The story is narrated in the first person as an autobiographical memoir told by the titular horse named Black Beauty—beginning with his carefree days as a colt on an English farm with his mother, to his difficult life pulling cabs in London, to his happy retirement in the country. Along the way, he meets with many hardships and recounts many tales of cruelty and kindness. Each short chapter recounts an incident in Black Beauty's life containing a lesson or moral typically related to the kindness, sympathy, and understanding treatment of horses, with Sewell's detailed observations and extensive descriptions of horse behaviour lending the novel a good deal of verisimilitude.
The book describes conditions among London horse-drawn taxicab drivers, including the financial hardship caused to them by high licence fees and low, legally fixed fares. A page footnote in some editions says that soon after the book was published, the difference between 6-day taxicab licences (not allowed to trade on Sundays) and 7-day taxicab licences (allowed to trade on Sundays) was abolished and the taxicab licence fee was much reduced.
Anna Sewell (30 March 1820 – 25 April 1878) was an English novelist, best known as the author of the classic novel Black Beauty.
Anna Mary Sewell was born in Great Yarmouth, Norfolk, England into a devoutly Quaker family. Her father was Isaac Phillip Sewell (1793–1879), and her mother, Mary Wright Sewell (1798–1884) was a successful author of children's books. She had one sibling, a younger brother named Philip and was largely educated at home.
At the age of twelve, the family moved to Stoke Newington, where Sewell attended school for the first time. Two years later, however, she slipped while walking home from school and severely injured both of her ankles. Her father took a job in Brighton in 1836, in the hope that the climate there would help to cure her. Despite this, and most likely because of mistreatment of her injury, for the rest of her life Anna was unable to stand without a crutch or to walk for any length of time. For greater mobility, she frequently used horse-drawn carriages, which contributed to her love of horses and concern for the humane treatment of animals.
At about this time, both Anna and her mother left the Society of Friends to join the Church of England, though both remained active in evangelical circles. Her mother expressed her religious faith most noticeably by authoring a series of evangelical children's books, which Anna helped to edit, though all the Sewells, and Mary Sewell's family, the Wrights, engaged in many other good works.
While seeking to improve her health in Europe, Sewell encountered various writers, artists, and philosophers, to which her previous background had not exposed her.
Sewell's only published work was Black Beauty, written during 1871 to 1877, after she had moved to Old Catton, a village outside the city of Norwich in Norfolk. During this time her health was declining. She was often so weak that she was confined to her bed and writing was a challenge. She dictated the text to her mother and from 1876 began to write on slips of paper which her mother then transcribed.
Sewell sold the novel to local publisher Jarrolds on 24 November 1877, when she was 57 years of age. Although it is now considered a children's classic, she originally wrote it for those who worked with horses. She said "a special aim [was] to induce kindness, sympathy, and an understanding treatment of horses".
Sewell died of hepatitis or phthisis on 25 April 1878, five months after her book was published, living long enough to see the book's initial success. She was buried on 30 April 1878 in the Quaker burial-ground at Lammas near Buxton, Norfolk, not far from Norwich, where a wall plaque now marks her resting place.
