Madness and Civilization

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米歇爾・福柯,20世紀極富挑戰性和反叛性的法國思想傢。青年時期就學於巴黎高等師範學校,以後曾擔任多所大學的教職。1970年起任法蘭西學院思想係統史教授,直至逝世。 福柯振奮多多數研究緻力於考察具體的曆史,由此開掘齣眾多富有衝擊力的思想主題,從而激烈地批判現代理性話語;同時,福柯的行文風格具有鮮明的文學色彩,講究修辭,飽含激情,這也是他在歐美世界産生巨大影響的一個重要原因。

出版者:Vintage
作者:Michel Foucault
出品人:
頁數:320
译者:Richard Howard
出版時間:1988-11-28
價格:USD 15.95
裝幀:Paperback
isbn號碼:9780679721109
叢書系列:Vintage Foucault
圖書標籤:
  • Foucault 
  • 哲學 
  • Philosophy 
  • 福柯 
  • 社會學 
  • 曆史 
  • History 
  • 瘋癲與文明 
  •  
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This was Michel Foucault's first major book, written while he was the Director of the Maison de France in Sweden. It examines ideas, practices, institutions, art and literature relating to madness in Western history.

Foucault begins his history in the Middle Ages, noting the social and physical exclusion of lepers. He argues that with the gradual disappearance of leprosy, madness came to occupy this excluded position. The ship of fools in the 15th century is a literary version of one such exclusionary practice, the practice of sending mad people away in ships. However, during the Renaissance, madness was regarded as an all-abundant phenomena because humans could not come close to the Reason of God. As Cervantes' Don Quixote, all humans are ridiculous weak to desires and dissimulation. Therefore, the insane, understood as one who has come too close to God's Reason, was accepted in the middle of society. It is not before the 17th century, in a movement which Foucault famously describes as the Great Confinement, that "unreasonable" members of the population systematically were locked away and institutionalised. In the 18th century, madness came to be seen as the obverse of Reason, that is, as having lost what made them human and become animal-like and therefore treated as such. It is not before 19th century that madness became mental illness that should be cured, e.g. Freud. Later it was demonstrated that the large increase in confinement did not happen in 17th but in the 19th century, somewhat undermining his argument.

Foucault also argues that madness during Renaissance had the power to signify the limits of social order and to point to a deeper truth. This was silenced by the Reason of Enlightenment. He also examines the rise of modern scientific and "humanitarian" treatments of the insane, notably at the hands of Philippe Pinel and Samuel Tuke. He claims that these modern treatments were in fact no less controlling than previous methods. Tuke's country retreat for the mad consisted of punishing the madmen until they gave up their commitment to madness. Similarly, Pinel's treatment of the mad amounted to an extended aversion therapy, including such treatments as freezing showers and use of a straitjacket. In Foucault's view, this treatment amounted to repeated brutality until the pattern of judgment and punishment was internalized by the patient.

具體描述

讀後感

評分

《疯癫与文明》是福柯在巴黎高师的第一篇博士论文。作为一个常年来又搞基又SM又喜欢尝试濒死体验的人,他对“疯癫”二字似乎非常有发言权。——据说在他生前的很多时候,都是在夜晚里磕了药,看着夜空中的漫天星斗如流星般乱舞坠落,然后提笔写下了他很多著名的哲学。 这是一...  

評分

“疯癫不是一种自然现象,而是一种文明产物。”米歇尔•福柯如是说。 作为一种社会现象,在我们意识到这一切是如何发生以前,疯癫已被贴上羞耻的劣等的疾病标签,遭到健全理智主宰的现代世界的无情驱逐,于理性之光无法照耀的永夜,沉默着悲欢。而文化现象中的疯癫,却如尼...  

評分

劉北成和楊遠嬰老師譯的很漂亮。我在看的時候時時想起媽媽。小時候看過一篇小說,講一個獨居的老人,日復一日的孤單和曠日持久的無聊。他想在生活中給自己找點新鮮。于是,他把自己房間里所有的東西的名稱都改了。他把茶杯叫皮鞋,把桌子叫地毯,把臺燈叫雞,把雞叫襪子。...  

評分

《疯癫与文明》是福柯在巴黎高师的第一篇博士论文。作为一个常年来又搞基又SM又喜欢尝试濒死体验的人,他对“疯癫”二字似乎非常有发言权。——据说在他生前的很多时候,都是在夜晚里磕了药,看着夜空中的漫天星斗如流星般乱舞坠落,然后提笔写下了他很多著名的哲学。 这是一...  

評分

“疯癫不是一种自然现象,而是一种文明产物。”米歇尔•福柯如是说。 作为一种社会现象,在我们意识到这一切是如何发生以前,疯癫已被贴上羞耻的劣等的疾病标签,遭到健全理智主宰的现代世界的无情驱逐,于理性之光无法照耀的永夜,沉默着悲欢。而文化现象中的疯癫,却如尼...  

用戶評價

评分

知識考古學讀的艱澀的同學可以讀一下這本 豁然開朗 to describe is to explain 為何感覺在methodology方麵和Latour很像呢 還是我的錯覺? 畢竟Latour我也讀著費勁; changing relations btw madness and unreason. dif relations and structures influence the experience of madness, society constructs its experience of madness. should not look at the history of psychic disorders in the light of the present.

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我讀福柯更多時候是把他當論文寫作修辭學的範本來讀,一個能在一段話開頭做一個隱喻而且在漫長的段尾還能迴應這個隱喻的頭腦在寫作的時候一定是部精準得嚇人的機器。

评分

Foucault's madness is equivalent to Durkheim's anomie, except that Durkheim is more explicit about the changing boundary of deviance. Again,saw many words on spectacle, prison, alienated, illness, power, which were not defined clearly and disguised under his fancy literary narratives. Did not get his admiration toward the static Freud either. Chris

评分

推翻我三觀的其中一本

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knowledge creates a milieu of abstract relationships: "the infirmities of wisdom". 如此可見福柯是靠材料說話的。他思想有極其強大的中氣和滲透力,我以為是因為早期材料對他的訓練有極強的grounding (vs. Derrida hardens

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