During the 1990s illegally imported compact discs, known as dakou CDs, flooded into China, opening up the music world to Chinese youth and inspiring them to experiment with new sounds and new lifestyles. Quickly, dakou became the label for a new generation of Chinese, a vibrant generation no longer tied to the Maoist past. Based on fifteen years of fieldwork in Beijing, Shanghai, and Hong Kong, China with a Cut surveys the music that emerged in 1990s China and makes a case for its involvement in the rise of China as a cultural and economic global power.
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讀後感
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用戶評價
二導的書，urban youth culture（這裏指80後），搖滾小世界，打口的一代, “more playful & less rebellious”。社會中的binary，中國的特殊性，pop culture對於經濟文化的影響，cencorship & mythology
评分當年寫論文就想看的，拖瞭多年，硬生生把當下拖成中國地下音樂圈集體迴憶和曆史遺跡，尤其看到marketing那章想到被論文支配的恐懼，然而當時大傢都對未來充滿希望，現在看來無話可說
评分二導的書，urban youth culture（這裏指80後），搖滾小世界，打口的一代, “more playful & less rebellious”。社會中的binary，中國的特殊性，pop culture對於經濟文化的影響，cencorship & mythology
评分一個時代的紀念品
评分搞siao
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