图书标签: 艺术理论  art  艺术  spectacle  aesthetics  文化批评  precariousness   

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其实participation背后，各家的关怀和反叛对象也不同，有的要行动，有的要爱人，有的要反对作者性，有的要反身份政治。

其实participation背后，各家的关怀和反叛对象也不同，有的要行动，有的要爱人，有的要反对作者性，有的要反身份政治。

其实participation背后，各家的关怀和反叛对象也不同，有的要行动，有的要爱人，有的要反对作者性，有的要反身份政治。

各个名家名篇合集 只可惜是英文翻译的一堆法语文章

各个名家名篇合集 只可惜是英文翻译的一堆法语文章

Participation Edited by Claire Bishop Table of Contents The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ...

Participation Edited by Claire Bishop Table of Contents The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ...

Participation Edited by Claire Bishop Table of Contents The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ...

Participation Edited by Claire Bishop Table of Contents The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ...

Participation Edited by Claire Bishop Table of Contents The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ...