The Postman Always Rings Twice pdf epub mobi txt 电子书 下载 2026
- 小说
- 英文原版
- James.M.Cain
- 美国
- 美国文学
- J.M.Cain
- 推理
- Fiction
- 经典小说
- 美国文学
- 犯罪小说
- 爱情故事
- 社会批判
- 20世纪文学
- 悬疑元素
- 人物心理
- 都市生活
- 道德困境
具体描述
An amoral young tramp.A beautiful, sullen woman with an inconvenient husband.A problem that has only one grisly solution--a solution that only creates other problems that no one can ever solve.
First published in 1934 and banned in Boston for its explosive mixture of violence and eroticism, The Postman Always Rings Twice is a classic of the roman noir . It established James M. Cain as a major novelist with an unsparing vision of America's bleak underside, and was acknowledged by Albert Camus as the model for The Stranger .
作者简介
James Mallahan Cain (July 1, 1892–October 27, 1977) was an American journalist and novelist. Although Cain himself vehemently opposed labeling, he is usually associated with the hard-boiled school of American crime fiction and seen as one of the creators of the "roman noir."
He was born into an Irish Catholic family in Annapolis, Maryland, the son of a prominent educator and an opera singer. He inherited his love for music from his mother, but his high hopes of starting a career as a singer himself were thwarted when she told him that his voice was not good enough.
After graduating from Washington College where his father, James W. Cain served as president, in 1910, he began working as a journalist for The Baltimore Sun.
He was drafted into the United States Army and spent the final year of World War I in France writing for an Army magazine. On his return to the United States he continued working as a journalist, writing editorials for the New York World and articles for American Mercury. He also served briefly as the managing editor of The New Yorker, but later turned to screenplays and finally to fiction.
Although Cain spent many years in Hollywood working on screenplays, his name only appears on the credits of three films, Algiers, Stand Up and Fight, and Gypsy Wildcat.
His first novel (he had already published Our Government in 1930), The Postman Always Rings Twice was published in 1934. Two years later the serialized, in Liberty Magazine, Double Indemnity was published.
He made use of his love of music and of the opera in particular in at least three of his novels: Serenade (about an American opera singer who loses his voice and who, after spending part of his life south of the border, re-enters the States illegally with a Mexican prostitute in tow), Mildred Pierce (in which, as part of the subplot, the only daughter of a successful businesswoman trains as an opera singer) and Career in C Major (a short semi-comic novel about the unhappy husband of an aspiring opera singer who unexpectedly discovered that he has a better voice than she does).
He continued writing up to his death at the age of 85. His last three published works, The Baby in the Icebox (1981), Cloud Nine (1984) and The Enchanted Isle (1985) being published posthumously. However, the many novels he published from the late 1940s onward never quite rivaled his earlier successes.
目录信息
读后感
《邮差总按两遍铃》是美国作家詹姆斯•M.凯恩出版于1934年的处女作，是他一生中写过最好的小说，也是黑色类型文学的开山之作，直接影响了后世黑色电影的创作之路，恐怕这是作者詹姆斯•M.凯恩意料之外的。这部字里行间充斥着宗教意味的黑色小说秉持当时刚刚行起的冷硬文风...
评分池莉在《绿水长流》中说爱就是“只要你要，只要我有”。所以爱的范围应该挺广的。任何一种简单的定义都会发现太多种爱不能被包括在内。 所以我想问，为什么要说这本小说是关于欲望而与爱情无关呢？为什么肉欲就不能称为爱呢？为什么为了对方奉献为了对方牺牲自己才叫爱，而想...
评分 评分 评分这本曾被选为二十世纪百部最佳的英语小说，取材一起真实的谋杀案。一个汽车旅馆的老板（希腊人），被自己的妻子伙同情夫（旅店雇员）谋杀。小说的情节略为夸张，角色怪诞有趣。爱害人是那种幸运儿和糊涂虫的合体，第一次谋杀竟然没能把他杀死，也没能引起他的警觉。第二次谋杀...
