Cicero (Marcus Tullius, 106-43 BCE), Roman lawyer, orator, politician and philosopher, of whom we know more than of any other Roman, lived through the stirring era which saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In his political speeches especially and in his correspondence we see the excitement, tension and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, delivered before the Roman people or the Senate if they were political, before jurors if judicial, 58 survive (a few of them incompletely). In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters of which more than 800 were written by Cicero and nearly 100 by others to him. These afford a revelation of the man all the more striking because most were not written for publication. Six rhetorical works survive and another in fragments. Philosophical works include seven extant major compositions and a number of others; and some lost. There is also poetry, some original, some as translations from the Greek. The Loeb Classical Library edition of Cicero is in twenty-nine volumes.
Cicero (Marcus Tullius, 106–43 BCE), Roman lawyer, orator, politician and philosopher, of whom we know more than of any other Roman, lived through the stirring era which saw the rise, dictatorship, and death of Julius Caesar in a tottering republic. In his political speeches especially and in his correspondence we see the excitement, tension and intrigue of politics and the part he played in the turmoil of the time. Of about 106 speeches, delivered before the Roman people or the Senate if they were political, before jurors if judicial, 58 survive (a few of them incompletely). In the fourteenth century Petrarch and other Italian humanists discovered manuscripts containing more than 900 letters of which more than 800 were written by Cicero and nearly 100 by others to him. These afford a revelation of the man all the more striking because most were not written for publication. Six rhetorical works survive and another in fragments. Philosophical works include seven extant major compositions and a number of others; and some lost. There is also poetry, some original, some as translations from the Greek.
小记: 两个主要Figure的内容基本就是大家口中的rhetorical devices了(修辞的微观理论),其对后世重要性是值得单列出一篇整理的。Style: Figures of Diction/Figures of Thought在原文中出现于Book IV的第二章(Diction)和第三章(Thought)。 ---------------------------...
评分小记: 两个主要Figure的内容基本就是大家口中的rhetorical devices了(修辞的微观理论),其对后世重要性是值得单列出一篇整理的。Style: Figures of Diction/Figures of Thought在原文中出现于Book IV的第二章(Diction)和第三章(Thought)。 ---------------------------...
评分小记: Rhetorica ad Herennium这本书非常短小精悍,白话来说就是load了干货太多有些沉;结构条理分明,但不均匀而且太复杂。这里大致提取了一个梗概方便自己阅读。如果是用视觉(树状图),而非文字来梳理,效果会更理想。 ------------------------------------------------...
评分小记: Rhetorica ad Herennium这本书非常短小精悍,白话来说就是load了干货太多有些沉;结构条理分明,但不均匀而且太复杂。这里大致提取了一个梗概方便自己阅读。如果是用视觉(树状图),而非文字来梳理,效果会更理想。 ------------------------------------------------...
评分小记: Rhetorica ad Herennium这本书非常短小精悍,白话来说就是load了干货太多有些沉;结构条理分明,但不均匀而且太复杂。这里大致提取了一个梗概方便自己阅读。如果是用视觉(树状图),而非文字来梳理,效果会更理想。 ------------------------------------------------...
这本书初读时,我几乎被它那种古老而又充满力量的文字所吸引。它就像是一位智慧的导师,以一种近乎私密的、娓娓道来的方式,向你展示了言语的精妙结构。我特别欣赏作者对于“说服力”的解构,那不是空泛的理论,而是可以被拆解、分析并付诸实践的技艺。书中对不同类型的论辩场景的划分,比如法庭辩论、荣誉之辩,都显得极为细致和贴合实际。每一次阅读,我都能从中挖掘出新的层次,明白为何在那个时代,掌握了这些技巧的人能够拥有如此强大的社会影响力。它不仅仅是关于如何“说得好”,更是关于如何“思考得清晰”,如何构建一个逻辑无懈可击的论证链条。它要求你不仅要懂得修辞,更要洞悉人性中的弱点和渴望,从而实现真正的有效沟通。这种对人类交流本质的深刻洞察,即便放在今天,也依然具有震撼人心的穿透力。
评分这本书给我的感觉,就像是收到了一份来自古代的“权力使用手册”,只不过这里的权力并非基于武力,而是基于语言的精确操纵。我发现,作者对听众心理的把握达到了近乎病态的精准。他毫不避讳地讨论了如何利用情感的波动来引导判断,如何通过巧妙的措辞来模糊事实的边缘。这使我开始以一种全新的、甚至略带警惕的眼光审视日常接触到的所有说服性话语。它揭示了修辞学背后的双刃剑特性——它既是实现真理的工具,也可能是掩盖谬误的帷幕。这种对“术”与“道”之间微妙平衡的探讨,使得这本书的价值远远超出了单纯的演讲技巧指南,而成为了一个关于道德选择与影响力边界的深刻探讨。
评分说实话,当我翻开这本书时,心里是有些忐忑的,毕竟是流传千古的经典,总担心晦涩难懂。然而,这本书的叙事节奏和论证推进方式却出乎我的意料。它没有采用那种高高在上的说教姿态,反而更像是一场精心设计的实践演习。作者似乎非常了解初学者在面对复杂修辞规则时的困境,因此总能找到最直观的例子来阐释抽象的概念。我最喜欢的部分是关于“记忆术”的论述,那种将抽象的知识点与具体的空间图像联系起来的方法,简直是思维的魔术。它让我意识到,优秀的表达能力并非天赋异禀,而是可以被系统训练和掌握的。每一次攻克一个复杂的段落,都像是在攀登一座知识的高塔,虽然过程艰辛,但登顶后的视野豁然开朗,对语言的驾驭能力也随之提升了一个档次。
评分这是一本需要反复研读,并且最好伴随笔记和案例分析才能真正消化的巨著。它的语言风格相对古朴,带着一种庄重的历史厚度,初次接触可能会感到有一定的阅读阻力。然而,一旦你习惯了它的韵律,就会发现其内部蕴含着惊人的系统性和严密性。作者对于“风格”的探讨尤其引人入胜,他没有提供一个放之四海而皆准的完美模板,而是根据不同的场合、听众和目标,细致地剖析了每一种风格所能带来的心理暗示和实际效果。这让我明白了,真正的修辞大师,绝不是一个只会背诵金句的复读机,而是一个能够根据现场环境,即时调配语言“配方”的化学家。它教会我的,是变通中的坚守,是灵活运用背后的核心原则。
评分阅读这本著作,对我而言,是一次对思维模式的彻底重塑。它不是教你如何编织华丽的辞藻,而是从最基础的“构思”阶段就开始介入。书中的结构划分和论证层次的构建,迫使我必须将原本混乱的思绪梳理得井井有条。很多时候,我们觉得自己想清楚了,但一旦试图按照书中要求的逻辑框架去组织语言,才会发现哪里留下了思维的漏洞。这种“被强迫的结构化”过程,是极其痛苦但又无比高效的。每一次练习按照书中的模板去搭建一个论点,都像是为我的大脑装上了一个更高性能的处理器,使得信息处理的速度和准确性都有了显著的飞跃。它改变了我对“有效沟通”的定义。
评分修辭學真的好難啊
评分修辭學真的好難啊
评分读完了,读得都是血与泪(太loaded了)。一句废话都没有的古典学第一修辞教科书,于practitioner、于theorist都是必读。
评分读完了,读得都是血与泪(太loaded了)。一句废话都没有的古典学第一修辞教科书,于practitioner、于theorist都是必读。
评分修辭學真的好難啊
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