'A great writer who spoke brilliantly to a whole generation. Prophet-like' Alec Guinness
WITH AN INTRODUCTION BY ZADIE SMITH
Into the intrigue and violence of Indo-China comes Pyle, a young idealistic American sent to promote democracy through a mysterious 'Third Force'. As his naive optimism starts to cause bloodshed, his friend Fowler, a cynical foreign correspondent, finds it hard to stand aside and watch. But even as he intervenes he wonders why: for the sake of politics, or for love?
Graham Greene was born in 1904. On coming down from Balliol College, Oxford, he worked for four years as sub-editor on The Times. He established his reputation with his fourth novel, Stamboul Train. In 1935 he made a journey across Liberia, described in Journey Without Maps, and on his return was appointed film critic of the Spectator. In 1926 he had been received into the Roman Catholic Church and visited Mexico in 1938 to report on the religious persecution there. As a result he wrote The Lawless Roads and, later, his famous novel The Power and the Glory. Brighton Rock was published in 1938 and in 1940 he became literary editor of the Spectator. The next year he undertook work for the Foreign Office and was stationed in Sierra Leone from 1941 to 1943. This later produced the novel The Heart of the Matter, set in West Africa.
As well as his many novels, Graham Greene wrote several collections of short stories, four travel books, six plays, three books of autobiography - A Sort of Life, Ways of Escape and A World of My Own (published posthumously) - two of biography and four books for children. He also contributed hundreds of essays, and film and book reviews, some of which appear in the collections Reflections and Mornings in the Dark. Many of his novels and short stories have been filmed and The Third Man was written as a film treatment. Graham Greene was a member of the Order of Merit and a Companion of Honour. He died in April 1991.
忙于杂事久不看书,从上海到北京的火车上看完《安静的美国人》,骤然想起我当年匆匆忙忙写就的硕士论文British Imperial Literature“英国帝国小说”,这是我自己当年找了许久理论未遂后生造的一个词语,试图探讨英国文学在遭遇前现代国家后创造的“帝国叙事”从外在的好奇、友...
评分《文静的美国人》。作者格雷厄姆.格林,一个英国人,写冒充通俗的小说,字里行间有着深镂进骨头里的刻薄,丝丝往外冒着寒气。 此故事的外包装亦非常通俗化,掺杂政治、悬疑、爱情、侦探等因素,地点选择在第一次越战期间的西贡,然而,内容却并无其形式那般吸引人,太多人物心...
评分有一个时期我很不喜欢关于热带地区的文学和电影。但格雷厄姆*格林,这个固执的旅行家非要把人拽到南北回归线中间不可。《权力与荣耀》令我又开始回忆赫尔佐格或布努艾尔,光滑如蜡的棕黄色皮肤、塌鼻子和厚嘴唇与汗淋淋的白人演员,或者西部片里纬度低一些的场景中出现的一...
评分早从中国大陆要出版Lolita就闻知主万的翻译很不怎么样,但是因为本身对纳博科夫并不感冒,倒也没有在意。毕竟国内好的翻译家为数寥寥,而且除非是翻译从业者,也很少有人会特别重视文学翻译者。毕竟像傅雷那种身兼翻译家以及文学研究学者,并享受盛名的人并不多。扯远了,只是...
评分《文静的美国人》。作者格雷厄姆.格林,一个英国人,写冒充通俗的小说,字里行间有着深镂进骨头里的刻薄,丝丝往外冒着寒气。 此故事的外包装亦非常通俗化,掺杂政治、悬疑、爱情、侦探等因素,地点选择在第一次越战期间的西贡,然而,内容却并无其形式那般吸引人,太多人物心...