用户评价
阅读体验上，这本书提供了一种极度原始和赤裸的文本冲击力。它的力量不在于复杂的情节反转，而在于对人类最基本情感——爱、嫉妒、贪婪——近乎冷酷的剖析。作者对白描的运用达到了极高的水准，几乎每一句对话都带着强烈的目的性，没有一句废话，直击要害。我尤其喜欢它对“沉默”的处理，很多关键的冲突和转变，恰恰发生在人物相对无言的时刻，而这些“空隙”恰恰被文字填满了张力。它揭示了一个令人不安的真相：有时候，最极端的行为，恰恰是在最平淡无奇的生活表象下酝酿而成的。这本书仿佛是在告诉你，在某些特定的诱惑和压力下，任何人都有可能成为故事中的角色。它不提供救赎，也不提供简单的答案，它只是呈现了一个关于欲望如何自我毁灭的经典案例。看完之后，你不会为任何角色感到“抱歉”，只会对其必然的结局感到一种冰冷的必然性。 <|end|>
评分这本小说，初读之下，便被一股浓郁的、近乎令人窒息的宿命感所笼罩。它并非那种铺陈宏大历史背景的史诗，而是将焦点聚焦于人性的幽暗角落，如同夏日午后，阳光毒辣得让人无处遁形。作者的笔触极为精准，寥寥数语便能勾勒出人物内心深处的挣扎与渴望。故事中弥漫着一种原始的、不受约束的欲望，它像暗流一样推动着情节发展，让人不禁思考，究竟是环境塑造了人性中的“恶”，还是人性本身就潜藏着引人走向歧途的本能冲动？ 叙事节奏的掌控堪称一绝，时而如平静的湖面，看似风平浪静，实则水下暗礁密布；时而又陡然加速，将读者猛地抛入一个无法回头的境地。你看着那些角色，他们似乎都在做着理智上最不该做出的选择，但从情感的逻辑上来看，却又是那么的“合乎情理”。这种矛盾的张力，使得每一次翻页都伴随着心跳的加速，生怕下一秒就会目睹那不可避免的灾难降临。它挑战的不仅仅是道德的边界，更是对“选择”这一行为的深刻拷问。 值得称赞的是，场景的描绘充满了粗粝的质感，那种美国西部的尘土飞扬、小餐馆里廉价咖啡的苦涩味道，几乎可以透过纸页散发出来，极大地增强了沉浸感。
评分读完这本书，我有一种强烈的冲动，想要去探究“偶然”与“必然”之间的界限究竟在哪里。它不像某些悬疑小说那样，靠着层层谜团来吸引你，它从一开始就将底牌掀开，我们都知道结局会走向何方，但正是这种“已知”，反而制造了更高级别的紧张感。人物的刻画绝非扁平化符号，他们是活生生的，带着各自的弱点和无可救药的缺陷。尤其是一些次要角色的出现，看似是推动主线的工具，实则他们各自的人生轨迹也折射出那个特定时代背景下小人物的无奈与挣扎。我特别留意了对话的处理，那些言简意赅、夹枪带棒的交流，充满了未尽之意和潜台词，仿佛每一次开口都是在试探对方的底线，每一次沉默都比言语更具杀伤力。这本书的魅力，就在于它从不试图去美化任何事情，它直白地展示了欲望如何腐蚀一切美好的事物，以及当激情退去后，剩下的焦土是如何令人绝望。它像一面镜子，映照出人心中最隐秘、最不愿承认的冲动。
评分这本书最令人称奇的一点，是它对“时间感”的处理。它似乎将故事浓缩在了一段极短的时间轴内，然而在这短暂的交汇中，却爆发出了足以改变一生的能量。作者巧妙地运用了重复的意象和场景，比如反复出现的特定地点或物件，让读者清晰地感受到这种集中爆发的压迫感。这种重复并非是叙事上的拖沓，反而是像一种仪式，一次次地确认着主角们不可逆转的决定。它让我联想到了某些古典悲剧的结构，即人物的悲剧性并非源于外部的巨大灾难，而是源于其自身无法抗拒的内部驱动力。那些看似随意的对话，其实句句都是导火索；那些不经意的眼神接触，都蕴含着危险的承诺。我欣赏作者不加矫饰的叙事风格，它摒弃了一切多余的抒情和道德说教，让事件本身成为最有力的批判者。读起来，你会感觉自己像一个旁观者，站在绝对的安全距离外，目睹着一场精心编排却又充满失控边缘的舞蹈。
评分这本书的结构设计极其精巧，它在看似松散的日常片段中，编织了一张密不透通风的网。如果说有什么是贯穿始终的线索，那便是“逃离”的徒劳。每个人物都在试图逃离某种现实——可能是贫困，可能是无聊，可能是既定的社会角色，但他们选择的方式却恰恰将他们更深地困在了命运的泥潭里。叙事者对于环境的烘托达到了出神入化的地步，那种热带的湿气、午后的慵懒，都被赋予了某种预兆性的含义。读到后半段，我甚至开始感到一种物理上的压抑，仿佛被困在了那个狭小封闭的空间里，每一次呼吸都带着沉重的负担。这种氛围的营造，远超出了单纯的文字堆砌，它需要作者对人类心理的深刻洞察，才能捕捉到那种在渴望与恐惧之间反复拉扯的微妙状态。它不是一本让你读完后感到愉快的书，但它绝对是一本让你在很长一段时间内，都难以摆脱其影响的书。它像一根刺，扎在记忆的深处，时不时地提醒你某些人性真相的残酷性。
评分结尾很难说没有受到Roy Horniman在1907年出版的那部惊艳四方之Israel Rank的影响。前半平淡无奇至趣味尽失的情节中途起急转直下，紧密的交锋高潮迭起，至篇末更是点睛之笔。
评分简单易读，很巧妙的故事架构。会去找电影来看。
评分They won everything at first, but then lost in love and destroyed themselves.
评分武大郎、潘金莲、西门庆的hardboiled版，苦命的野鸳鸯，他俩是真爱哇。虽说有声书的朗读已很好，但BBC广播剧貌似情节更紧凑、情话讲得我听犹怜。
评分庭审和最后的转折还不错，这本书非常口语化，偏粗野，黑暗冷硬的写作风格，有点不像是犯罪小说，不是我喜欢的类型。
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