Commemorative Landscape Painting in China pdf epub mobi txt 电子书 下载 2025
Anne de Coursey Clapp is professor emerita of Wellesley College, where she taught East and Southeast Asian art history in the Art Department for more than three decades, retiring in 1999. She is the author of monographs on the Ming dynasty artists Wen Zhengming and Tang Yin.
- 藝術史
- 海外中国研究
- 艺术史
- 宋畫
- 中國史
- EarlyModernChina
- Art
When is a landscape more than a landscape? This is a richly illustrated study of an important genre of Ming-dynasty Chinese painting in which landscapes are actually disguised portraits that celebrate an individual and his achievements, ambitions, and tastes in an open effort to win recognition, support, and social status. In this unique study, Anne de Coursey Clapp presents a broad view of these commemorative landscape paintings, including antecedents in the Song and Yuan dynasties.
The book traces how in commemorative landscape painting members of the literati address their peers in a deeply familiar language of values, just as they had for centuries through literary biography. Although the setting for such pictures is always natural landscape, it is secondary to the man, and its true function is to mirror him as the humanistic ideal of the recluse-scholar. The book shows how the literary associations attached to the new landscape increased during the Yuan dynasty (1271-1368), when the first commemorative paintings appeared, and flourished through the Ming (1368-1644), producing an art form that was simultaneously pictorial and verbal. In the course of exploring the sources and meaning of these paintings, the book examines several varieties of dedicatory paintings, including departure paintings, and the interesting subgenre of "biehao," in which portrait subjects are symbolized through pictorial representations of their literary names.
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在Clapp之前大概劉九庵先生討論過此類型畫作，不過主要集中在吳門畫派中來講。Clapp則用個案梳理了從宋到明這類型畫作的一些特點，也將此genre介紹給了英文世界。
评分将宋朝至明朝山水画风格与景观联系起来，并讨论其中的观念与生活形式的流变，还蛮有意思。发现自己果然最爱山水画啊，曾看到形容吴门画派风格的一个词“雪意”，有一种仙人的意象，真是极美。
评分What was special about literati portraits in China? The last chapter is particularly illuminating.
评分将宋朝至明朝山水画风格与景观联系起来，并讨论其中的观念与生活形式的流变，还蛮有意思。发现自己果然最爱山水画啊，曾看到形容吴门画派风格的一个词“雪意”，有一种仙人的意象，真是极美。
评分How a minor genre of Song painting survived the humanistic transition in the Yuan to expand its territory and live a new life in the Ming. Less attractive case studies in comparison with Cahill's.
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