BRAZILIAN TALES TRANSLATED FROM THE PORTUGUESE WITH AN INTRODUCTION BY ISAAC GOLDBERG Author of Studies in Spanish-American Literature, - CONTENTS PRELIMINARY REMARKS .... 7 V THE ATTENDANTS CONFESSION . BY JOAQUIM MARIA MACHADO DE ASSIS 43 V THE FORTUNE-TELLER .... 65 BY JOAQUIM MARIA MACHADO DE ASSIS LIFE . 87 BY JOAQUIM MARIA MACHADO DE ASSIS THE VENGEANCE OF FELIX ... 107 BY JOSE MEDEIROS E ALBUQUERQUE THE PIGEONS 121 BY COELHO NETTO AUNT ZEZES TEARS 139 BY CARMEN DOLORES TO J. D. M. FORD SMITH PROFESSOR OF THE FRENCH AND SPANISH LANGUAGES, HARVARD UNIVERSITY SOME INFORMAL PRELIMINARY REMARKS THE noted Brazilian critic, Jose Verissimo, in a short but important essay on the deficiencies of his countrys letters, has expressed serious doubt as to whether there existsagenuinely Brazilian lit erature. I do not know, he writes, whether the existence of an entirely indepen dent literature is possible without an entirely independent language. In this sense Verissimo would deny the existence of a Swiss, or a Belgian, literature. In this sense, too, it was no doubt once possible, with no small measure of justification, to deny the exist ence of an American, as distinguished from an English, literature. Yet, despite the sub tle psychic bonds that link identity of speech to similarity of thought, the environment which helps to shape pronounciation as well as vocabulary and the language itself is, from the standpoint of literature, little re moved from language as a determining fac tor. Looking at the question, however, from the purely linguistic standpoint, it is impor tant to remember that the Spanish of Spanish America is more different from the parent tongue than is the English of thiscountry from that of the mother nation. Similar changes have taken place in the Portuguese spoken in Brazil. Yet who would now pre tend, on the basis of linguistic similarity, to say that there is no United States literature as distinguished from English literature Af ter all, is it not national life, as much as na tional language, that makes literature And by an inversion of Verissimos standard may we not come face to face with a state of affairs in which different literatures exist within the same tongue Indeed, is not such a conception as the great American novel rendered quite futile in the United States by the fact that from the literary standpoint we are several countries rather than one The question is largely academic. At the same time it is interesting to notice the more assertive standpoint lately adopted by the charming Mexican poet, Luis G. Urbina, in his recent La Vida Literaria de Mexico, where, without undue national pride he claims the right to use the adjective Mexican in qualifying the letters of his remarkable country. Urbina shows that different physi ological and psychological types have been produced in his part of the New World why, then, should the changes stop there Nor have they ceased at that point, as Senor Ur- binas delightful and informative book re veals. So, too, whatever the merits of the academic question involved, a book like Alencars Guarany, for instance, could not have been written outside of Brazil neither could Verissimos own Scenes fromAmazon Life. II. Brazilian literature has been divided into four main periods. The first extends from the age of discovery and exploration to the middle of the eighteenth century the second includes the second halfof the eighteenth century the third comprises the years of the nineteenth century up to 1840, while that date inaugurates the triumph of Romanti cism over pseudo-Classicism. Romanticism, as in other countries, gave way in turn to realism and various other movements cur rent in those turbulent decades...
我不得不說,這本書的語言風格獨樹一幟。它不像那些華麗辭藻堆砌的作品,而是以一種質樸、自然的方式,勾勒齣鮮活的人物和生動的場景。我尤其喜歡作者對感官描寫的運用,他能夠用寥寥數語,就讓你仿佛聞到雨後泥土的芬芳,聽到孩子們在街頭巷尾嬉笑的聲音,感受到夕陽灑在肌膚上的溫暖。這種沉浸式的描寫,讓我完全忘記瞭自己身處何處,而是完全沉浸在瞭書中營造的世界裏。我常常會因為一段描寫而停下來,反復品味其中的意境。我覺得,作者不僅僅是在講故事,更是在用文字作畫,用聲音傳情。
评分這本書帶給我的,遠不止是閱讀的樂趣,更是一種對人性的深刻洞察。作者筆下的人物,無論身份高低,無論境遇如何,都展現齣瞭人性的復雜與多麵。有善良的淳樸,也有自私的掙紮;有無私的奉獻,也有隱藏的欲望。我喜歡這種不加修飾的真實,它讓我們能夠更清晰地看到自己,也更深刻地理解他人。在閱讀的過程中,我常常會反思自己的選擇,反思我與身邊人的關係。這本書讓我認識到,無論身處何種睏境,人類內心深處總能找到一種超越睏境的力量。這種力量,或許微弱,但卻足以支撐我們繼續前行。
评分坦白說,這本書帶給我的衝擊是多層次的。起初,我以為會是一係列獨立的短篇故事,但隨著閱讀的深入,我漸漸發現它們之間存在著某種微妙的聯係,像是一張無形的網,將不同的人物和事件巧妙地編織在一起。我尤其欣賞作者在敘事結構上的創新,他並沒有采用傳統的綫性敘事,而是運用瞭多視角的切換,讓我們能夠從不同的角度去理解同一個事件,去感受不同人物的內心世界。這種手法讓整個故事更加豐滿,也更加引人入勝。我喜歡這種“拼圖”式的閱讀體驗,每揭開一層,都能發現新的驚喜和綫索。同時,書中關於巴西文化和曆史的穿插,也為故事增添瞭厚重感,讓我對這片土地有瞭更深的理解。
评分這本書的封麵就足夠吸引人,那是一種古老而又帶著一絲神秘的插畫風格,仿佛能感受到巴西熱帶雨林的潮濕空氣和遙遠村落的低語。拿到手裏,紙張的質感也齣奇地好,有一種沉甸甸的踏實感,這在如今快餐式閱讀盛行的時代,著實是一種驚喜。翻開第一頁,我並沒有立刻投入到故事中,而是花瞭一些時間去感受作者為這本書營造的整體氛圍。那些細緻入微的描繪,無論是對自然景色的刻畫,還是對人物情緒的捕捉,都顯得那麼真摯而有力量。我開始想象,在這片遙遠的土地上,會發生怎樣扣人心弦的故事?是否會有關於愛情的纏綿悱惻,關於勇氣的驚心動魄,或是關於命運的跌宕起伏?我對這本書的期待,不僅僅是內容本身,更是它所能帶給我的那種沉浸式的閱讀體驗,那種仿佛置身於異域他鄉,親身經曆那些悲歡離閤的感受。我迫不及待地想知道,作者是如何將巴西這個充滿魅力的國度的靈魂,注入到文字之中的。
评分讀完之後,我發現自己深深地被書中人物的命運所牽動。他們不像我們常在故事裏看到的那些完美無瑕的英雄,而是有著各自的缺點、掙紮和平凡的願望。我最喜歡的人物是一個名叫伊莎貝拉的年輕女子,她的故事綫貫穿瞭整本書,我看著她在生活的重壓下,如何努力尋找屬於自己的幸福。作者對她的描繪非常細膩,她每一次的猶豫,每一次的堅持,甚至每一次的淚水,都讓我感同身受。我仿佛能聽到她在簡陋的屋子裏輕聲嘆息,也能感受到她在艱難抉擇時的心跳加速。這本書最打動我的地方,在於它並沒有試圖去美化生活,而是真實地展現瞭普通人在命運麵前的渺小與堅韌。那些看似微不足道的日常片段,卻承載著深厚的情感力量,讓我在掩捲之後,依然久久不能平靜。
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