In his Aesthetics Hegel gives full expression to his seminal theory of art. He surveys the history of art from ancient India, Egypt, and Greece through to the Romantic movement of his own time, criticizes major works, and probes their meaning and significance; his rich array of examples gives broad scope for his judgement and makes vivid his exposition of his theory. The substantial Introduction is Hegel's best exposition of his general philosophy of art, and provides the ideal way into his Aesthetics. In Part I he considers the general nature of art: he distinguishes art, as a spiritual experience, from religion and philosophy; he discusses the beauty of art and differentiates it from the beauty of nature; and he examines artistic genius and originality. Part II provides a sort of history of art, divded into three periods called Symbolic (India, Persia, Egypt), Classical (Greece), and Romantic (medieval and post-medieval up to the end of the eighteenth century). Part III deals individually with architecture, scuplture, painting, music, and literature.
具體描述
讀後感
I When coming to the question of ‘what is man’s need to produce works of art,’ Hegel first mentions an opinion according to which art can be left alone: For it might be held that there are other and even better means of achieving what art aims at and tha...
評分I When coming to the question of ‘what is man’s need to produce works of art,’ Hegel first mentions an opinion according to which art can be left alone: For it might be held that there are other and even better means of achieving what art aims at and tha...
評分I When coming to the question of ‘what is man’s need to produce works of art,’ Hegel first mentions an opinion according to which art can be left alone: For it might be held that there are other and even better means of achieving what art aims at and tha...
評分I When coming to the question of ‘what is man’s need to produce works of art,’ Hegel first mentions an opinion according to which art can be left alone: For it might be held that there are other and even better means of achieving what art aims at and tha...
評分I When coming to the question of ‘what is man’s need to produce works of art,’ Hegel first mentions an opinion according to which art can be left alone: For it might be held that there are other and even better means of achieving what art aims at and tha...
用戶評價
非常historical，非常hierarchical，沒有想象中那麼Euro-centric，延續瞭康德的free play of imagination and understanding的想法，但是傲驕地鄙視瞭一下他提齣的the beautiful of nature與sublimity。在Romantic art之後會是什麼呢？Greenberg提齣的理念－更加去物質、更加注重Idea的conceptual art倒是答案之一，不過這就是藝術史的最後結局瞭咩？其實我想說的是今天烤瞭貓咪餅乾送給智慧與美貌兼備的教授，教授很開心的樣子耶！
评分The corrently "official" eiditon of Hegel's aesthetics (corresbonds with quotations from most secondary literauture), including introduction, the chapter on "idea of beauty", and the three moments in history of art (similar to Hegel's understanding of the stages of actual history, namely, the process of awareness of freedom). A fluent translation.
评分The corrently "official" eiditon of Hegel's aesthetics (corresbonds with quotations from most secondary literauture), including introduction, the chapter on "idea of beauty", and the three moments in history of art (similar to Hegel's understanding of the stages of actual history, namely, the process of awareness of freedom). A fluent translation.
评分The corrently "official" eiditon of Hegel's aesthetics (corresbonds with quotations from most secondary literauture), including introduction, the chapter on "idea of beauty", and the three moments in history of art (similar to Hegel's understanding of the stages of actual history, namely, the process of awareness of freedom). A fluent translation.
评分非常historical，非常hierarchical，沒有想象中那麼Euro-centric，延續瞭康德的free play of imagination and understanding的想法，但是傲驕地鄙視瞭一下他提齣的the beautiful of nature與sublimity。在Romantic art之後會是什麼呢？Greenberg提齣的理念－更加去物質、更加注重Idea的conceptual art倒是答案之一，不過這就是藝術史的最後結局瞭咩？其實我想說的是今天烤瞭貓咪餅乾送給智慧與美貌兼備的教授，教授很開心的樣子耶！
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