回顾阅读过程,我感觉自己经历了一场漫长而微妙的心灵洗礼。那些关于异国情调的描绘,比如街角的喧嚣、炎热的午后、以及人物之间那种若即若离的暧昧,共同构建了一种令人沉溺又不安的氛围。它成功地捕捉了“时代精神”的脆弱性,将宏大的地缘政治冲突,转化成了几个人物之间关于忠诚、背叛与幻灭的私密对话。这本书的结构处理非常成熟,它没有采取线性的时间推进,而是通过不同人物的回忆和视角交织,编织出一张复杂的情感网,让历史的重量感与个人的命运沉浮紧密相连。读完之后,那种意犹未尽的感觉,不是因为渴望知道“发生了什么”,而是迫切想要重新审视自己对“理解”和“介入”的定义,它留下的回味是深刻而悠远的,值得反复品味。
评分这种叙事风格极其克制,近乎冷酷的客观性,反而赋予了故事一种永恒的质感。它没有过多的内心独白来指导读者的情感走向,一切情绪的爆发点都隐藏在人物的行动和外部环境的刻画之中。我喜欢这种“少即是多”的写作哲学,它像一首结构严谨的古典乐章,每一个音符都精准到位,没有一丝多余的装饰。特别是关于“视角”的运用,让你不断地质疑自己所接收到的信息是否完整可靠,这种不确定性极大地增强了故事的张力。每当我觉得自己似乎抓住了故事的核心脉络时,作者总能巧妙地引入一个新的变量,将原有的认知打破重塑。这不仅仅是一部关于战争或政治的小说,更像是一部关于“观察者困境”的深刻探讨——当你在场时,你是否真的能够保持清醒和公正?
评分读罢此书,脑海中残留的并非情节的跌宕起伏,而是一种挥之不去的、关于“介入”与“疏离”的哲学思辨。它巧妙地避开了廉价的道德审判,将不同阵营的人物置于一个模糊不清的灰色地带。那些看似坚定的信条,在异域的尘土和血雨中,显得如此脆弱不堪,甚至有些可笑。我仿佛能闻到那种潮湿的、混合着香料与汽油味的空气,感受到那种身处旋涡中心却又始终保持着一种超然姿态的微妙心理。书中对异域风情的描绘,并非肤浅的旅游指南式罗列,而是与人物的内心状态紧密结合,环境成为了人物性格的延伸,也成了命运的隐喻。每一次对话都充满了言外之意,每一次沉默都比喧哗更具分量,这迫使读者必须全神贯注,去捕捉那些潜藏在文本表象之下的暗流涌动,它要求的不只是“看”,更是“理解”。
评分这部作品,初翻开时,便被一种近乎冷冽的观察者视角所捕获,它并非那种让你沉浸其中、与角色同呼吸的传统叙事。相反,它像一面被精心打磨过的镜子,冷峻地映照着一个特定历史时空下的复杂人性与权力纠葛。作者的笔触精妙,于细微之处见宏大,那些关于理想主义的破灭、异国情调下的文化错位,都透过几组核心人物之间微妙的张力,层层剥开。我尤其欣赏那种不动声色的悲剧感,它不是轰轰烈烈的倾覆,而是像被潮水缓慢浸蚀的沙堡,你眼睁睁看着美好的事物走向不可避免的衰亡,却无力干预,只能作为旁观者记录下这一切的发生。叙事节奏把握得极好,时而悠长如夏日午后的慵懒,时而又在关键时刻迸发出令人措手不及的尖锐,这种韵律感让阅读过程充满了智力上的愉悦,仿佛在解开一个精心设置的谜题,但最终揭晓的答案却比谜题本身更加令人心碎。
评分这本书最令人震撼之处,在于它对“真诚”的解构。在这个充斥着意识形态武器和殖民心态的舞台上,谁是真诚的?谁又是伪装者?作者并未给出明确的标签,而是通过一系列错综复杂的关系网,展现了每一种“真诚”背后都可能隐藏着私欲、傲慢或是无可奈何的妥协。我尤其对那种怀抱天真热忱却最终被现实碾碎的角色产生了强烈的共鸣,这种“一厢情愿的理想主义”在残酷的政治博弈面前,显得既崇高又可悲。阅读体验是压抑的,但这种压抑并非来自血腥场面,而是源于对人性局限性的深刻洞察。它成功地将宏大的历史背景压缩进几个私密的空间,让读者得以近距离观察权力如何腐蚀人心,又如何将最美好的初衷扭曲变形,最终只留下徒劳的叹息。
评分Graham Greene果然是讲故事的高手,也是为数不多的在讨论信仰和宗教时不让人反感的作家,在讨论战争,爱情和友情的时候也是把火候掌握的很好,如他一直重复说的那样,In wars as well as in love it's almost impossible to be disengaged.
评分学了法语学了越南历史地理政治宗教知识,只可惜真爱死了。
评分The quiet American wants to change the world to do the duty but does not clearly know what the world is ,finally gets harm.
评分The quiet American wants to change the world to do the duty but does not clearly know what the world is ,finally gets harm.
评分Rue Catinat
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