图书标签: D.H.Lawrence 小说 外国文学 英文原版 英国文学 英文原著 英国 恋母情节
发表于2024-11-05
Sons and Lovers pdf epub mobi txt 电子书 下载 2024
《儿子与情人(Sons and Lovers)》是劳伦斯以他的童年和青少年时代生活为蓝本而写成的一部成名作。小说主人公保罗的父母莫瑞尔夫妇在一次舞会上一见钟情,缔结婚姻。但莫瑞尔是矿工,而莫瑞尔太太出身中产阶级。两人的生活理念截然不同,妻子面对丈夫的浑浑噩噩,深感希望破灭。对丈夫的失望、不满和怨恨使莫瑞尔太太把自己的感情和希望都倾注到儿子身上。她先是寄希望于长子威廉,然而长子早逝。她又寄希望于次子保罗,希望他能够出人头地,实现她的理想。她爱儿子,鼓励他成名成家,跻身于上流社会;她又从精神上控制儿子,使他不能钟情于别的女人。这使得保罗在以后的感情问题上迷茫、困惑、无所适从。和女友米莉安的交往使年轻的保罗经历了精神痛苦的过程。然而和他的母亲一样,米莉安也试图从精神上占有保罗,使保罗感到窒息。后来他们分手了。保罗身边还有一个与丈夫分居的名叫克拉拉的女人。保罗从她那里得到了肉体上的满足。不过最终克拉拉结束了和保罗的感情生活,回到丈夫身边。最后莫瑞尔太太病逝,保罗和米莉安也未能重归于好。他依旧孑然一人,四处漂流,继续着他精神上的挣扎。
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This semi-autobiographical novel explores the emotional conflicts through the protagonist, Paul Morel, and the suffocating relationships with a demanding mother and two very different lovers. It is a Freudian exploration of love and possessiveness.
Amazon.com
Sons and Lovers was the first modern portrayal of a phenomenon that later, thanks to Freud, became easily recognizable as the Oedipus complex. Never was a son more indentured to his mother's love and full of hatred for his father than Paul Morel, D.H. Lawrence's young protagonist. Never, that is, except perhaps Lawrence himself. In his 1913 novel he grappled with the discordant loves that haunted him all his life--for his spiritual childhood sweetheart, here called Miriam, and for his mother, whom he transformed into Mrs. Morel. It is, by Lawrence's own account, a book aimed at depicting this woman's grasp: "as her sons grow up she selects them as lovers--first the eldest, then the second. These sons are urged into life by their reciprocal love of their mother--urged on and on. But when they come to manhood, they can't love, because their mother is the strongest power in their lives."
Of course, Mrs. Morel takes neither of her two elder sons (the first of whom dies early, which further intensifies her grip on Paul) as a literal lover, but nonetheless her psychological snare is immense. She loathes Paul's Miriam from the start, understanding that the girl's deep love of her son will oust her: "She's not like an ordinary woman, who can leave me my share in him. She wants to absorb him." Meanwhile, Paul plays his part with equal fervor, incapable of committing himself in either direction: "Why did his mother sit at home and suffer?... And why did he hate Miriam, and feel so cruel towards her, at the thought of his mother. If Miriam caused his mother suffering, then he hated her--and he easily hated her." Soon thereafter he even confesses to his mother: "I really don't love her. I talk to her, but I want to come home to you."
The result of all this is that Paul throws Miriam over for a married suffragette, Clara Dawes, who fulfills the sexual component of his ascent to manhood but leaves him, as ever, without a complete relationship to challenge his love for his mother. As Paul voyages from the working-class mining world to the spheres of commerce and art (he has fair success as a painter), he accepts that his own achievements must be equally his mother's. "There was so much to come out of him. Life for her was rich with promise. She was to see herself fulfilled... All his work was hers."
The cycles of Paul's relationships with these three women are terrifying at times, and Lawrence does nothing to dim their intensity. Nor does he shirk in his vivid, sensuous descriptions of the landscape that offers up its blossoms and beasts and "shimmeriness" to Paul's sensitive spirit. Sons and Lovers lays fully bare the souls of men and earth. Few books tell such whole, complicated truths about the permutations of love as resolutely without resolution. It's nothing short of searing to be brushed by humanity in this manner.
--Melanie Re
From Kirkus Reviews
When Sons and Lovers was first seen by its reading public in 1913, its publishers had in fact, out of caution and timidity, shortened Lawrence's originally submitted version by about ten percent--cuts that are restored in this new "uncensored and uncut" edition. Complexity of characterization, intensity of characters' confrontations, and sexual frankness are now, say the publishers, as the author intended them. Example: "He could smell her faint perfume" returns to its original, "He could smell her faint natural perfume, and it drove him wild with hunger."
The Merriam-Webster Encyclopedia of Literature
Semiautobiographical novel by D.H. Lawrence, published in 1913. His first mature novel, it is a psychological study of the familial and love relationships of a working-class English family. The novel revolves around Paul Morel, a sensitive young artist whose love for his mother, Gertrude, overshadows his romances with two women: Miriam Leivers, his repressed, religious girlfriend, and Clara Dawes, an experienced, independent married woman. Unable to watch his mother die slowly of cancer, Paul kills her with morphine. Despite losing her and rejecting both Miriam and Clara, Paul harbors hope for the future.
