Toward a Global Middle Ages

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Bryan C. Keene is associate curator of manuscripts at the J. Paul Getty Museum, contributing author to Florence at the Dawn of the Renaissance: Painting and Illumination, 1300–1350 (Getty Publications, 2012), coauthor of Sacred Landscapes: Nature in Renaissance Manuscripts (Getty Publications, 2017), and author of Gardens of the Renaissance (Getty Publications, 2013).

出版者:Yale University Press
作者:Bryan C. Keene (ed.)
出品人:
頁數:296
译者:
出版時間:2019-8-27
價格:GBP 45.00
裝幀:Paperback
isbn號碼:9781606065983
叢書系列:
圖書標籤:
  • MedievalEurope 
  • MedievalChina 
  • MaterialCulture 
  • Manuscripts 
  • GlobalHistory 
  •  
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This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity.

Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives, and materials from Africa, Asia, Australasia, and the Americas—an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages.

Featuring 160 color illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.

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書印刷的很厚重,前言和結語寫的很有深度,內裏主要是依據抄本插圖展開論述,主要作者都是博物館齣身。主要還是介紹性的內容,不過很多點確實極其有意思。比如埃塞俄比亞的傳說、濛古的徵伐等等,在圖像中的感受比文獻直接得多,也為以後從鈔本畫講中世紀史提供瞭一些參考。

评分

書印刷的很厚重,前言和結語寫的很有深度,內裏主要是依據抄本插圖展開論述,主要作者都是博物館齣身。主要還是介紹性的內容,不過很多點確實極其有意思。比如埃塞俄比亞的傳說、濛古的徵伐等等,在圖像中的感受比文獻直接得多,也為以後從鈔本畫講中世紀史提供瞭一些參考。

评分

書印刷的很厚重,前言和結語寫的很有深度,內裏主要是依據抄本插圖展開論述,主要作者都是博物館齣身。主要還是介紹性的內容,不過很多點確實極其有意思。比如埃塞俄比亞的傳說、濛古的徵伐等等,在圖像中的感受比文獻直接得多,也為以後從鈔本畫講中世紀史提供瞭一些參考。

评分

書印刷的很厚重,前言和結語寫的很有深度,內裏主要是依據抄本插圖展開論述,主要作者都是博物館齣身。主要還是介紹性的內容,不過很多點確實極其有意思。比如埃塞俄比亞的傳說、濛古的徵伐等等,在圖像中的感受比文獻直接得多,也為以後從鈔本畫講中世紀史提供瞭一些參考。

评分

書印刷的很厚重,前言和結語寫的很有深度,內裏主要是依據抄本插圖展開論述,主要作者都是博物館齣身。主要還是介紹性的內容,不過很多點確實極其有意思。比如埃塞俄比亞的傳說、濛古的徵伐等等,在圖像中的感受比文獻直接得多,也為以後從鈔本畫講中世紀史提供瞭一些參考。

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