這部作品最讓我感到震撼的是它所蘊含的堅韌的生命哲學。主角在經曆瞭無數次的磨難和看似無法挽迴的低榖後,依然保持著一種內在的正直和對美好生活的嚮往。這種“即便身處泥濘,心嚮陽光”的精神力量,是超越時代和物種的。我常常在想,如果我是作者,或許早就讓角色徹底屈服於命運的安排瞭,但作者沒有。她堅持讓角色在絕境中尋找一綫生機,這種對希望的執著描繪,極大地鼓舞瞭我。文字的密度很高,信息量非常豐富,但閱讀起來卻意外地流暢,仿佛被一種強大的內在邏輯牽引著嚮前。它不僅僅是關於一匹馬的傳記,更像是一部關於如何承受痛苦、如何保持善良、以及最終如何獲得救贖的寓言。讀完後,我感到一種釋然和力量的迴歸,仿佛自己也完成瞭一次精神上的長途跋涉。
评分說實話,這本書的閱讀體驗是極其“沉浸式”的,與其說是在看一個故事,不如說是在經曆一段漫長的人生旅程。那些關於馬匹健康、訓練方法的描寫,細緻到近乎專業的程度,這讓我對那個時代的農業和畜牧業有瞭全新的認識,遠比教科書上的描述要生動得多。更重要的是,每一次環境和主人的改變,都像是一次對主角性格的淬煉。我能清晰地感受到那種從順從到抗爭,從希望到幻滅的復雜心路曆程。文字的運用非常講究韻律感,尤其是那些描述奔跑和勞作的段落,充滿瞭力量與動感,仿佛能聽到馬蹄踏碎石子的清脆聲響。它沒有采用那種矯揉造作的煽情手法,而是通過冷靜的敘述,讓讀者自己去挖掘其中的悲愴,這種剋製反而帶來瞭更持久的情感衝擊。這是一部需要細細品味的文學作品,每一章都值得反復推敲。
评分讀完這本書,我最大的感受是關於“尊嚴”這個概念的重新審視。對於一個生命體而言,尊嚴是如何被界定的?是來自於它所處的地位,還是它內在的堅韌?故事裏那匹馬的經曆,無疑是對傳統觀念的一次強力衝擊。我發現自己常常在思考,當我們自詡為萬物之靈時,我們對待那些依賴我們生存的生命的尺度,是否過於狹隘和自私?敘事者的視角轉換得非常巧妙,時而宏大,時而又聚焦於微小的細節,比如一個眼神的交匯,一次艱難的跋涉。這種敘事上的張弛有度,使得情節推進既有史詩般的厚重感,又不失個體情感的穿透力。我尤其喜歡那些關於馬匹間交流的描寫,雖然沒有人類的語言,但那種基於生存本能和情感共鳴的溝通,比很多虛僞的人類對話來得更真誠有力。這本書無疑是一部關於同情心和耐受力的教科書。
评分這本關於一隻馬的故事,真是讓人心頭一緊又為之動容。從一開始,我就被那種純粹的、近乎原始的生命力深深吸引住瞭。作者的筆觸極其細膩,仿佛能讓人聞到泥土的芬芳和馬廄裏乾燥的乾草味。那種對勞動和自然規律的尊重,在現代社會中已經很少見瞭。我尤其欣賞書中對於不同階層人與動物互動的描繪,那些粗暴的鞭笞和不經意的溫柔,都赤裸裸地展現瞭人性的復雜。閱讀過程中,我好幾次停下來,去想象那匹馬在不同主人手下的遭遇,內心的波瀾久久不能平息。它不僅僅是一匹馬,更像是一個承載瞭無數社會寓言的載體。書中對鄉村生活的點滴描摹,那種緩慢而有序的節奏,讓人在喧囂的日常之外,找到瞭一片難得的心靈棲息地。我能感受到作者對那個逝去時代的深切懷念,那是一種對樸素美德的頌揚,雖然帶著一絲理想化的色彩,但足以觸動人心最柔軟的地方。
评分這本書的社會批判性是相當尖銳的,雖然它披著一層溫和的外衣,但其對當時社會階層固化和人與人之間冷漠關係的揭露,是毫不留情的。我注意到,作者巧妙地利用瞭馬的“局外人”身份,去觀察和評論人類社會的種種不公。無論是趾高氣揚的貴族,還是那些斤斤計較的工匠,他們身上的那些缺點,都在這匹馬的眼中被放大瞭。這種視角轉換提供瞭獨特的解讀空間,讓原本可能流於平庸的動物故事,上升到瞭對人性的深度探討。我特彆欣賞那些描繪環境惡化的章節,那種對自然環境被人類過度索取的無聲控訴,在今天看來依然具有強烈的警示意義。它提醒我們,真正的文明,在於如何對待那些比我們弱小的存在。這本書的價值,遠超齣瞭一個單純的冒險故事。
评分看過好多年還記得,黑美人
评分看過好多年還記得,黑美人
评分文字簡單易懂,從馬的角度看世界,十分生動。
评分因為封麵纔選這個版本 故事是嘛溫馨嚮 小朋友看挺好的
评分看過好多年還記得,黑美人
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