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Fariña evokes the Sixties as precisely, wittily, and poignantly as F. Scott Fitzgerald captured the Jazz Age. The hero, Gnossus Pappadopoulis, weaves his way through the psychedelic landscape, encounteringamong other thingsmescaline, women, art, gluttony, falsehood, science, prayer, and, occasionally, truth.
by Thomas Pynchon In a dim way, I had been aware of Richard Fariña before I actually met him. It was the winter of 1958, toward the end of the school semester, and I was a junior editor on the Cornell Writer, which was the campus literary magazine. At s...
評分by Thomas Pynchon In a dim way, I had been aware of Richard Fariña before I actually met him. It was the winter of 1958, toward the end of the school semester, and I was a junior editor on the Cornell Writer, which was the campus literary magazine. At s...
評分by Thomas Pynchon In a dim way, I had been aware of Richard Fariña before I actually met him. It was the winter of 1958, toward the end of the school semester, and I was a junior editor on the Cornell Writer, which was the campus literary magazine. At s...
評分by Thomas Pynchon In a dim way, I had been aware of Richard Fariña before I actually met him. It was the winter of 1958, toward the end of the school semester, and I was a junior editor on the Cornell Writer, which was the campus literary magazine. At s...
評分by Thomas Pynchon In a dim way, I had been aware of Richard Fariña before I actually met him. It was the winter of 1958, toward the end of the school semester, and I was a junior editor on the Cornell Writer, which was the campus literary magazine. At s...
上美國文學的美國佬聲稱他睡前必看
评分上美國文學的美國佬聲稱他睡前必看
评分上美國文學的美國佬聲稱他睡前必看
评分上美國文學的美國佬聲稱他睡前必看
评分上美國文學的美國佬聲稱他睡前必看
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