It is not unusual for identical twins to share closeness or to communicate between themselves in a secret language. What is unusual is for this bond to be so extreme that it totally excludes all others, even the twins' parents and siblings.
"The Silent Twins", by Marjorie Wallace, is the intriguing story of two such twins, June and Jennifer Gibbons. Born in 1963, to parents who had emigrated from Barbados to England, the twins stood out in the rural communities where their father was stationed with the RAF simply because of their skin colour. Initially thought by their family to suffer from nothing more serious than crippling shyness, the twins progressed through school largely refusing to communicate with anyone but each other and, occasionally their younger sister. Despite being transferred to special schools, the girls reached adulthood with no hope of achieving normal goals such as jobs, friendships and marriage. Chillingly, teachers and therapists thought one twin to be the very personification of evil.
Life became a constant battle, both for the twins and between them. Confined to their room by choice and living as virtual recluses, they tried desperately to achieve normality - or, at least, what they perceived as normality - by mail order. They ventured out only to experiment with drugs, alcohol, glue sniffing and casual sex, all the while maintaining the elaborate rituals and games upon which they had come to believe that their very life depended. Gradually, their excursions into the real world began to involve first petty, then major crimes.
The relationship between June and Jennifer is one of simultaneous love and hate. Each twin is pathologically jealous of the other, each believes that she would be better off if the other simply didn't exist. Yet, at the same time, each feels as though her very life depends on her twin - they are, quite simply, two halves of a whole, constantly fighting for an individuality and supremacy that neither can achieve while the other is alive.
Marjorie Wallace, with the full co-operation of the twins and their family and access to the twins teachers and therapists, has produced a startling documentation of this remarkable story. The Gibbons twins seem at times to be mentally ill, geniuses and educationally subnormal in equal measures. At times they seem monsters from another world, at others troubled teenagers to be pitied. The reader admitted into their dark, troubled world courtesy of their biographer, experiences a whole range of emotions as the book unfolds to its dramatic conclusion.
This is a real page-turner which opens the door to a strange, haunting and, at times, unbelievable saga of dreams and destruction. Categorised as "Psychology / Biography", it is extremely well researched and well written. Described by psychiatrist Dr Anthony Clare as "Gripping, dispassionate and, quite simply, compulsive", this book is truly unique.
It contains two sections of black and white photographs of the twins at various stages of childhood and young adulthood and also several reproductions of the twins' personal artwork and writings. These provide additional valuable insight into what must be one of the most truly amazing stories ever to be written. The tale of a normal, everyday family - an unremarkable family - into which abnormality was born in the form of "The Twinnies".
Wallace has a journalistic background ideally suited for the probing and thorough investigation she has made of this unusual family. She is also a playwright, author and broadcaster, with qualifications in Philosophy and Psychology, who has won several awards for her writing. Not least was her work on the television documentary "The Silent Twins" which stood as the B.B.C.'s 1986 entry in the Monte Carlo Television Festival
Her portrayal of June and Jennifer is sympathetic, yet, at the same time, extremely chilling, and even sinister at times. It is the story of an intense struggle for individuality and normality, a battle that sees the forces of good set squarely against the forces of evil. As you read the book, marvelling all the while at its content, it is impossible to guess the eventual victor.
