图书标签: 艺术 PerformanceArt ParticipatoryArt 参与艺术 criticism 艺术理论 art 艺术市场
发表于2024-12-23
Artificial Hells pdf epub mobi txt 电子书 下载 2024
For over a decade, conceptual and performance art has been dominated by participatory art. Its champions, such as French curator Nicolas Bourriaud (who invented the term "relational aesthetics" to describe it) and American art historian Grant Kester, believe that by encouraging an audience to join in, the artist can promote new emancipatory social relations. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art. The book follows the trajectory of twentieth-century art and examines key moments in the development of the participatory aesthetic, in both Europe and America. This itinerary takes in Futurism, Dada, Situationism, Czechoslovakian Happenings, and Argentinean Conceptualism, and concludes with contemporary artists such as Thomas Hirschhorn, Tania Bruguera and Jeremy Deller. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to expose the political and aesthetic limitations of this work. In Artificial Hells she not only scrutinizes the claims for democracy and emancipation that the artists and critics make for the work, but also questions the turn to ethical (rather than artistic) criteria invited by such participatory and collaborative art.
作者簡介
克萊兒.畢莎普 Claire Bishop
紐約市立大學藝術史研究所博士班副教授。著有《裝置藝術》(Installation Art: A Critical History),是《參與》(Participation)雜誌主編。2008年,她共同策劃在倫敦當代藝術中心舉辦的「Double Agent」展,她也持續在Artforum、October、e-flux等雜誌發表論文。
譯者簡介
林宏濤
台灣大學哲學碩士,德國弗來堡大學博士研究。譯作有:《等待哥倫布》、《文明的哲學》、《我的名字叫耶穌》、《神子》、《與改變對話》、《上帝的語言》、《鈴木大拙禪學入門》、《菁英的反叛》、《神話學辭典》、《啟蒙的辯證》、《眾生的導師:佛陀》、《人的形象與神的形象》、《神在人間》、《隱藏之泉》、《法學導論》、《美學理論》、《愛在流行》、《南十字星風箏線》、《體會死亡》、《詮釋之衝突》、《藝術想怎樣?》等書。
两年前一刷,后来读太多遍以至于居然不知道该说啥。历史梳理是吼的,特别是关于欧洲的实践,非常详细。但Bishop本人站队非常不明确,基本还是在朗学脉络里讨论,一拍大腿估计想起来要有自己的评点,居然神特么转向了拉康.....这个发展可以说是非常清纯不做作了。
评分不是Bishop条理最清晰的著述,有一些分类重合、冗杂。对participatory art的理论研究还比较新、不成熟,Bishop的这本书可以作为一家之谈。
评分两年前一刷,后来读太多遍以至于居然不知道该说啥。历史梳理是吼的,特别是关于欧洲的实践,非常详细。但Bishop本人站队非常不明确,基本还是在朗学脉络里讨论,一拍大腿估计想起来要有自己的评点,居然神特么转向了拉康.....这个发展可以说是非常清纯不做作了。
评分Clair这个女人说话特别带劲。一个事情几句话就给你说清楚,没有废话。这本书封面上的这个art project,实在是我最喜欢的一个。
评分#论文参考
Bishop, Claire. "Introduction." In Artificial Hells: Participatory Art and the Politics of Spectatorship, London/New York: Verso Books, 2012, p.1-10. In the introduction of Artificial Hells: Participatory Art and the Politics of Spectatorship, Claire Bish...
评分Bishop, Claire. "Introduction." In Artificial Hells: Participatory Art and the Politics of Spectatorship, London/New York: Verso Books, 2012, p.1-10. In the introduction of Artificial Hells: Participatory Art and the Politics of Spectatorship, Claire Bish...
评分Bishop, Claire. "Introduction." In Artificial Hells: Participatory Art and the Politics of Spectatorship, London/New York: Verso Books, 2012, p.1-10. In the introduction of Artificial Hells: Participatory Art and the Politics of Spectatorship, Claire Bish...
评分林宏璋:“毕莎普以实证主义的当代艺术史立场,从观众参与艺术发展,以时序及地域书写的方式,爬梳了历史前卫主义到当代艺术中如何(被)观看的网络,以及参与形式所产生的观众构成。” 格罗伊思:“当地艺术家的好意经常是铺了一条通往地狱的路。毕莎普让我们爱上地狱,条件是...
评分Bishop, Claire. "Introduction." In Artificial Hells: Participatory Art and the Politics of Spectatorship, London/New York: Verso Books, 2012, p.1-10. In the introduction of Artificial Hells: Participatory Art and the Politics of Spectatorship, Claire Bish...
Artificial Hells pdf epub mobi txt 电子书 下载 2024