Doing History: Investigating With Children in Elementary and Middle Schools, Third Edition offers a unique perspective on history instruction in the elementary and middle grades. Through case studies of teachers and students in diverse classrooms and from diverse backgrounds, the text shows children engaging in authentic historical investigations, often in the context of an integrated social studies curriculum. The authors begin with the assumption that children can engage in valid forms of historical inquiry-collecting and analyzing data, examining the perspectives of people in the past, considering multiple interpretations, and creating evidence-based historical accounts. Vignettes in each chapter show communities of teachers and students doing history in environments rich in literature, art, writing, discussion, and debate. Teachers and students are shown working together to frame and investigate meaningful historical questions. Students write personal and family histories, analyze primary and secondary sources, examine artifacts, conduct interviews, and create interpretations through drama, narrative, and the arts. The grounding of this book in contemporary sociocultural theory and research makes it particularly useful as a social studies methods text. In each chapter, the authors explain how the teaching demonstrated in the vignettes reflects basic principles of contemporary learning theory; thus they not only provide specific examples of successful activities, but place them in a theoretical context that allows teachers to adapt and apply them in a wide variety of settings. Features include: *Classroom vignettes. Rather than a "cookbook" of lesson ideas, this text illustrates the possibilities (and obstacles) of meaningful teaching and learning in real classroom settings. *Inquiry-oriented instruction. The approaches shown in the classrooms portrayed derive from current theory and research in the field of history education. This text is not a hodge-podge of activities, but a consistent and theoretically grounded illustration of meaningful history instruction. *Diversity of perspectives. This is emphasized in two ways. First, the text helps students look at historical events and trends from multiple perspectives. Second, the classrooms illustrated throughout the book include teachers and students from a variety of backgrounds--this gives the book widespread appeal to educators in a range of settings. *Assessment. Teachers are provided with clear guidance in using multiple forms of assessment to evaluate the specifically historical aspects of children's learning. New in the Third Edition: *Greater attention is given to the role of history education in preparing students for participation in a pluralist