Toward a Global Middle Ages pdf epub mobi txt 电子书 下载 2025
Bryan C. Keene is associate curator of manuscripts at the J. Paul Getty Museum, contributing author to Florence at the Dawn of the Renaissance: Painting and Illumination, 1300–1350 (Getty Publications, 2012), coauthor of Sacred Landscapes: Nature in Renaissance Manuscripts (Getty Publications, 2017), and author of Gardens of the Renaissance (Getty Publications, 2013).
- MedievalEurope
- MedievalChina
- MaterialCulture
- Manuscripts
- GlobalHistory
- 1
This important and overdue book examines illuminated manuscripts and other book arts of the Global Middle Ages. Illuminated manuscripts and illustrated or decorated books—like today’s museums—preserve a rich array of information about how premodern peoples conceived of and perceived the world, its many cultures, and everyone’s place in it. Often a Eurocentric field of study, manuscripts are prisms through which we can glimpse the interconnected global history of humanity.
Toward a Global Middle Ages is the first publication to examine decorated books produced across the globe during the period traditionally known as medieval. Through essays and case studies, the volume’s multidisciplinary contributors expand the historiography, chronology, and geography of manuscript studies to embrace a diversity of objects, individuals, narratives, and materials from Africa, Asia, Australasia, and the Americas—an approach that both engages with and contributes to the emerging field of scholarly inquiry known as the Global Middle Ages.
Featuring 160 color illustrations, this wide-ranging and provocative collection is intended for all who are interested in engaging in a dialogue about how books and other textual objects contributed to world-making strategies from about 400 to 1600.
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书印刷的很厚重，前言和结语写的很有深度，内里主要是依据抄本插图展开论述，主要作者都是博物馆出身。主要还是介绍性的内容，不过很多点确实极其有意思。比如埃塞俄比亚的传说、蒙古的征伐等等，在图像中的感受比文献直接得多，也为以后从钞本画讲中世纪史提供了一些参考。
评分书印刷的很厚重，前言和结语写的很有深度，内里主要是依据抄本插图展开论述，主要作者都是博物馆出身。主要还是介绍性的内容，不过很多点确实极其有意思。比如埃塞俄比亚的传说、蒙古的征伐等等，在图像中的感受比文献直接得多，也为以后从钞本画讲中世纪史提供了一些参考。
评分书印刷的很厚重，前言和结语写的很有深度，内里主要是依据抄本插图展开论述，主要作者都是博物馆出身。主要还是介绍性的内容，不过很多点确实极其有意思。比如埃塞俄比亚的传说、蒙古的征伐等等，在图像中的感受比文献直接得多，也为以后从钞本画讲中世纪史提供了一些参考。
评分书印刷的很厚重，前言和结语写的很有深度，内里主要是依据抄本插图展开论述，主要作者都是博物馆出身。主要还是介绍性的内容，不过很多点确实极其有意思。比如埃塞俄比亚的传说、蒙古的征伐等等，在图像中的感受比文献直接得多，也为以后从钞本画讲中世纪史提供了一些参考。
评分书印刷的很厚重，前言和结语写的很有深度，内里主要是依据抄本插图展开论述，主要作者都是博物馆出身。主要还是介绍性的内容，不过很多点确实极其有意思。比如埃塞俄比亚的传说、蒙古的征伐等等，在图像中的感受比文献直接得多，也为以后从钞本画讲中世纪史提供了一些参考。
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