From AudioFile
Lawrence's first major novel is unstintingly, passionately autobiographical. Set in a Nottinghamshire mining town, it concerns the high-minded wife of a brutal miner who puts all hopes into her artistic son, Paul. Copley brings the workingclass milieu to life. His north country accent enhances the author's regional "sound," which may not be apparent on the page to American readers, but which is a prominent feature of the book's aesthetic. By shaving off a bit too much of the color, the abridgment reinforces the novel's starkness. Therefore, one should hear this recording before, not instead of, reading the full work. Y.R.
Book Dimension :
length: (cm)19.8 width:(cm)12.6
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儿子与情人(全译本)
戴·赫·劳伦斯,(David Herbert Lawrence,1885~1930)英国诗人、小说家、散文家。出生于矿工家庭,当过屠户会计、厂商雇员和小学教师,曾在国内外漂泊十多年,对现实抱批判否定态度。他写过诗,但主要写长篇小说,共有10部,最著名的为《虹》(1915)、《爱恋中的女人》(1921)和《查太莱夫人的情人》(1928)。
劳伦斯生于1885年。父亲是矿工,缺少教育;母亲出身上流社会,有良好的修养。这种文化上的差异,使他们经常吵吵闹闹。但这种差异使劳伦斯从父亲那里得到了丰富的社会经验,从母亲那里至高无上的关怀。也许是母亲过分溺爱,劳伦斯有严重的恋母情结。他在给朋友的信中说:“我们相互爱着,几乎像丈夫跟妻子那样的爱,同时又是母亲与儿子的爱。我们俩就像一个人,彼此那样敏感,我们之间不要语言。这挺可怕,弄得我有些方面不正常。”
劳伦斯是最富想象力的作家,他如不过早地逝世,肯定会有更惊世的作品问世,也许更会被列为禁书。
电子版800多页终于看完了。。。完全不是“以色情为噱头”好吗。最喜欢两段:1. 父亲做东西,孩子们围着他转,这丰满了父亲的形象,也让我悲从中来;2. Paul 一边哭一边亲吻母亲的脖颈,我把这当成是劳伦斯500页前戏后堆积出的高潮。
评分第一部太精彩,其后开始了冗长的压抑。劳伦斯文笔惊艳。无视家庭背景和思想差异而缔结的婚姻是有多悲剧。这甚至不是因为狗娘的爱情,他们最初只不过被彼此相异的特质所吸引。她的冷暴力→他的热暴力→她的冷暴力,周而复始,哪一种更让对方痛苦。对下一代是有多不负责!Paul某种程度上是Willi
评分电子版800多页终于看完了。。。完全不是“以色情为噱头”好吗。最喜欢两段:1. 父亲做东西,孩子们围着他转,这丰满了父亲的形象,也让我悲从中来;2. Paul 一边哭一边亲吻母亲的脖颈,我把这当成是劳伦斯500页前戏后堆积出的高潮。
评分这是我第一本流畅地看下来的英文小说,标志着一个新的高度。看完《儿子与情人》后,开始津津乐道于对劳伦斯心理小说的分析。
评分"Whatever spot he stood on, there he stood alone."
儿子保罗的成长是在一位苦难母亲极端的个人占有欲中蜕化的结果,母亲用爱夺走了儿子成长中的精神和肉体对象,儿子在母亲死后也被母亲的意志包裹在“沉寂中,包罗在天然的幽冥之中”,完成了自我的觉醒,这是一部在分裂意识酝酿下产生的人格完善的黑色喜剧。保罗的成长是一个渐...
评分劳伦斯的《儿子与情人》中,保罗是个身体羸弱、心思细腻的孩子,对母亲有着强烈的依恋和爱。父母的关系是母亲对父亲的冷漠和厌恶,家庭关系是全部子女都跟随母亲一起厌恶父亲。 于是我们见到了惊悚的一幕:在保罗不小心踩坏了安妮的洋娃娃之后,他提出了火葬洋娃娃的建议,...
评分DH劳伦斯写给加尼特的信里说:当儿子长大起来时,她们的母亲就挑选她们作为情人。首先是最大的儿子,然后是次子。这是儿子们由于与母亲之间的爱推动,儿来到人世。而且一直受到这种力量的推动。然而当他们长大成人时他们却失去了恋爱的能力。因为母亲作为他们生活中最强大的力...
评分it hurt the boy keenly,this feeling about her that she had never had her life's fulfillment ,and his own incapability to make up to her hurt him with a sense of impotence,yet made him patiently dogged inside.it was his childish dream. ...
评分他喜欢画画,喜欢晚上和母亲呆在家里,不时抬起头看着母亲那和颜悦色的脸,嘴角便会泛出一丝微笑,低下头继续作画。只要母亲坐在她的身旁,他就能竭力把画画好,她仿佛也感觉如此,心里喜的发颤,她做活或看书一连几个小时不动,隐约知道他在埋头工作。他则激情满腔地挥动...
Sons and Lovers pdf epub mobi txt 电子书 下载 2024