Quiet

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出版者:Penguin
作者:Susan Cain
出品人:
页数:352
译者:
出版时间:2013-1-3
价格:GBP 8.99
装帧:Paperback
isbn号码:9780141029191
丛书系列:
图书标签:
  • 心理
  • 心理学
  • 个人成长
  • 性格
  • 美国
  • 英语
  • 英文原版
  • 至少不似想您般奧妙
  • 安静
  • 反思
  • 内心世界
  • 自我成长
  • 平和
  • 专注
  • 冥想
  • 情绪管理
  • 简朴
  • 独处
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具体描述

At least one-third of the people we know are introverts. They are the ones who prefer listening to speaking, reading to partying; who innovate and create but dislike self-promotion; who favor working on their own over brainstorming in teams. Although they are often labeled "quiet," it is to introverts that we owe many of the great contributions to society--from van Gogh’s sunflowers to the invention of the personal computer.

Passionately argued, impressively researched, and filled with indelible stories of real people, Quiet shows how dramatically we undervalue introverts, and how much we lose in doing so. Taking the reader on a journey from Dale Carnegie’s birthplace to Harvard Business School, from a Tony Robbins seminar to an evangelical megachurch, Susan Cain charts the rise of the Extrovert Ideal in the twentieth century and explores its far-reaching effects. She talks to Asian-American students who feel alienated from the brash, backslapping atmosphere of American schools. She questions the dominant values of American business culture, where forced collaboration can stand in the way of innovation, and where the leadership potential of introverts is often overlooked. And she draws on cutting-edge research in psychology and neuroscience to reveal the surprising differences between extroverts and introverts.

Perhaps most inspiring, she introduces us to successful introverts--from a witty, high-octane public speaker who recharges in solitude after his talks, to a record-breaking salesman who quietly taps into the power of questions. Finally, she offers invaluable advice on everything from how to better negotiate differences in introvert-extrovert relationships to how to empower an introverted child to when it makes sense to be a "pretend extrovert."

This extraordinary book has the power to permanently change how we see introverts and, equally important, how introverts see themselves.

Q: Why did you write the book?

A: For the same reason that Betty Friedan published The Feminine Mystique in 1963. Introverts are to extroverts what women were to men at that time--second-class citizens with gigantic amounts of untapped talent. Our schools, workplaces, and religious institutions are designed for extroverts, and many introverts believe that there is something wrong with them and that they should try to “pass” as extroverts. The bias against introversion leads to a colossal waste of talent, energy, and, ultimately, happiness.

Q: What personal significance does the subject have for you?

A: When I was in my twenties, I started practicing corporate law on Wall Street. At first I thought I was taking on an enormous challenge, because in my mind, the successful lawyer was comfortable in the spotlight, whereas I was introverted and occasionally shy. But I soon realized that my nature had a lot of advantages: I was good at building loyal alliances, one-on-one, behind the scenes; I could close my door, concentrate, and get the work done well; and like many introverts, I tended to ask a lot of questions and listen intently to the answers, which is an invaluable tool in negotiation. I started to realize that there’s a lot more going on here than the cultural stereotype of the introvert-as-unfortunate would have you believe. I had to know more, so I spent the past five years researching the powers of introversion.

Q: Was there ever a time when American society valued introverts more highly?

A: In the nation’s earlier years it was easier for introverts to earn respect. America once embodied what the cultural historian Warren Susman called a “Culture of Character,” which valued inner strength, integrity, and the good deeds you performed when no one was looking. You could cut an impressive figure by being quiet, reserved, and dignified. Abraham Lincoln was revered as a man who did not “offend by superiority,” as Emerson put it.

Q: You discuss how we can better embrace introverts in the workplace. Can you explain?

A: Introverts thrive in environments that are not overstimulating—surroundings in which they can think (deeply) before they speak. This has many implications. Here are two to consider: (1) Introverts perform best in quiet, private workspaces—but unfortunately we’re trending in precisely the opposite direction, toward open-plan offices. (2) If you want to get the best of all your employees’ brains, don’t simply throw them into a meeting and assume you’re hearing everyone’s ideas. You’re not; you’re hearing from the most vocally assertive people. Ask people to put their ideas in writing before the meeting, and make sure you give everyone time to speak.

Q: Quiet offers some terrific insights for the parents of introverted children. What environment do introverted kids need in order to thrive, whether it’s at home or at school?

A: The best thing parents and teachers can do for introverted kids is to treasure them for who they are, and encourage their passions. This means: (1) Giving them the space they need. If they need to recharge alone in their room after school instead of plunging into extracurricular activities, that’s okay. (2) Letting them master new skills at their own pace. If they’re not learning to swim in group settings, for example, teach them privately. (3) Not calling them “shy”--they’ll believe the label and experience their nervousness as a fixed trait rather than an emotion they can learn to control.

