Laura Mulvey, Visual Pleasure and Narrative Cinema

Laura Mulvey, Visual Pleasure and Narrative Cinema pdf epub mobi txt 電子書 下載2025

出版者:GRIN Verlag
作者:Carolina Hein
出品人:
頁數:32
译者:
出版時間:2008-6-24
價格:USD 15.90
裝幀:Paperback
isbn號碼:9783638952750
叢書系列:
圖書標籤:
  • 電影 
  • 女性主義 
  • 文化研究 
  • 藝術 
  • 影視研究 
  • 社會學 
  • Film 
  • 電影研究 
  •  
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具體描述

讀後感

評分

Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...

評分

Laura Mulvey Visual Pleasure and Narrative cinema 1. The intention of this article is to use psychoanalysis to locate where/how the fascination of film is strengthened by the long-existed facination. The sexual difference, unconsious patriarchal society are...  

評分

Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...

評分

Laura Mulvey Visual Pleasure and Narrative cinema 1. The intention of this article is to use psychoanalysis to locate where/how the fascination of film is strengthened by the long-existed facination. The sexual difference, unconsious patriarchal society are...  

評分

Visual Pleasure and Narrative Cinema was written by Laura Mulvey in 1975. It played an important role in the field of cultural studies by initially introducing the concept of ‘Male Gaze’, which has been widely used to analyze and examine various phenomena...

用戶評價

评分

我上學期的文學paper居然和這篇論文有幾個相似的論點,誠惶誠恐

评分

第三部分內容:女人作為影像,男人作為觀看的運動者(Bearer)讓我想到瞭《感官世界》:“女性作為為觀看的主動控製者——男人的凝視和享樂而被陳列、展示的圖像,卻經常讓男人感受到威脅,經常在他心中喚起它原初所意味的焦慮(指被閹割的焦慮)。個人覺得男性的“被閹割的焦慮”和女性的“陽具崇拜心理”在父權體製語境下同時存在實在是非常有意思的事情。

评分

我上學期的文學paper居然和這篇論文有幾個相似的論點,誠惶誠恐

评分

Foundation work with great influence

评分

第三部分內容:女人作為影像,男人作為觀看的運動者(Bearer)讓我想到瞭《感官世界》:“女性作為為觀看的主動控製者——男人的凝視和享樂而被陳列、展示的圖像,卻經常讓男人感受到威脅,經常在他心中喚起它原初所意味的焦慮(指被閹割的焦慮)。個人覺得男性的“被閹割的焦慮”和女性的“陽具崇拜心理”在父權體製語境下同時存在實在是非常有意思的事情。

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