图书标签: 装置艺术  installaition  艺术  艺术史  装置  当代艺术  ART  艺术理论   

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权威批判性简史，强调装置艺术的两个核心：activation/decentring，前者意味着奇观带来的新视觉、激发体验（新形式），后者是视觉分散、主体去中心化甚至是世界的碎片化（后现代）。装置艺术遂有了形式上和哲学上的创新。结论中提到美学判断：作品形式贴观者体验，则更震撼，好。

As a way to enter into the sphere of installation art, we must admit that art is an experience, a heightened vitality, and a complete interpenetration of self and the world of objects and events.

主体角度的阐释

权威批判性简史，强调装置艺术的两个核心：activation/decentring，前者意味着奇观带来的新视觉、激发体验（新形式），后者是视觉分散、主体去中心化甚至是世界的碎片化（后现代）。装置艺术遂有了形式上和哲学上的创新。结论中提到美学判断：作品形式贴观者体验，则更震撼，好。

蛮好

French psychiatrist Eugene Minkowski talked about the different characters of lights in his book "Lived Time". He described daylight as something creating "distance, extension, and fullness", and dark night as "personal, invades the body rather than keeping...

French psychiatrist Eugene Minkowski talked about the different characters of lights in his book "Lived Time". He described daylight as something creating "distance, extension, and fullness", and dark night as "personal, invades the body rather than keeping...

French psychiatrist Eugene Minkowski talked about the different characters of lights in his book "Lived Time". He described daylight as something creating "distance, extension, and fullness", and dark night as "personal, invades the body rather than keeping...

French psychiatrist Eugene Minkowski talked about the different characters of lights in his book "Lived Time". He described daylight as something creating "distance, extension, and fullness", and dark night as "personal, invades the body rather than keeping...

French psychiatrist Eugene Minkowski talked about the different characters of lights in his book "Lived Time". He described daylight as something creating "distance, extension, and fullness", and dark night as "personal, invades the body rather than keeping...