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这本小说简直是一场感官的盛宴,作者对细节的描摹到了令人咋舌的地步。从主人公第一次踏入那座古老图书馆的场景,到他们手中书页泛黄的触感,每一个细微的感官体验都被放大、被雕琢。我仿佛能闻到纸张和灰尘混合在一起的独特气味,听到翻书时那种特有的、微弱的“沙沙”声。故事的节奏掌控得极好,时而如静水深流,沉淀着人物复杂的情感,时而又像突如其来的暴风雨,将你卷入情节的高潮。尤其喜欢作者对于光影的运用,光线如何穿过高高的拱形窗户,在木地板上投下斑驳的图案,这不仅是环境的渲染,更是人物内心世界的隐喻。读到一半时,我不得不停下来,仅仅是回味那些精妙的比喻,它们如同散落在文字间的珍珠,每一颗都闪烁着独特的光芒,让人忍不住想将它们小心翼翼地拾起,珍藏起来。这本书的叙事结构也颇具匠心,它不是线性的讲述,更像是一张细密的网,各种看似不相关的线索,最终在不经意间交织成一个完整而震撼的画面。
评分这本书的语言风格简直是独树一帜,充满了古典的韵味,却又丝毫没有陈旧感,读起来像是在品尝一坛窖藏多年的陈酿,醇厚而回甘。作者似乎对每一个词语的选择都进行了极致的推敲,避免了任何多余的赘述,每一个句子都像是经过精密计算的乐章片段,和谐而有力。我尤其欣赏那些长句的运用,它们结构复杂,信息量巨大,但神奇的是,阅读起来却毫不费力,反而有一种一气呵成的流畅感,仿佛一条优雅的河流,带着你奔涌向前。角色之间的对话更是精彩,言简意赅,充满了潜台词和微妙的张力,很多关键信息的传递不是通过直白的倾诉,而是通过那些被刻意省略的停顿和那些未说出口的叹息。对于喜欢文本细读的读者来说,这本书简直是宝藏,值得反复揣摩那些看似寻常却暗藏玄机的文字组合。它不只是一个故事,更像是一篇精心打磨的散文诗。
评分如果用一个词来形容我的阅读体验,那就是“迷离”。这本书构建了一个充满不确定性的世界观,现实与虚幻的边界被模糊得几乎无法辨认。作者非常擅长制造那种“说不清道不明”的氛围,让你在阅读过程中始终处于一种轻微的焦虑和探寻的状态。我经常需要回溯前文,试图拼凑出事件的真相,但每一次回看,似乎又会发现新的矛盾或新的解释角度。这种叙事手法极大地挑战了读者的认知习惯,它迫使我们放弃对“标准答案”的渴求,转而拥抱那种模棱两可的复杂性。书中对于情感的描绘更是大胆而克制,那些最剧烈的情感波动往往发生在最安静的场景中,形成了一种强烈的反差美学。它没有提供廉价的情绪出口,而是将沉重的情感内核深埋在叙事的底层,需要读者自己去挖掘和承担。
评分老实说,我一开始是被这本书的封面吸引的,但读下去后发现,它的内涵远比我想象的要深邃得多。这本书最让我震撼的是它对“时间”的处理方式。时间在这里不是一个匀速流动的刻度,而更像是一种可以被挤压、被拉伸的物质。有时候,一个下午的时光被描绘得如同永恒,充满了漫长而无声的对峙;而有时候,数年的变迁却在一两页纸的快速叙述中倏忽而过。这种处理方式使得读者不得不放慢自己的阅读速度,去体会那种时间错位带来的荒谬感和宿命感。它探讨的主题很宏大,关于记忆的不可靠性,以及我们如何通过构建故事来定义自我。书中角色的心理活动极其细腻,那些无法言说的挣扎和自我怀疑,常常让我产生强烈的代入感,仿佛他们就是我生命中某个阶段的缩影。读完后,我久久不能平静,总觉得脑海里还残留着那种被时间洪流冲刷后的空茫感,需要花时间去整理和消化。
评分我必须承认,这本书的阅读门槛不低,它需要读者投入相当的专注力和耐心。它不像市面上那些快餐式的畅销书,它更像是一场需要全神贯注才能破解的密码。故事中散布着大量的象征和典故,初读时可能会感到有些晦涩,但一旦掌握了作者设定的内在逻辑,那种豁然开朗的满足感是无与伦比的。它探讨了许多关于个体存在与群体规范之间的紧张关系,提出了许多尖锐却又毫不留情的问题,迫使我们审视自己所处的环境以及我们为之付出的代价。我特别喜欢作者对环境细节的拟人化处理,建筑仿佛有了呼吸,家具似乎都在窃窃私语,整个叙事空间都活了起来,成为推动情节发展的重要力量。这本书读完之后,感觉像经历了一场深刻的心灵洗礼,那些原本模糊不清的思考,似乎都被这本书用一种近乎残酷的清晰度勾勒了出来,让人受益匪浅。
评分Being peculiar has consequences. Being normal is overrated.
评分Being peculiar has consequences. Being normal is overrated.
评分Being peculiar has consequences. Being normal is overrated.
评分Being peculiar has consequences. Being normal is overrated.
评分Being peculiar has consequences. Being normal is overrated.
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