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her invention of “a new kind of literary genre,” describing her work as “a history of emotions . . . a history of the soul.”
In The Unwomanly Face of War, Alexievich chronicles the experiences of the Soviet women who fought on the front lines, on the home front, and in the occupied territories. These women—more than a million in total—were nurses and doctors, pilots, tank drivers, machine-gunners, and snipers. They battled alongside men, and yet, after the victory, their efforts and sacrifices were forgotten.
Alexievich traveled thousands of miles and visited more than a hundred towns to record these women’s stories. Together, this symphony of voices reveals a different aspect of the war—the everyday details of life in combat left out of the official histories.
Translated by the renowned Richard Pevear and Larissa Volokhonsky, The Unwomanly Face of War is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war.
“But why? I asked myself more than once. Why, having stood up for and held their own place in a once absolutely male world, have women not stood up for their history? Their words and feelings? They did not believe themselves. A whole world is hidden from us. Their war remains unknown . . . I want to write the history of that war. A women’s history.”—Svetlana Alexievich
THE WINNER OF THE NOBEL PRIZE IN LITERATURE
“for her polyphonic writings, a monument to suffering and courage in our time.”
具体描述
读后感
生活在和平年代的我，确实不能理解战争是怎么回事。 在战争中国人们会遇到的可怕的事情，远比我所能想到的还要可怕。沈从文写战时衙门断案，用猜拳决定犯人的生死，命若草芥。14岁的安妮在日记中反思战争的无意义。林达用集中营海贼们的画作与合唱呼喊着《像自由一样美丽》。 ...
评分一开始对这本书感兴趣是因为女性书写，在读大学的这几年里，一开始接受的知识是关于理性和非理性的，在此后的几年里，理性和非理性就在我的生活里一直拉锯，一方面是心理学科学特性，一方面是关于传播和生活。后来关注到一些女性作家的作品，像邱妙津的《鳄鱼手记》，伍尔夫的...
评分 评分生活在和平年代的我，确实不能理解战争是怎么回事。 在战争中国人们会遇到的可怕的事情，远比我所能想到的还要可怕。沈从文写战时衙门断案，用猜拳决定犯人的生死，命若草芥。14岁的安妮在日记中反思战争的无意义。林达用集中营海贼们的画作与合唱呼喊着《像自由一样美丽》。 ...
评分曾无限痴迷于中外二战的历史，因为其中的热血青春和保家卫国的伟大理想，也曾向往过枪林弹雨高举理想大旗。 生不逢时呵。 没经历过战争的人怀着向往； 经历过战争的人再难走出。 两条平行线，何时相交。 终于知道为之战栗是怎样的感觉，噙着泪水看罢，只留下一颗心在隐隐作...
用户评价
这是一本关于痛苦的书，也是一本关于真相的书。作者走访了上百位曾在苏德战争（伟大卫国战争）时期参战的苏联女兵，倾听她们的诉说，记录她们的苦难，然后用一段段真实的回忆文字，向读者展示被宏大叙事和辉煌胜利所掩盖的无数普通人的牺牲和泪水。在春节假期的这几天，我无数次地被残酷的真相所震撼，被高贵的人性所感动……
评分(1985) R4 战争中暂时得到了平等，战后又是男人的附属和歧视对象
评分感動. 在戰場上收集一個月的紗布做婚紗這種事情, 只有女性才做得出來啊
评分(1985) R4 战争中暂时得到了平等，战后又是男人的附属和歧视对象
评分感動. 在戰場上收集一個月的紗布做婚紗這種事情, 只有女性才做得出來啊
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