Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...
評分Laura Mulvey Visual Pleasure and Narrative cinema 1. The intention of this article is to use psychoanalysis to locate where/how the fascination of film is strengthened by the long-existed facination. The sexual difference, unconsious patriarchal society are...
評分Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...
評分Laura Mulvey Visual Pleasure and Narrative cinema 1. The intention of this article is to use psychoanalysis to locate where/how the fascination of film is strengthened by the long-existed facination. The sexual difference, unconsious patriarchal society are...
評分Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...
我上學期的文學paper居然和這篇論文有幾個相似的論點,誠惶誠恐
评分第三部分內容:女人作為影像,男人作為觀看的運動者(Bearer)讓我想到瞭《感官世界》:“女性作為為觀看的主動控製者——男人的凝視和享樂而被陳列、展示的圖像,卻經常讓男人感受到威脅,經常在他心中喚起它原初所意味的焦慮(指被閹割的焦慮)。個人覺得男性的“被閹割的焦慮”和女性的“陽具崇拜心理”在父權體製語境下同時存在實在是非常有意思的事情。
评分我上學期的文學paper居然和這篇論文有幾個相似的論點,誠惶誠恐
评分Foundation work with great influence
评分第三部分內容:女人作為影像,男人作為觀看的運動者(Bearer)讓我想到瞭《感官世界》:“女性作為為觀看的主動控製者——男人的凝視和享樂而被陳列、展示的圖像,卻經常讓男人感受到威脅,經常在他心中喚起它原初所意味的焦慮(指被閹割的焦慮)。個人覺得男性的“被閹割的焦慮”和女性的“陽具崇拜心理”在父權體製語境下同時存在實在是非常有意思的事情。
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