Maxine Hong Kingston, (born October 27, 1940, Stockton, California, U.S.), American writer, much of whose work is rooted in her experience as a first-generation Chinese American. Maxine Hong was the eldest of six American-born children of Chinese immigrant parents. Hong’s father, a scholar, had left China in 1924 and immigrated to New York City; unable to find work as a poet or calligrapher, he took a job in a laundry. Hong’s mother had remained behind in China and joined him in the United States in 1939. Hong attended the University of California, Berkeley, as a scholarship student, graduating in 1962. At Berkeley she met aspiring actor Earll Kingston. They were married in November 1962 and had a son in 1964. The couple taught at Sunset High School in 1966–67 in Hayward, California, then moved to Hawaii, where she held a series of teaching jobs for the next 10 years. In 1976 Kingston published her first book, The Woman Warrior: Memoirs of a Girlhood Among Ghosts. It combines myth, family history, folktales, and memories of the experience of growing up within two conflicting cultures. The book was an immediate critical success, winning the 1976 National Book Critics’ Circle Award for nonfiction. In her second memoir, China Men (1980), Kingston tells the story of Chinese immigration through the experiences of the men in her family. Using the narrative techniques of The Woman Warrior, she relates their stories of virtual slave labour, loneliness, and discrimination. China Men won the American Book Award for nonfiction. In Tripmaster Monkey: His Fake Book (1989), the main character—Whittman Ah Sing, named after Walt Whitman—narrates a peculiarly 20th-century American odyssey; the book combines Eastern and Western literary traditions while emphasizing the Americanness of its characters. In To Be the Poet (2002), written mainly in verse, Kingston presented a rumination on elements of her own past and the acts of reading and creating poetry. The Fifth Book of Peace (2003) combines elements of fiction and memoir in the manner of a Chinese talk-story, a tradition in which elements of both the real and imagined worlds become interpolated. I Love a Broad Margin to My Life (2011) is a “memoir-in-verse.” Kingston also published poems, short stories, and articles. Her collection of 12 prose sketches, Hawai’i One Summer (1987), was published in a limited edition with original woodblock prints and calligraphy. Beginning in 1993 Kingston ran a series of writing and meditation workshops for veterans of various conflicts and their families. From these workshops came the material for Veterans of War, Veterans of Peace (2006), a collection edited by Kingston containing prose and verse on the experiences of war, domestic violence, drug abuse, and other traumatic experiences. In 2014 Kingston received the National Medal of Arts.
A first-generation Chinese-American woman recounts growing up in America within a tradition-bound Chinese family, and confronted with Chinese ghosts from the past and non-Chinese ghosts of the present.
《女勇士》用五个不同的故事来讲述中国女性的地位,从妈妈的口述中得知那些素未谋面的女性的命运,它向我们充分展示了传统中国父系社会里女性的卑贱与悲哀。它不仅描述了中国的社会面貌,也向我们表达了美籍华裔的心路历程,透露了他们的艰辛与不易。这不仅向世界展示了我们中...
评分初读此书,给我以一种 “毛骨悚然”的阅读感受,会不由地蹙眉哑默,会有读不下去乃至一些读不懂的不适。作者用独特的写作方式,带领读者不断地立足现实,坠入虚构,回归过去又跌入编织的梦境,如此跳跃,循环往复。难免令人有坐过山车似的眩晕感。此外,对这个拥有极端复杂性格...
评分 评分初读此书,给我以一种 “毛骨悚然”的阅读感受,会不由地蹙眉哑默,会有读不下去乃至一些读不懂的不适。作者用独特的写作方式,带领读者不断地立足现实,坠入虚构,回归过去又跌入编织的梦境,如此跳跃,循环往复。难免令人有坐过山车似的眩晕感。此外,对这个拥有极端复杂性格...
我非常喜欢啊
评分花木兰那章真的好看 上天下地的想象力 其他的一般
评分要讨论整整一周这本书. 我觉得讨论的时候自己会很尴尬. 第二章后半部分很棒,前面各种reference看得我好累啊. 第三章太无聊了.其实挺好玩的,把这本书里的中国看成一个和天朝有很多相似故事的同名字中国就觉得还挺萌的。
评分Frank Chin 一点也不冤枉Kingston.
评分Maxine Hong Kingston is just the type that I'm puzzled about. A semi-novel of patchwork mixing reality with fake yet genuinely-assembled legends is strange enough to catch the eyes of those favoring the very exoticness of the OTHER CULTURE. Kingston, without her background, might not reach such a height with such kind of work.
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