Utopia , by Sir Thomas More , is part of the Barnes & Noble Classics series, which offers quality editions at affordable prices to the student and the general reader, including new scholarship, thoughtful design, and pages of carefully crafted extras. Here are some of the remarkable features of Barnes & Noble Classics :
All editions are beautifully designed and are printed to superior specifications; some include illustrations of historical interest. Barnes & Noble Classics pulls together a constellation of influencesbiographical, historical, and literaryto enrich each reader's understanding of these enduring works. 0in 0in 0pt">one of the most influential books in the Western philosophical and literary tradition, Sir Thomas More ’s Utopia appeared in 1516. The formidable Henry VIII had recently assumed the throne in England, and conflicting ideas about religion were fueling the Reformation throughout Europe. A scathing satire, Utopia was hugely successful and vaulted More to the forefront of the growing humanist movement. The story of Utopia is told by a mysterious sailor named Raphael Hythloday, who travels to the New World with the Italian explorer Vespucci and remains at a fort built at the farthest point reached. From there, he discovers a strange island kingdom named Utopia, a pagan and communist city-state in which language, social customs, dress, architecture, and education are identical throughout the country’s fifty-four cities. The Utopians have eliminated wealth, the nobility, and currency. Labor and goods are distributed equally and property is held in common. And there are no monasteries, alehouses, or academies to tempt a person to withdraw from society. Given More’s satiric leanings and eventual execution, is Utopia simply an attack on Europe’s wickedness? or is it a philosophical tract extolling the ideal way to live? Ultimately, Utopia navigates a course between the desire to create perfection and the pragmatic understanding that perfection, given the fallibility of mankind, is impossible. Wayne A. Rebhorn is Celanese Centennial Professor of English at the University of Texas at Austin. He has written extensively on Renaissance literature in English, Italian, French, Spanish, and Latin, on authors from Boccaccio through More and Shakespeare down to Milton.
乌托邦人并不是真正的“人”,只是发展阶段比较高的“人”。他们还有宗教,乌托邦人还是作为一个整体来面对神与自然、面对他人、面对自己。乌托邦人的爱本能很强烈,死本能很萎靡。因此战争与破坏并不能给他们带来快感。他们追求健康、和谐的生活,正是里比多的平衡状态。 乌...
评分《乌托邦》【英】托马斯 莫尔 著 商务印书馆1982版 第一部分: 无论是心或手,不用就不灵。 ——塞拉斯特sallust(古罗马历史家)P20 上帝命令我们无杀人之权,也无自杀之权。 P25 赃物归还失主而不是交给国王。P27 一个必须维持一支军队的国王,不管他的钱怎么多。总...
评分一 首先从 103页(商务印书馆,2006)开始,莫尔借希思拉德之口叙述,乌托邦人有各种宗教,每个城市也是如此。而虽然乌托邦人信仰不一,却一致同意只有一个至高的神—密特拉(Mythras),但他马上又说,不同的人对这个神持不同观点。转而在104页马上又说:乌托邦人认为...
评分这个时代最大的悲哀在于科学的进步。 宗教信仰被摧毁了,但是另一种新的信仰却没有被建立。 西欧资本主义萌芽与发展的时期,正是中世纪神学时代与尚武精神的瓦解过程。上帝十诫的传统约束力与道德追求逐渐式微。受最大享受度的驱使,拜金主义取代了上帝之爱。道德堕落层出不...
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