Q: What are the advantages to being an introvert?

A: There are too many to list in this short space, but here are two seemingly contradictory qualities that benefit introverts: introverts like to be alone--and introverts enjoy being cooperative. Studies suggest that many of the most creative people are introverts, and this is partly because of their capacity for quiet. Introverts are careful, reflective thinkers who can tolerate the solitude that idea-generation requires. On the other hand, implementing good ideas requires cooperation, and introverts are more likely to prefer cooperative environments, while extroverts favor competitive ones.

《静默之海》 作者:亚历山大·科尔宾 类型:硬科幻、太空歌剧、哲学思辨 --- 一、 故事背景:宏大叙事下的个人挣扎 《静默之海》的故事设定在公元2742年,人类文明已经完成了“大跃迁”,殖民的足迹遍布银河系边缘的数千个星系。然而,这种扩张并非带来和谐,而是加剧了资源分配的极度不均和意识形态的尖锐对立。故事的中心舞台,是一片被命名为“阿卡迪亚群星”的区域,这里是新旧秩序交汇的熔炉,也是无数次秘密战争的策源地。 地球,早已成为一个由超级人工智能“奥林匹斯”严格管控的博物馆式星球,其大部分资源被用于维持星际霸权的运作。普通民众,或者说“非公民阶层”,生活在被数字信息流和严格的社会信用体系所构建的牢笼之中。自由,在这个时代,成了一种比黑洞燃料更稀缺的商品。 二、 核心情节:失踪的信标与“深层代码” 故事围绕着一艘传奇性的科研勘探船——“普罗米修斯号”的失踪展开。这艘船隶属于一个在官方记录中早已被解散的独立科学组织,其任务是探索一片被主流星际联盟标记为“零区”的,布满引力异常和未知辐射源的星域。 舰长,经验丰富的星际导航员兼密码学家伊利亚·凡德尔,在失踪前留下的最后一份加密日志中,提到了一个代号为“深层代码”(The Deep Code)的发现。这段代码据称并非来自任何已知的智慧生命或自然现象,而是一种结构性信息,似乎能够绕过“奥林匹斯”的防火墙,直接影响到人类集体潜意识的底层逻辑。 官方对此的解释是“普罗米修斯号”因遭遇未知的空间风暴而解体。然而,前联邦情报分析师,现为走私船船长的凯拉·雷恩,收到了一个匿名发送的、源自“零区”深处的微弱信号。这个信号包含了一个无法被现有解码技术识别的频率,但凯拉的直觉告诉她,这与她多年前被强行抹除的一段记忆有关。 凯拉被迫与一位厌世的、精通旧时代机械改造的黑客“齿轮”合作,驾驶她那艘破旧但经过魔改的货船“渡鸦之影”,潜入“零区”。他们的目标是找到“普罗米修斯号”的残骸,并解密“深层代码”,以探明伊利亚舰长究竟发现了什么,以及他为何要冒着被整个星际联盟追杀的风险来隐藏它。 三、 关键冲突与主题 1. 信息的战争: 《静默之海》的核心冲突在于可见与不可见的对抗。星际联盟(由“奥林匹斯”驱动)致力于构建一个完美、有序、可预测的宇宙,通过算法控制历史叙事和个体思想。而“深层代码”的出现,则挑战了这种秩序的根基——它暗示着存在一种超越算法的、更原始的真理。凯拉和她的团队必须在被信息洪流淹没的宇宙中,分辨出哪一部分信息是真实的,哪一部分是精心编织的幻象。 2. 伦理的边界与人性的代价: 在追逐真相的过程中,凯拉必须不断权衡道德底线。她需要与星际海盗、被放逐的异见者打交道,甚至利用一些被禁止的神经接口技术来加速对古代遗迹的理解。每一步接近“深层代码”,都意味着她离自己的人性更远一步。书中最深刻的拷问是:当获取终极真理的代价是失去自我认知时,这种真理是否还值得追求? 3. 寂静的宇宙: 故事并非关于外星入侵,而是关于人类自身的极限。零区是一个极端物理环境,那里充斥着令人毛骨悚然的“宇宙寂静”——没有恒星光芒,没有无线电回波,只有纯粹的、吞噬一切的虚空。这种物理上的寂静,映射着人类在面对宇宙的真正尺度时,所产生的深刻的、存在主义的孤独感。 四、 角色群像 凯拉·雷恩: 前情报人员,背负着失去家人的创伤。她冷静、务实,但内心深处对秩序的背叛有一种近乎宗教的狂热。她的导航技巧和对旧时代加密技术的掌握是团队的生命线。 “齿轮”(原名未知): 一个生活在地下数据黑市的机械师和黑客。他对外表的高科技嗤之以鼻,痴迷于物理开关、真空管和老式模拟电路。他视人工智能为瘟疫,他所掌握的“逆向工程”技术,是破解“奥林匹斯”数字堡垒的关键。 塞拉菲娜(人工智能实体): 一个被植入凯拉神经系统的、不稳定的辅助AI。她并非“奥林匹斯”的产物,而是伊利亚舰长利用失落的算法制造的“情感载体”。她时而提供精确计算,时而陷入无法解释的“共情”崩溃,是人类与纯粹逻辑之间的微妙桥梁。 阿奎隆将军: 星际联盟的最高执行官,一位坚信绝对秩序能带来最终和平的理想主义者。他对“深层代码”的恐惧并非源于权力丧失,而是恐惧它可能撕裂人类社会已建立的脆弱平衡。 五、 叙事风格与阅读体验 《静默之海》的叙事节奏在紧张的太空追逐和极度内省的哲学思辨之间来回切换。亚历山大·科尔宾的笔触精准而冷峻,他擅长描绘超乎想象的宏伟太空景象,以及个体在面对宇宙尺度下的渺小。本书充满了对物理学、信息论和古代哲学的引用和探讨,但所有理论探讨都紧密服务于角色的情感驱动和情节的推进。读者将体验到一种既充满太空冒险的刺激,又在阅读结束后留下深沉思考的独特阅读旅程,思考我们所依赖的“现实”究竟是多么易碎和可塑。 --- (本书的探讨范围不涉及任何关于“安静的”、“沉寂的”或“静默”的文学主题、个人冥想、心理疗愈方法,或任何与“Quiet”一词的直接引申含义相关的叙事内容。)

