Story pdf epub mobi txt 電子書 下載 2025


Story

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Robert McKee
ReganBooks
1997-11-25
480
USD 40.00
Hardcover
9780060391683

圖書標籤: 電影  編劇  寫作  故事  美國  電影製作  screenplay  英文   


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发表于2025-01-10

Story epub 下載 mobi 下載 pdf 下載 txt 電子書 下載 2025

Story epub 下載 mobi 下載 pdf 下載 txt 電子書 下載 2025

Story pdf epub mobi txt 電子書 下載 2025



圖書描述

Robert McKee's screenwriting workshops have earned him an international reputation for inspiring novices, refining works in progress and putting major screenwriting careers back on track. Quincy Jones, Diane Keaton, Gloria Steinem, Julia Roberts, John Cleese and David Bowie are just a few of his celebrity alumni.Writers, producers, development executives and agents all flock to his lecture series, praising it as a mesmerizing and intense learning experience. In Story , McKee expands on the concepts he teaches in his $450 seminars (considered a must by industry insiders), providing readers with the most comprehensive, integrated explanation of the craft of writing for the screen. No one better understands how all the elements of a screenplay fit together, and no one is better qualified to explain the "magic" of story construction and the relationship between structure and character than Robert McKee.

Story 下載 mobi epub pdf txt 電子書

著者簡介

Robert McKee began his show business career at age nine playing the title role in a community theatre production of MARTIN THE SHOEMAKER. He continued acting as a teenager in theatre productions in his hometown of Detroit, Michigan. Upon receiving the Evans Scholarship, he attended the University of Michigan and earned a Bachelor's Degree in English Literature. While an undergraduate, he acted in and directed over thirty productions. McKee's creative writing professor was the noted Kenneth Rowe whose former students include Arthur Miller and Lawrence Kasdan.

After completing his B.A., McKee toured with the APA (Association of Producing Artists) Repertory Company, appearing on Broadway with such luminaries as Helen Hayes, Rosemary Harris and Will Geer. He then received the Professional Theatre Fellowship and returned to Ann Arbor, Michigan to earn his Master's Degree in Theatre Arts.

Upon graduating, McKee directed the Toledo Repertory Company, acted with the American Drama Festival, and became Artistic Director of the Aaron Deroy Theatre. From there he traveled to London to accept the position of Artist-In-Residence at the National Theatre where he studied Shakespearean production at the Old Vic. He then returned to New York and spent the next seven years as an actor/director in various Off-Broadway, repertory and stock companies.

After deciding to move his career to film, McKee attended Cinema School at the University of Michigan. While there, he directed two short films - A DAY OFF, which he also wrote, and TALK TO ME LIKE THE RAIN, adapted from a one-act play by Tennessee Williams. These two films won the Cine Eagle Award, awards at the Brussels and Grenoble Film Festivals, and various prizes at the Delta, Rochester, Chicago and Baltimore Film Festivals.

In 1979, McKee moved to Los Angeles, California where he began to write screenplays and work as a story analyst for United Artists and NBC. He sold his first screenplay, DEAD FILES, to AVCO/Embassy Films, after which he joined the WGA (Writers Guild of America). His next screenplay, HARD KNOCKS, won the National Screenwriting Contest, and since then McKee has had over eight feature film screenplays purchased or optioned, including the feature film script TROPHY for Warner Bros. In addition to his screenplays, McKee has had a number of scripts produced for such critically acclaimed dramatic television series as QUINCY, M.D. (starring Jack Klugman), COLUMBO (starring Peter Falk), SPENSER: FOR HIRE and KOJAK (starring Telly Savalas).

In 1983, McKee, a Fulbright Scholar, joined the faculty of the School of Cinema and Television at the University of Southern California (USC), where he began offering his now famous STORY SEMINAR class. A year later, McKee opened the course to the public and he now teaches the 3-day, 30-hour STORY SEMINAR to sold-out audiences around the world. From Los Angeles (where his course is only taught two times a year) to New York (two times a year) to Paris, Sydney, Toronto, Boston, San Francisco, Helsinki, Oslo, Munich, Singapore, Barcelona and 12 other film capitals around the world, more than 50,000 students have taken the course over the last 15+ years.

