The Social Life of Inkstones

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Dorothy Ko (Chinese 高彦頤) is a Professor of History and Women's Studies at the Barnard College of Columbia University. She is a historian of early modern China, known for her multi-disciplinary and multi-dimensional research. As a historian of early modern China, she has endeavored to engage with the field of modern China studies; as a China scholar, she has always positioned herself within the study of women and gender and applied feminist approaches in her work; as a historian, she has ventured across disciplinary boundaries, into fields that include literature, visual and material culture, science and technology, as well as studies of fashion, the body and sexuality.

出版者:University of Washington Press
作者:Dorothy Ko
出品人:
页数:330
译者:
出版时间:2017-2-7
价格:USD 45.00
装帧:Hardcover
isbn号码:9780295999180
丛书系列:
图书标签:
  • 物质文化 
  • 艺术史 
  • 高彦颐 
  • 海外中国研究 
  • 文化史 
  • 高彥頤 
  • 历史 
  • 明清文学 
  •  
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An inkstone, a piece of polished stone no bigger than an outstretched hand, is an instrument for grinding ink, a collectible object of art, a token of exchange between friends or sovereign states, and an inscriptional surface on which texts and images are carved and reproduced. As such the inkstone is entangled with the production of elite masculinity and the culture of wen (culture, literature, civility) in China, Korea, and Japan for over a millennium. Curiously, this ubiquitous object in East Asia is virtually unknown in Europe and America.

The Social Life of Inkstones introduces its hidden history and cultural significance to scholars and collectors and in so doing, writes the stonecutters and artisans into history. Each of the five chapters is set in a specific place in disparate parts of the empire: the imperial workshops in the Forbidden City, the Duan quarries in Guangdong, inkstonecarving workshops in Suzhou and elsewhere in the south, and collectors’ homes in Fujian. Taken together, they trace the trajectories of the inkstone between court and society, and through the course of its entire social life. In bringing to life the people involved in making, using, collecting, and writing about the inkstone, this study shows the powerful emotional and technical investments that such a small object engendered.

This first book-length study of inkstones focuses on a group of inkstone carvers and collectors, highlighting the work of Gu Erniang, a woman transitioned the artistry of inkstone-making to modernity between the 1680s and 1730s. The sophistication of these artisans and the craft practice of the scholars associated with them announced a new social order in which the age-old hierarchy of head over hand no longer predominated.

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Carefully crafted with multiple themes to exploit the possibilities envisaged by the sources. Parallel epistemologies which occasionally intersected with one another. 2018-4-1: 鳴謝信息量略大⋯⋯

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结构比较写意,文字清晰易读,寓观点于行文中。明显是事业有成以后的作品,字里行间不忌讳材料缺失和存在的漏洞,信心十足。因为资料所限,只能谈到顾二娘的作坊,也是用的与她往来的文人的记录。但诸如肇庆黄山村里的那些在自家院子里雕刻砚台的妇女所掌握的工匠的知识,就很难展现了。正因为着笔在和文人相交、为文人追捧的顾二娘,所以她所具备的工艺技术必然带上了“文”的印记。

评分

结构比较写意,文字清晰易读,寓观点于行文中。明显是事业有成以后的作品,字里行间不忌讳材料缺失和存在的漏洞,信心十足。因为资料所限,只能谈到顾二娘的作坊,也是用的与她往来的文人的记录。但诸如肇庆黄山村里的那些在自家院子里雕刻砚台的妇女所掌握的工匠的知识,就很难展现了。正因为着笔在和文人相交、为文人追捧的顾二娘,所以她所具备的工艺技术必然带上了“文”的印记。

评分

Carefully crafted with multiple themes to exploit the possibilities envisaged by the sources. Parallel epistemologies which occasionally intersected with one another. 2018-4-1: 鳴謝信息量略大⋯⋯

评分

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