图书标签: 装置艺术  installaition  艺术  艺术史  装置  当代艺术  ART  艺术理论   

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权威批判性简史，强调装置艺术的两个核心：activation/decentring，前者意味着奇观带来的新视觉、激发体验（新形式），后者是视觉分散、主体去中心化甚至是世界的碎片化（后现代）。装置艺术遂有了形式上和哲学上的创新。结论中提到美学判断：作品形式贴观者体验，则更震撼，好。

作为扫盲普及书籍挺好的，我必须承认在看的过程中不停出现觉得自己是蠢逼的时刻，现象学那一章的背景知识几乎为零，理解困难。作者从时间和类别的角度分析梳理，还是很有益于把握大概框架的

不错的入门读物。作者非常聪明、条理和论述很清晰、有效。

权威批判性简史，强调装置艺术的两个核心：activation/decentring，前者意味着奇观带来的新视觉、激发体验（新形式），后者是视觉分散、主体去中心化甚至是世界的碎片化（后现代）。装置艺术遂有了形式上和哲学上的创新。结论中提到美学判断：作品形式贴观者体验，则更震撼，好。

作为扫盲普及书籍挺好的，我必须承认在看的过程中不停出现觉得自己是蠢逼的时刻，现象学那一章的背景知识几乎为零，理解困难。作者从时间和类别的角度分析梳理，还是很有益于把握大概框架的

French psychiatrist Eugene Minkowski talked about the different characters of lights in his book "Lived Time". He described daylight as something creating "distance, extension, and fullness", and dark night as "personal, invades the body rather than keeping...

French psychiatrist Eugene Minkowski talked about the different characters of lights in his book "Lived Time". He described daylight as something creating "distance, extension, and fullness", and dark night as "personal, invades the body rather than keeping...

French psychiatrist Eugene Minkowski talked about the different characters of lights in his book "Lived Time". He described daylight as something creating "distance, extension, and fullness", and dark night as "personal, invades the body rather than keeping...

French psychiatrist Eugene Minkowski talked about the different characters of lights in his book "Lived Time". He described daylight as something creating "distance, extension, and fullness", and dark night as "personal, invades the body rather than keeping...

French psychiatrist Eugene Minkowski talked about the different characters of lights in his book "Lived Time". He described daylight as something creating "distance, extension, and fullness", and dark night as "personal, invades the body rather than keeping...