| 826370 |
音频信息处理技术 |
韩纪庆 |
| 826371 |
新文化日本语 |
文化外国语专门学校 |
| 826372 |
数字媒体 |
刘惠芬 |
| 826373 |
数字媒体 |
刘惠芬 |
| 826374 |
极度电脑视听体制 |
吴晟 |
| 826375 |
丢失的时间 |
陈晨 |
| 826376 |
神秘的乞丐 |
王定海 |
| 826377 |
多媒体技术基础 |
林福宗 |
| 826378 |
多媒体技术 |
Ralf Steinmetz, Klara Nahrstedt |
| 826379 |
多媒体呼叫中心构建与CRM策略 |
伍�华 |
| 826380 |
DirectShow实务精选(附光盘) (平装) |
陆其明 |
| 826381 |
Authorware7多媒体制作技能与设计实例 |
翁丹 编 |
| 826382 |
Director 8开发使用手册 |
Gary Rosenzweig |
| 826384 |
Visual C++数字图像处理 |
何斌 |
| 826385 |
多媒体技术教程 |
胡晓峰 |
| 826387 |
3ds max5白金手册<下>(附2CD) |
王琦 |
| 826389 |
字体创意设计/现代设计教学丛书 |
秦旭萍 |
| 826390 |
巧夺天工 |
北京洪恩教育科技有限公司 |
| 826391 |
跟我学Authorware多媒体课件制作 |
高志清 |
| 826393 |
多媒体技术原理及应用 |
马华东 |
| 826395 |
3ds max |
高美扬等编 |
| 826396 |
多媒体组合教学设计 第二版 |
李克东 |
| 826398 |
中外优秀计算机图形图像作品赏析 |
辜居一 编 |
| 826399 |
多媒体技术教程 |
胡晓锋 |
| 826401 |
中文版Photoshop平面设计典型商业案例 |
曹磊 |
| 826403 |
精通Director MX 2004多媒体开发 |
颜志翰 |
| 826404 |
计算机图形艺术设计学 |
林华 |
| 826405 |
商业绘画 |
苏中秋 |
| 826406 |
精通Flash MX 2004结构化设计与开发 |
张亚飞张超何锋镝 |
| 826407 |
The Lace Reader |
Brunonia, Barry |
| 826408 |
Rediscovering Korean Cinema |
Sangjoon Lee |
| 826409 |
Concepts in Film Theory (Galaxy Books) |
J. Dudley Andrew |
| 826410 |
The Material Ghost |
Gilberto Perez |
| 826411 |
Alice Doesn't |
Teresa de Lauretis |
| 826412 |
The World in a Frame |
Braudy, Leo |
| 826413 |
The Power of Film |
Howard Suber |
| 826414 |
The European Cinema Reader |
C. Fowler |
| 826415 |
Harnessing the Technicolor Rainbow |
Scott Higgins |
| 826416 |
Cine-scapes |
Koeck, Richard |
| 826417 |
Art of Watching Films |
Joseph M. Boggs |
| 826420 |
Mapping the Moving Image |
Pasi Väliaho |
| 826421 |
Nitrate Won't Wait |
Anthony Slide |
| 826422 |
The Hollywood Studio System |
Gomery, Douglas |
| 826423 |
The Godfather Effect |
Santopietro, Tom |
| 826424 |
Greta Garbo |
Paul Duncan |
| 826425 |
Leading Ladies |
Turner Classic Movies |
| 826429 |
Stroheim |
Arthur Lennig |
| 826430 |
European Cinema: An Introduction |
Jill Forbes |
| 826433 |
Cinematic Thinking |
James Phillips(ed) |
| 826437 |
Kristen Stewart |
Jo Hurley |
| 826439 |
Place, Power, Situation and Spectacle |
Aitken, Stuart C./ Zonn, Leo E. (EDT) |
| 826443 |
芸術としての映画 |
Rudolf Arnheim |
| 826444 |
Chromatic Cinema |
Richard Misek |
| 826445 |
Engaging Cinema |
Nichols, Bill |
| 826447 |
Explorations in New Cinema History |
Maltby, Richard, Jr.; Biltereyst, Daniel; Meers, Philippe |
| 826450 |
A Critical History of German Film |
Stephen Brockmann |
| 826453 |
Entertainment Industrialised |
Gerben Bakker |
| 826454 |
Memo from Darryl F. Zanuck |
Behlmer, Rudy 编 |
| 826456 |
Rethinking Documentary |
Thomas Austin |
| 826457 |
解码影像 |
|
| 826459 |
Understanding Movies |
Raphael Shargel |
| 826460 |
Alfred Hitchcock and the British Cinema |
Tom Ryall |
| 826464 |
Encyclopedia of Early Cinema |
Abel, Richard 编 |
| 826467 |
Purity and Provocation |
Mette Hjort |
| 826468 |
Magnum Cinema |
Bergala, Alain (EDT)/ Bergala, Alain/ Magnum Photos, Inc. (COR) |
| 826469 |
Film Noir Reader 3 |
Alain Silver |
| 826470 |
Film theory and criticism : introductory readings |
Gerald Mast, Marshall Cohen, Leo Braudy |
| 826471 |
The "I" of the Camera |
Rothman, William |
| 826473 |
David Lynch |
Michel Chion |
| 826474 |
Billy Wilder |
Hopp,Glenn |
| 826475 |
L.A. Noir |
Alain Silver |
| 826476 |
Americanizing the Movies and "Movie-Mad" Audiences, 1910-1914 |
Abel, Richard |
| 826477 |
Documentary Screens |
Keith Beattie |
| 826479 |
Teaching World Cinema |
Gamm, Kate |
| 826481 |
Film Noir Reader 2 |
Silverr/Ursine |
| 826482 |
The Invention of the Western Film |
Simmon, Scott |
| 826483 |
Dean |
Paul Duncan |
| 826484 |
Italian Film |
Marcia Landy |
| 826485 |
contemporary cinema of latin america |
Deborah Shaw |
| 826487 |
Mists of Regret |
Dudley Andrew |
