阿蘭達蒂·洛伊(Arundhati Roy),印度作傢。十六歲時離傢,隻身來到新德裏,在學校主修建築;畢業後做過記者、編輯,後從事電影文學劇本寫作。三十七歲憑藉《微物之神》成為第一個獲得全美圖書奬、英國文學大奬“布剋奬”的印度作傢,震驚世界文壇。
The Asian literary phenomenon of the 90s. More magical than Mistry, more of a rollicking good read than Rushdie, more nerve-tinglingly imagined than Naipaul, here, perhaps, is the greatest Indian novel by a woman. Arundhati Roy has written an astonishingly rich, fertile novel, teeming with life, colour, heart-stopping language, wry comedy and a hint of magical realism. Set against a background of political turbulence in Kerala, Southern India, The God of Small Things tells the story of twins Esthappen and Rahel. Amongst the vats of banana jam and heaps of peppercorns in their grandmother's factory, they try to craft a childhood for themselves amidst what constitutes their family -- their lonely, lovely mother, their beloved Uncle Chacko (pickle baron, radical Marxist and bottom-pincher) and their avowed enemy Baby Kochamma (ex-nun and incumbent grand-aunt).
聆听微物的昵语 蕤蝶书 对于“铅字中毒者”来说,阅读印度女作家阿兰达蒂•洛伊(Arundhati Roy1959,-)的《微物之神》绝对是一次中毒般的迷醉之旅,震撼可直抵内心。洛伊有着一支灵逸、靡丽、迷人、奇诡、诙谐的笔,笔尖下回荡着斑驳繁复,意绪无穷的色彩和细节,很印度很华...
評分所有试图热爱文字的作者都会存有两种类型的梦想,一种是用文字建筑情节,一种是用文字织绣情感。而对文字上瘾的作者还会有更奢侈的欲念,诸如——用文字来作画,也许是伦勃朗,也许是夏加尔。当我一字一句地阅读印度女作家阿兰达蒂•洛伊的《微物之神》时,我仿佛看到文字...
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