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Aristophanes

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B. B. Rogers

2005-1-1

USD 5.99

Paperback

9781420926712

图书标签: Aristophanes 阿里斯托芬埃斯庫羅斯蘇格拉底歐里庇得斯 WUH Socrates Euripides

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发表于2024-11-13

The Frogs epub 下载 mobi 下载 pdf 下载 txt 电子书下载 2024

The Frogs pdf epub mobi txt 电子书下载 2024

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Aristophanes, the greatest of comic writers in Greek and in the opinion of many, in any language, is the only one of the Attic comedians any of whose works has survived in complete form He was born in Athens about the middle of the fifth century B C, and had his first comedy produced when he was so young that his name was withheld on account of his youth. He is credited with over forty plays, eleven of which survive, along with the names and fragments of some twenty-six others. His satire deal with political, religious, and literary topics, and with all its humor and fancy is evidently the outcome of profound conviction and a genuine patriotism. The Attic comedy was produced at the festivals of Dionysus, which were marked by great license, and to this, rather than to the individual taste of the poet, must be ascribed the undoubted coarseness of many of the jests. Aristophanes seems, indeed, to have been regarded by his contemporaries as a man of noble character. He died shortly after the production of his "Plutus," in 388 B. C. "The Frogs" was produced the year after the death of Euripides, and laments the decay of Greek tragedy which Aristophanes attributed to that writer. It is an admirable example of the brilliance of his style, and of that mingling of wit and poetry with rollicking humor and keen satirical point which is his chief characteristic. Here, as elsewhere, he stands for tradition against innovation of all kinds, whether in politics, religion, or art. The hostility to Euripides displayed here and in several other plays, like his attacks on Socrates, is a result of this attitude of conservatism. The present play is notable also as a piece of elaborate if not over-seriousliterary criticism from the pen of a great poet.

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在阿里斯托芬第一部成功的喜剧《阿卡奈人》中，他以代表乐精神的歌队出场间离地表征了喜剧诗人面具来为诗意一辩并且讲到诗人是帮助并且强迫人民去理解真正民主原则的城邦文化教师。然而在本剧《蛙》中，他第一次在西方直接展现了文艺批评与竞技的场面，并以喜剧形式阐述且批评了悲剧诗人欧里庇得斯“做民主”。这两者之间产生了洛克式政治哲学的悖论。事实上，分析阿里斯托芬这样一个复杂的新喜剧作家是到底是一位“温和的民主派”还是一位“激进的保守主义者”的争论其实更多的是一种命题论文贴标签式的套路，更可取的方法论依然是似拙实巧地在历史语境的互文本中条分缕析其真正的思想观。他更看重埃斯库罗斯的旧悲剧的崇高但又否定了其唱红歌的一味宏大叙事建构，而在反驳青年苏格拉底、欧里庇得斯及克利翁的智术倾向时揭开的隐微像极了朗佩特的施公。

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我敬佩Aeschylus，却更愿意和Euripides风格的人一起做朋友。而作为一个神，这里面的Dionysus也太好笑了。

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读后感

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维基上断断续续看的，也不知道是什么版本。尼采＜悲剧的诞生＞中提到阿里斯托芬对欧里毕德斯的评价还是很忠实，文本最后的确提到苏格拉底，并且将其并入欧里毕德斯及其他智者一类，规劝雅典人少跟他们交谈，勿玷污悲剧女神: to pass an idle life reeling off grandiloquent ...

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