Hong Kong Cinema Since 1997 pdf epub mobi txt 電子書下載 2024

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Vivian P.Y. Lee

Palgrave Macmillan

2009-9-29

256

USD 105.00

Hardcover

9780230221437

圖書標籤: 電影香港李佩然文化研究 HK 電影研究有關電影文化研究、哲學理論

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发表于2024-11-23

Hong Kong Cinema Since 1997 epub 下載 mobi 下載 pdf 下載 txt 電子書下載 2024

Hong Kong Cinema Since 1997 pdf epub mobi txt 電子書下載 2024

圖書描述

The change of sovereignty in 1997 marked the end of British colonial rule and the beginning of a new era in the history of Hong Kong. Taking its point of departure from Hong Kong cinema's transition to the post-colonial present, this study traces the form and content of a still evolving mode of cinematic imagination in Hong Kong films during the first decade of Chinese rule. Using the term 'post-nostalgic' to distinguish the treatment of nostalgia in post-handover films from Jameson's critique of postmodern nostalgia, it revisits current debates over local identity, nationhood, globalization and transnational film cultures to reflect on how Hong Kong filmmakers have negotiated between a local consciousness and the need to embrace the global and the national. The discussion covers a wide spectrum of popular and art films, from action, martial arts, comedy and horror to arthouse drama and pan-Asian co-productions, and sheds light on both new and emerging trends in Hong Kong's film industry.

Hong Kong Cinema Since 1997 下載 mobi epub pdf txt 電子書

著者簡介

VIVIAN P.Y.LEE teaches in the Department of Chinese, Translation and Linguistics at the City University of Hong Kong. Her publications on modern Chinese literature and Chinese cinemas have appeared in academic journals and anthologies including Modern Chinese Literature and Culture, Journal of Chinese Cinemas, Scope and Chinese Films in Focus II.

圖書目錄

Hong Kong Cinema Since 1997 pdf epub mobi txt 電子書下載

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用戶評價

評分☆☆☆☆☆

用瞭很多典型的例子，去闡述香港電影人97前後的情懷和改變，如何在他們的電影中傳達對過去懷緬、對當下矛盾的情緒，分析得非常詳盡，截至2008年，每個顯著的階段、每位具代錶性的導演都有提及。

評分☆☆☆☆☆

Postmodern pastiche is about cultural memory and the merging of horizons past and present. 真好，真的是影像和文化研究並舉。作者研究的是97之後後懷舊，在必然存在的集體記憶下，each ﬁlm/ﬁlmmaker constitutes a site of self-reﬂective encounter with some aspects of personal and collective memories。 a story of how the local cinema has got by

評分☆☆☆☆☆