How to Look at a Painting

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Francoise Barbe-Gall studied history of art at the Sorbonne and also at the Ecole du Louvre, where she now teaches. She also directs an association called CORETA (Comment Regarder un Tableau), for whom she gives many lectures. She is regularly called upon to participate in management workshops, where her experience of analysing images in relation to publicity and marketing is called upon. Editions de l'Agenda de L'Empresa have published a collection of her articles, and she is the author of several articles on the work of the sculptor Tom Carr. She is the author of How to Talk to Children about Art and How to Understand a Painting, both published in English by Frances Lincoln.

出版者:Frances Lincoln
作者:Barbe-Gall, Francoise
出品人:
頁數:312
译者:
出版時間:2011-3-1
價格:USD 24.95
裝幀:Paperback
isbn號碼:9780711232129
叢書系列:
圖書標籤:
  • 藝術 
  • 藝術史 
  • 美術 
  • 藝術評論 
  • 繪畫 
  • 英文版 
  • 觀看 
  • 文藝 
  •  
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Which of us, when finding ourselves in the presence of a painting, has not sensed that we lack the keys to decipher it? We feel an emotional response, but the work still seems to evade our understanding.

Francoise Barbe-Gall combines a nuanced understanding of the way viewers respond to paintings with a rich knowledge of their context and circumstances of their creation. The result is like a tour of a dazzlingly eclectic museum in the company of a gentle yet authoritative guide.

She takes as her point of departure the impressions that we all feel when confronted by a canvas and takes us on a voyage of discovery fired by her own passionate enthusiasm for the subject. What is the painting’s relationship with the real world? Has the artist idealized nature, or distorted it? Did they want to shock the viewer, or provide consolation? With a clear approach and straightforward yet subtle analysis, the meaning of each work slowly becomes clear.

From Raphael’s penetrating character study of Castiglione, through Hopper’s cinematic take on the wee small hours of the morning Barbe-Gall begins by covering a number of ostensibly realistic works, made from the stuff of everyday life. Going in quite the other direction, she looks at the way paintings can express moments of heightened reality, from the perfection of Boticelli’s Primavera to the arresting glance of Vermeer’s girl with the Pearl Earring. She discusses paintings that distort the visible world (Parmigianino’s Madonna with an improbably long neck to Dali’s melting clocks) and those that sow confusion to make us more vigilant and pay closer attention to the real world (Cezanne’s depiction of a forest glade, or a mysterious fifteenth century altarpiece). Questions of history, style, iconography and composition are not neglected and are dealt in context of the paintings she discusses.

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这本书的标题很容易让人把这本书误解为一本工具书。而实际上本书展现更多的是具有一定艺术素养的观者能从一幅画中领略到的东西。它旨在向我们展现站在艺术彼岸看到的风景,而不是给此岸的我们提供渡河的船。 但这样的书仍是值得一读的。否则百无聊赖地在美术展览馆兜圈子的我们...

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評分

这本书的标题很容易让人把这本书误解为一本工具书。而实际上本书展现更多的是具有一定艺术素养的观者能从一幅画中领略到的东西。它旨在向我们展现站在艺术彼岸看到的风景,而不是给此岸的我们提供渡河的船。 但这样的书仍是值得一读的。否则百无聊赖地在美术展览馆兜圈子的我们...

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这幅画真美!这画的是啥?这玩意我一天能画一百幅! 好,现在就让我们认识一下“真美”;“看不懂”;你觉得“很瞎”的画。 先来说说真美序列里的,拉斐尔《巴尔达萨雷 卡斯蒂利奥内》。 都知道拉斐尔很牛,书中这副人物画得更是深沉、有质感。拉大师在画作...  

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