具体描述
The new Eighth Edition of the Music Business Handbook and Career Guide maintains the tradition of this classic text as the most comprehensive, up-to-date guide to the $100 billion music industry. This new Eighth Edition expands on hot-button music business issues such as digital downloads, piracy, and record company transformations. Thoroughly revised, the Eighth Edition shares a particular emphasis on online music and its impact on the rest of the industry. The Eighth Edition also includes complete coverage of all aspects of the music industry, including songwriting, publishing, licensing, artist management, promotion, retailing, media, and much more.
New to This Edition
Highlights the impact of online music, the iPod revolution, digital downloads, and cellular ring tones on the music industry
Features complete sections on entrepreneurial ventures and careers in music, including specific advice on getting started in the music business
Includes a revised Instructor's Manual on CD offering new in-the-classroom tips on how to best use the classic text as both a core and supplemental resource
This updated Eighth Edition of a bestseller is thorough in scope and ideal as the core textbook in courses such as Introduction to the Music Business, Music and Media, and survey courses. This book can also be used for more specialized courses on the record industry, music merchandising, music careers, artist management, music and the law, arts administration, and music in popular culture. Music business newcomers and professionals alike will find the new edition a valuable resource, whatever their specialty within the field.
作者简介
Author David Baskerville received a Ph.D. in music from UCLA. His background included staff composer-conductor for NBC-Hollywood; arranger for Nelson Riddle, Paramount Pictures, and 20th Century Fox; television producer for BBC-London; conductor at Radio City Music Hall; trombonist with the Seattle Symphony, Los Angeles Philharmonic, and NBC-Hollywood orchestra; Executive Vice President of Ad-Staff, Inc.; producer of award-winning broadcast commercials; Executive Editor of Tor Music Publishing Company; and President of Sherwood Recording Studios, Los Angeles (subsequently operated by Warner Bros. Records).
He also served as a consultant to companies in the entertainment industry, such as Walt Disney Productions, and to research and marketing firms, such as Vidmar Communications, Los Angeles. As an educator, Dr. Baskerville created and directed the music management program at the University of Colorado at Denver, where he became professor emeritus. He was a guest lecturer, consultant, or clinician at USC, UCLA, Chicago Musical College, Hartt School of Music, the Ohio State University, University of Miami, and Trebas Institute, Canada. He was a featured speaker at national conventions of the Music Educators National Conference, College Music Society, National Association of Jazz Educators, and the National Association of Schools of Music.
目录信息
读后感
用户评价
这本书简直是我的救星,尤其是在我刚踏入这个行业的时候,感觉就像手里拿着一张通往音乐产业复杂迷宫的地图。我记得我刚开始研究这个领域时,网上信息零散得让人头疼,每个论坛、每篇博客说的都像是冰山一角,根本拼凑不出一个完整的画面。但是,这本指南不同,它像是把所有关键人物、所有运作流程都摊开来给你看,而且是以一种非常直白、不绕弯子的方式。它不是那种只会用行业术语堆砌起来的教科书,而是真正从实践操作的角度出发,告诉你一个艺人、一个制作人或者一个管理者到底需要知道些什么。我特别欣赏它对版权和合同部分的处理,简直是把那些常年让新手困惑的法律条款,用人话解释得明明白白,让我少走了不少弯路,避免了初入行就签下苛刻合约的风险。这本书的内容深度和广度都拿捏得恰到好处,既有宏观的行业趋势分析,又有微观到具体职位如何胜任的实用建议,是新人和想要系统学习的人必备的一本工具书。
对于一个已经在这个圈子里摸爬滚打了几年的人来说,我原本对“指南”类的书籍抱有一丝怀疑,总觉得它们大多是老生常谈。然而,这本书成功地打破了我的固有印象,它在保持基础知识体系完整的同时,不断地融入了最新的行业动态和案例分析,让即便是老手也能从中找到值得反思和更新知识点的地方。我个人对其中关于全球化和跨境合作的章节特别感兴趣,它详细探讨了如何处理国际许可、版权交易以及适应不同国家文化背景下的营销差异,这对于我们现在业务拓展到海外市场至关重要。书中对于“风险管理”的讨论也很有深度,它不再是泛泛而谈,而是针对性地列出了在艺人管理、巡演筹备等环节中可能遇到的具体法律和财务陷阱,并给出了成熟的规避建议。这本书的价值在于其迭代速度和对现实问题的回应能力,它确实是一份与时俱进的行业宝典。
这本书真正让我感到震撼的是它对行业生态系统各个组成部分的细致描绘,它没有避讳地揭示了音乐产业中那些光鲜亮丽背后的运营逻辑和商业博弈。我过去总觉得音乐是艺术,创作是纯粹的,但读完这本书后,我才真正理解了“音乐商业”的含义——它是一个由技术、法律、金融和创意紧密交织的复杂系统。它对发行、推广以及如何利用新兴技术平台(比如流媒体和社交媒体)进行战略部署的阐述,是我在其他任何地方都未能找到的系统性指导。我尤其关注了其中关于数据分析和艺人品牌建设的那部分,书中强调了在现代音乐市场中,如何通过数据驱动决策,优化推广策略,这对我后面实际操作中的推广活动产生了立竿见影的积极影响。这本书不仅仅是知识的传递,更像是一套经过实战检验的商业思维模型的植入。
这本书的阅读体验非常流畅,它的语言风格既专业又不失亲和力,仿佛一位经验丰富、愿意倾囊相授的导师。我最欣赏的一点是,它不是那种只告诉你“是什么”的书,而是深入剖析了“为什么”和“怎么做”。例如,在讨论唱片公司的角色转变时,它没有简单地罗列出过去和现在的区别,而是深入分析了数字革命如何重塑了价值链,以及为什么传统角色的功能必须重新定义才能适应新环境。这种深层次的洞察力,极大地提升了我对整个行业运行逻辑的理解层次。对于那些正在考虑进入音乐行业,但对具体运作机制感到迷茫的人来说,这本书提供的清晰路线图是无价之宝。它教会了我如何用商业的眼光去看待艺术创作,以及如何在高压的商业环境中维护创作者的利益,这本书绝对值得反复研读和收藏。
说实话,这本书的结构设计得非常巧妙,它不像很多同类书籍那样,读起来干巴巴的,只适合在考试前翻阅。我发现它最大的优点在于其内容的连贯性和逻辑性,读起来简直是一种享受,仿佛有一个经验丰富的前辈坐在你身边,耐心地为你梳理整个行业的发展脉络和权力结构。我尤其喜欢它对不同职业路径的详细剖析,从 A&R 到数字营销,每一个章节都像是一个独立的迷你职业手册,让你清楚地知道,如果想走这条路,你需要具备哪些技能组合,以及这个岗位的日常工作重心是什么。这种“知己知彼”的感觉,对于职业规划至关重要,让我能够更精准地投入时间和精力去培养自己最需要的核心竞争力,而不是盲目地学习所有可能的东西。而且,书中对行业内新旧模式的对比分析,也非常具有前瞻性,让我对未来几年的市场变化有所预判,这对于保持竞争力是极其宝贵的洞察力。
中国音乐产业人士必读
中国音乐产业人士必读
中国音乐产业人士必读
中国音乐产业人士必读
中国音乐产业人士必读