democracy. *Connections are made between instructional activities and the aims of citizenship, reflecting the authors' view that history should contribute to deliberation over an evolving common good. *Examples are provided of techniques for scaffolding discussion about controversial issues and for grounding that discussion in historical study. *International comparisons are included to encourage reflection on the range of perspectives on history education across cultures. *Bibliographies are updated to incorporate new scholarship on historical thinking and learning. *New resources are included for children's literature that supports good teaching.
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这本书的文学色彩并不浓厚,但它的力量在于其思想的穿透性。它更像是一本操作手册,一本指导读者如何“拆解”历史叙事的手册。我之前从未意识到,我们习以为常的“历史事实”,背后隐藏着如此多的人为构建和选择。作者对“缺失的环节”的关注,尤为触动我。他没有专注于那些被充分记录的盛事,反而将目光投向那些沉默的声音、那些被刻意遗忘的细节,并探讨了这些“空白”是如何被填补或固化的。这种对“负空间”的关注,极大地拓展了我对历史认知的边界。读这本书的过程,就像是学习一门新的语言,起初会有些拗口,需要适应其独特的逻辑结构,但一旦掌握了它的核心语法——即对证据的质疑和对叙事的警惕——就会发现自己看世界的方式彻底改变了。它强迫你停下来,去追问每一个声称“历史如此”的论断背后的支撑力是什么,是一种令人兴奋的智力挑战。
评分说实话,这本书的书写节奏非常独特,它时而缓慢得如同凝固的时间,细致地剖析一个单一的档案片段,时而又迅疾地切换视角,将跨越数个世纪的史学思潮进行对比碰撞。这种张弛有度的叙事策略,使得阅读体验充满了新鲜感,但也要求读者保持高度的专注力。我个人认为,这本书最成功的地方在于它对“语境”的强调。它不仅仅在陈述“发生了什么”,更重要的是在探讨“在那个特定的时间点,人们是如何理解和记录这些发生的”。举例来说,作者对比了两种截然不同的历史学家对同一场革命的解读,其中一位着重于经济结构的变化,另一位则聚焦于特定人物的心理动机,作者并没有站队,而是深入剖析了支撑这两种解读背后的时代背景和研究工具的局限性。这让我深刻意识到,我们所阅读的任何历史文本,都是特定历史环境下的“最佳解释”,而非“最终真理”。这对于培养批判性阅读习惯极为有益,读完之后,我再看其他历史著作时,总会不由自主地去审视作者的立足点和视角盲区。
评分我花了很长时间才消化完这本书的某些章节,坦白说,它对读者的智力要求不低,但回报是巨大的。这本书最独特之处在于,它似乎完全摒弃了传统历史著作那种追求“统一宏大叙事”的倾向,转而聚焦于那些常常被主流史学忽略的“边缘地带”和“微观操作”。作者仿佛是一个精密的钟表匠,将历史的齿轮拆解开来,让我们看清楚驱动它们转动的那些细小部件——那些偶然的相遇、日常的惯例、甚至是研究者本人的偏见是如何悄无声息地塑造了我们今天所读到的“历史”。我特别喜欢他探讨“史学家的在场性”那一部分,他毫不避讳地指出,每一次历史书写,都是一次新的“在场”,带着当下的关怀和技术限制。这种自我反思的深度,让这本书超越了单纯的知识传递,上升到了方法论和哲学思辨的层面。它的语言风格不像是在讲故事,更像是一场严谨的学术对话,但却被作者巧妙地转化为一种引人入胜的辩论。对于那些对历史的“制作工艺”感到好奇的读者,这本书无疑揭示了光鲜亮丽的历史成品背后,那复杂、甚至有些混乱的幕后工作。
评分我必须承认,这本书的讨论深入到了相当专业化的程度,它可能不适合那些只想获取轻松历史知识的普通读者。然而,对于那些对历史学作为一门学科的内在运作机制感到好奇的人来说,这简直是宝藏。作者在书中展示了不同学派如何争夺话语权,如何通过方法论的创新来重新定义“重要性”。特别是在讨论口述史和数字人文对传统史学方法的冲击时,作者的分析鞭辟入里,既肯定了新方法的潜力,也清醒地指出了其伴随而来的新风险。他不是在推销一种新的历史观,而是在描绘一幅不断演变的学术地图,清晰地标示出各个研究领域之间的边界是如何流动和重划的。这本书的价值在于它提供了一个清晰的框架,帮助我们理解历史知识是如何在学术共同体内被生产、验证和接受的。它让我明白了,每一次历史著作的出版,都不仅仅是信息的更新,更是一次对现有知识体系的微妙重构。读完之后,我对任何历史陈述的“确定性”都会保持一份健康的怀疑和审慎的敬意。
评分这本书简直是历史爱好者的一场盛宴,它没有落入那种枯燥的史料堆砌,而是以一种近乎侦探小说般的笔触,带领我们深入探寻历史事件背后的“如何发生”。作者在开篇就抛出了一个极具启发性的观点:历史并非一成不变的既定事实,而是不断被重塑、被解读的过程。这种元历史的视角,让人眼前一亮。阅读过程中,我特别欣赏作者对史料批判性的处理方式,他没有盲目崇拜所谓的权威文献,而是将不同来源的记录进行交叉验证,甚至是互相矛盾的地方,也坦诚地呈现在读者面前,并引导我们思考,为什么会出现这样的差异。比如在探讨某个关键的政治决策时,他对比了官方档案、私人信件和当时的民间传闻,那种抽丝剥茧的感觉,让人仿佛亲自参与了那段历史的重建工作。这种对“过程”的强调,使得历史不再是教科书上冷冰冰的年份和人物,而是一个充满活力、充满争议的动态领域。它成功地将“我们如何知道我们所知道的历史”这一核心问题,以一种引人入胜的方式呈现在大众面前,对于任何想超越表面叙事,真正理解历史学运作机制的读者来说,都是一本不可多得的指南。
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