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确实比较深有几章都看不太懂..感觉有哲学和艺术史底子的人理解会好些

确实比较深有几章都看不太懂..感觉有哲学和艺术史底子的人理解会好些

写的深刻入髓

确实比较深有几章都看不太懂..感觉有哲学和艺术史底子的人理解会好些

写的深刻入髓

From Publishers Weekly In Danto's view, artists' feelings of belonging to a continuous tradition vanished around 1965, one year after Andy Warhol's Brillo Box. In the current "post-historical" epoch, he writes, postmodernists make pathetic stabs at reconnec...

From Publishers Weekly In Danto's view, artists' feelings of belonging to a continuous tradition vanished around 1965, one year after Andy Warhol's Brillo Box. In the current "post-historical" epoch, he writes, postmodernists make pathetic stabs at reconnec...

From Publishers Weekly In Danto's view, artists' feelings of belonging to a continuous tradition vanished around 1965, one year after Andy Warhol's Brillo Box. In the current "post-historical" epoch, he writes, postmodernists make pathetic stabs at reconnec...

From Publishers Weekly In Danto's view, artists' feelings of belonging to a continuous tradition vanished around 1965, one year after Andy Warhol's Brillo Box. In the current "post-historical" epoch, he writes, postmodernists make pathetic stabs at reconnec...

From Publishers Weekly In Danto's view, artists' feelings of belonging to a continuous tradition vanished around 1965, one year after Andy Warhol's Brillo Box. In the current "post-historical" epoch, he writes, postmodernists make pathetic stabs at reconnec...