圖書標籤: 阿甘本  英文  求知  思想史  哲學   

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阿甘本越來越接近詩，偶爾會有和莊子妙閤之處。他在兩個世紀哲學思考的路徑上，轉頭到中世紀騎士詩歌中尋找“詩”的本來麵目，也就是歌德五義（神靈、機運、愛、必要、希望）的聯係。從哲學而詩，如同絕壁密路，精彩而彆開生麵，但是偶爾義理分析處還是讓人感慨，要是一首好詩多好，省瞭多少力氣，一下就把闡述、分析的所有層麵包含在裏麵，還意猶未盡。可是現代以來幾乎很難有這樣的詩人瞭，因為分析語言幾乎已經成為唯一的錶達和存在方式。所以我們還是要迴頭多讀讀歌德、陶淵明、莊子諸人。

又是從中世紀說到現象學。主要反對黑格爾對adventure所定的“偶然性、外在性”概念，而把它視作主角遭遇和詩人敘述的詩性真實，強調與語言的內在關係，並與海德格爾的Ereignis靠攏。最後一節略繞：hope是無法滿足的，但這是因為在某種程度上，它已經被滿足瞭......

For Agamben, the adventure, that of contingency, devalued by Hegel, opens to ‘a specific experience of being’ wherein the fourfold - Daimon, Eros, Ananke and Elpis defining ethics. Though set down to Goethe’s aesthetics, he sculpted his own connotation by poetic truth vis-à-vis the post-dialectic.

For Agamben, the adventure, that of contingency, devalued by Hegel, opens to ‘a specific experience of being’ wherein the fourfold - Daimon, Eros, Ananke and Elpis defining ethics. Though set down to Goethe’s aesthetics, he sculpted his own connotation by poetic truth vis-à-vis the post-dialectic.

For Agamben, the adventure, that of contingency, devalued by Hegel, opens to ‘a specific experience of being’ wherein the fourfold - Daimon, Eros, Ananke and Elpis defining ethics. Though set down to Goethe’s aesthetics, he sculpted his own connotation by poetic truth vis-à-vis the post-dialectic.