悉德·菲爾德(Syd Field),美國編劇,製片人,最暢銷的電影編劇著作作傢。他的著作《電影劇本寫作基礎》自1982年首版以來已被譯成16種語言,在世界250多所大學用作教材,《電影劇作者疑難問題解決指南》是續篇,進一步揭示瞭劇作的奧秘和技巧。他曾在全球許多國傢任教,現在是好萊塢電影公司的劇本審稿人以及編劇顧問。
A generation of screenwriters has used Syd Field’s bestselling books to ignite successful careers in film. Now the celebrated producer, lecturer, teacher, and bestselling author has updated his classic guide for a new generation of filmmakers, offering a fresh insider’s perspective on the film industry today. From concept to character, from opening scene to finished script, here are easily understood guidelines to help aspiring screenwriters—from novices to practiced writers—hone their craft. Filled with updated material—including all-new personal anecdotes and insights, guidelines on marketing and collaboration, plus analyses of recent films, from American Beauty to Lord of the Rings — Screenplay presents a step-by-step, comprehensive technique for writing the screenplay that will succeed in Hollywood. Discover:
•Why the first ten pages of your script are crucially important
•How to visually “grab” the reader from page one, word one
•Why structure and character are the essential foundation of your screenplay
•How to adapt a novel, a play, or an article into a screenplay
•Tips on protecting your work—three legal ways to claim ownership of your screenplay
•The essentials of writing great dialogue, creating character, building a story line, overcoming writer’s block, getting an agent, and much more.
With this newly updated edition of his bestselling classic, Syd Field proves yet again why he is revered as the master of the screenplay—and why his celebrated guide has become the industry’s gold standard for successful screenwriting.
菲尔德的这两本书我都快翻烂了,书很薄但特经看,分析剧本结构其实就是电影的骨架。在写剧本的过程中遇到问题我都要再回来翻翻他的书。但是我要说的是其实写作是一个很需要天赋的事情,什么理论都知道了还是可能写不出来,感悟生活、充分的想象力和对写作的热情最重要。这本书...
評分《电影剧本写作基础》笔记 几种文字形式的不同: 1.小说:如果你看一部小说而且尝试着去确定它的基本特性时,你会发现那种戏剧性行为动作,故事线等时常是发生在主要人物的头脑中。我们(读者)是在偷窥主人公的思想,感情,行为,动作,希望,野心,见识和更多的东西。如果出...
評分 評分这是我毕业后,唯一一本比较认真读的书。 因为我试图寻找一条捷径,希望能够完成《地狱神探前传》的电影剧本。然而,事情并不是那么简单。我发现,我想写的剧本缺乏戏剧性冲突,写出来的故事可能比较平淡。我有点困惑了,正如书中点到过的那样。 也许我现在只是...
All drama is conflict; without conflict, you have no action; without action you have no character; without character, you have no story. And without story, you have no screenplay. 這句話重復瞭十幾二十遍,其他內容也是這樣來迴捯飭,就像在給一個一直在走神的學生講課一樣,掰碎揉爛確保學生都聽進去瞭。適閤我這種屁都不懂的學生來入門。
评分瞭解3Act必然要讀這本書
评分隻讀一本的話還是選麥基
评分劇本基本機構講解比較清楚。
评分這學期還是快樂得多的。
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