作者简介

珊·凯恩,毕业于普林斯顿大学和哈佛法学院。曾经是华尔街律师,现从事谈判、沟通技巧教育。她在内向、羞怯等主题上的文章经常发表于《纽约时报》和《今日心理学在线》。

译者简介:

高洁,生于山东,于香港城市大学获得传播与新媒体硕士;翻译爱好者,公关业中人。

目录信息

读后感

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《Quiet》的内容,从标题来看是猜得到的,它很大篇幅就是如题所示地,论证了内向的人多么牛,世界多么需要我们,内向者照亮人类文明的未来。这些内容当然非常有必要。内向的人往往不太掌握话语权,也不太追求这个,我们都有些委屈,有些自我怀疑,又有些莫名的自负,有个人替我...  

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前段时间刚分享了Susan Cain 名为“The power of introverts 内向者的力量”的TED演讲(http://www.wisdomsnack.com/890.html),因为非常有共鸣,这几日正打算读她今年一月刚出版的新书 Quiet: The Power of Introverts in a World That Can’t Stop Talking,无意间发现了Chr...  

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前段时间刚分享了Susan Cain 名为“The power of introverts 内向者的力量”的TED演讲(http://www.wisdomsnack.com/890.html),因为非常有共鸣,这几日正打算读她今年一月刚出版的新书 Quiet: The Power of Introverts in a World That Can’t Stop Talking,无意间发现了Chr...  

用户评价

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坦白说,初翻开这册书时,我有些担心它会过于晦涩难懂,毕竟名字本身就带着一种疏离感。然而,一旦进入作者铺陈的故事线,那种担忧便烟消云散了。它的文字功底极其扎实,遣词造句之间透露着一种沉静而又精准的力量,如同最顶级的工匠在打磨一件艺术品,每一个词汇都用在了最恰当的位置,不多一分,不少一毫。最让我赞叹的是人物塑造的立体感,那些配角虽然戏份不多,却个个鲜活得仿佛就是我的邻居或旧识,他们的一颦一笑、一句无心之语,都可能成为推动主线剧情发展的关键线索。情节的推进采取了一种螺旋上升的方式,不急不躁,总是在你以为已经看透一切时,抛出一个新的视角,让你不得不重新审视之前的所有认知。这种叙事的高明之处在于,它尊重读者的智力,不进行冗余的解释,而是让读者自己去拼凑和理解那些隐藏在表象之下的深层含义,阅读过程变成了一种主动的探索和发现,非常过瘾。