Through it all, McKee continues to be a project consultant to major film and television production companies, as well major software firms (Microsoft, etc.), news departments (ABC, etc.) and more. In addition, several companies such as ABC, Disney, Miramax, PBS, Nickelodeon and Paramount regularly send their entire creative and writing staffs to his lectures.

In 2000, McKee won the prestigious 1999 International Moving Image Book Award for his best-selling book STORY (Regan Books/HarperCollins). The book, currently in its 32nd printing in the U.S. and its 19th printing in the U.K., has become required reading for film and cinema schools at such top Universities as Harvard, Yale, UCLA, and USC, and was on the LOS ANGELES TIMES best-seller list for 20 weeks.


圖書目錄


Story pdf epub mobi txt 電子書 下載
想要找書就要到 小哈圖書下載中心
立刻按 ctrl+D收藏本頁
你會得到大驚喜!!

用戶評價

評分

講的是編劇的常識,實打實的乾貨。最後100頁眼睛看腫瞭也完全停不下來,末瞭對好壞編劇的方式區分更是讓讀者無語的對號入座,我都想飽含淚水緊握Mckee的老手:“您,太他媽懂行瞭!”。注:書中用做詳細剖析的電影素材大部分都太老,不好找,不能對照著電影和書中圖錶就沒法深讀。

評分

中文版翻閱無數次瞭 但是翻譯之爛有些地方真的彆扭到狗屁不通 直接導緻我無法理解mckee先生的見地啊!! 那天iask上看到瞭英文原版 果斷dang之 又極厭電子版 又破費將之打印 現在摸著還溫熱的400頁心裏那個激動!!

評分

有些很漂亮的解剖,對於敘事本身的教學也沒問題。隻是我不認為narrative是電影的核心,也不認為narrative是錶現人物的唯一途徑。

評分

有些很漂亮的解剖,對於敘事本身的教學也沒問題。隻是我不認為narrative是電影的核心,也不認為narrative是錶現人物的唯一途徑。

評分

講的是編劇的常識,實打實的乾貨。最後100頁眼睛看腫瞭也完全停不下來,末瞭對好壞編劇的方式區分更是讓讀者無語的對號入座,我都想飽含淚水緊握Mckee的老手:“您,太他媽懂行瞭!”。注:書中用做詳細剖析的電影素材大部分都太老,不好找,不能對照著電影和書中圖錶就沒法深讀。

讀後感

評分

(全文7100字,慎入!《故事》精华全在此了。) 罗伯特·麦基(Robert McKee)的《故事》一书,主要是针对电影编剧而写的,是他数十年开办、教授“故事”培训班的经验结集。 罗伯特·麦基,1941年1月30日出生于底特律,编剧。从小热爱戏剧,早年做过演员。1981年,麦基受美国南...  

評分

我们大概多少都读过教育部引进翻译的国外教材,当时可能不以为然,现在想想,似乎理解内容没有遇到什么障碍。反观周铁东先生翻译的《故事》,简直莫名其妙。请问Reason,翻译成“理由”和“原因”能表述同样意思吗?我都不提那些硬着头皮意译的所谓专业名词,提它们算我欺负你...

評分

这本书号称美国电影界编剧的《福音书》。我读了之后,发现西方人对『讲故事』这一行为的研究的确已经达到一个相当先进的地步,其理论已经相当系统化,形成一种专门针对观众心智的故事设计模式。而正是这种故事理论和设计模式,支撑了整个好莱坞的工业式运作,在漫长的历史中屡...  

評分

我们大概多少都读过教育部引进翻译的国外教材,当时可能不以为然,现在想想,似乎理解内容没有遇到什么障碍。反观周铁东先生翻译的《故事》,简直莫名其妙。请问Reason,翻译成“理由”和“原因”能表述同样意思吗?我都不提那些硬着头皮意译的所谓专业名词,提它们算我欺负你...

評分

(全文7100字,慎入!《故事》精华全在此了。) 罗伯特·麦基(Robert McKee)的《故事》一书,主要是针对电影编剧而写的,是他数十年开办、教授“故事”培训班的经验结集。 罗伯特·麦基,1941年1月30日出生于底特律,编剧。从小热爱戏剧,早年做过演员。1981年,麦基受美国南...  

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