Siegfried Kracauer's classic study, originally published in 1960, explores the distinctive qualities of the cinematic medium. The book takes its place alongside works in classical film theory by such figures as Bla Balzs, Rudolf Arnheim, and Andr Bazin, among others, and has met with much critical dispute. In this new edition, Miriam Bratu Hansen, examining the book in the context of Kracauer's extensive film criticism from the 1920s, provides a framework for appreciating the significance of Theory of Film for contemporary film theory.
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幾個關鍵詞。
评分補
评分Kracauer真的是一個super organized的人,從攝影的曆史切入講電影理論,把從攝影到電影對於真實的錶現的各個層麵整理的條理分明、有理有據。Super organize很多時候也會有種少瞭一些熱情的感覺。不過,Kracauer也有很多細節的、私人的觀點,比如他多次提到Proust的描述是多麼先鋒地提前錶達齣瞭攝影和電影纔有的獨特性,很是有趣~
评分film theory
评分我會努力讀完的
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