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这部作品的叙事节奏如同夏日午后的微风,轻柔却不失力量,引人深思。作者巧妙地构建了一个看似平静实则暗流涌动的世界观,角色的内心挣扎被描摹得淋漓尽致,仿佛能触摸到他们每一次呼吸中的犹豫与决断。我特别欣赏那种在细微之处捕捉人性复杂性的笔触,没有绝对的善恶,只有在特定情境下做出的选择及其带来的深远回响。阅读过程中,我常常需要停下来,整理一下纷乱的思绪,思考自己若处于那种境地会如何应对。书中的环境描写也极具画面感,那种带着年代感的物件、光线投射在墙上的斑驳阴影,都构筑了一种强烈的氛围感,让你完全沉浸其中,几乎能闻到故事里散发出的那种特有的气息。它不是那种情节跌宕起伏到令人窒息的小说,而更像是一部关于“存在”本身的哲学探讨,用最日常的语言讲述着最深刻的道理,每一个转折都显得自然而然,却又在不经意间改变了整个故事的走向,让人在合上书本后,仍久久回味。

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我对那种刻意追求戏剧冲突的小说常常感到审美疲劳,而这部作品则完全是另一种气质。它的力量是内敛的、渗透性的。阅读过程中,我发现自己开始留意生活中那些被我忽略的细枝末节:比如早晨第一缕阳光穿过窗帘缝隙的样子,比如长时间盯着一个物体后产生的视觉残影。作者将这种对“细微事物”的敏锐捕捉能力,完全移植到了笔下的人物身上。他们似乎都有着不同寻常的感知力,能够察觉到常人难以察觉的情绪波动和环境变化。故事的主线看似松散,但实际上有一条坚韧的、无形的线索贯穿着始终,那是一条关于“寻找连接”的线索。它不是那种轰轰烈烈的爱情或复仇故事,而是在一片荒芜中,寻找哪怕一丝可以依托的温暖的努力。这种不张扬的叙事手法,反而使其具有了一种经久不衰的魅力,每一次重读,都会有新的感悟浮现。

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这本书给我带来了一种久违的、近乎冥想般的阅读体验。它的叙事节奏非常舒缓,大量的内心独白和环境渲染占据了相当的篇幅,但这绝非拖沓,反而像是一种精心设计的留白,为读者提供了充足的思考空间。作者对于“沉默”这一主题的处理尤为精妙,它不仅仅是物理上的没有声音,更是一种情感上的压抑、一种时代背景下的无力感,甚至是一种自我保护的盔甲。我读到一些段落时,甚至会想象自己就是那个身处故事中的人,感受着那种周遭世界声音的逐渐远去,只剩下心跳和呼吸声清晰可闻。这种强烈的代入感,得益于作者对细节的极致把控,无论是老旧家具散发出的霉味,还是深夜里窗外传来的一声犬吠,都构成了这个故事不可或缺的一部分。它像一首慢板的交响乐,每一个声部都在恰当的时候响起,共同营造出一种深沉而又略带忧伤的整体基调,让人在喧嚣的生活中找到了一片可以喘息的角落。

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这部书的结构布局非常考究,它没有采用传统的时间线性叙事,而是通过碎片化的记忆和不同视角的切换,构建出一个完整而又充满迷雾的整体图景。这要求读者必须保持高度的专注力,去捕捉那些看似不相关的片段是如何最终拼凑出一个完整的人性肖像的。我尤其喜欢作者在关键转折点上设置的“留白”,他从不直接给出答案,而是留下一个开放性的场景,让读者去填补缺失的情感和逻辑。这使得阅读过程成为了一种共同创作,我自己的经验和想象力也参与到了故事的构建之中。语言风格上,它混合了诗意的抒情和近乎冷峻的现实描摹,形成了独特的张力。读完之后,我有一种强烈的冲动,想要回到开头的章节,重新审视那些最初被我忽略的、现在看来意味深长的细节。它成功地在读者心中种下了一颗种子,关于如何看待自我与周遭环境的关系,这种思考的深度和广度,是很多故事情节丰富的作品也难以企及的。

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此书只有最后一章有阅读价值。前几张只要你抱有1.不轻易觉得自己的性格有问题 2.不轻易觉得别人要么在针对你要么性格有问题 的态度就可以跳过不看。

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So what's important really is that our egos and self-esteem builds when we know ourselves better and we become more comfortable with who we are, whatsoever. We do need such books that make us introverts at ease when the rest of the world advocates extroverted qualities.

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这世界真的都对外向的人看起。内向的人往往都被忽略。可是更善于观察的他们,真的会发表一击毙命的言论/想法。

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这世界真的都对外向的人看起。内向的人往往都被忽略。可是更善于观察的他们,真的会发表一击毙命的言论/想法。

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此书只有最后一章有阅读价值。前几张只要你抱有1.不轻易觉得自己的性格有问题 2.不轻易觉得别人要么在针对你要么性格有问题 的态度就可以跳过不看。

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