Women & Power

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Mary Beard is a professor of classics at Newnham College, Cambridge, and the Classics editor of the TLS. She has world-wide academic acclaim, and is a fellow of the British Academy and a member of the American Academy of Arts and Sciences. Her previous books include most recently SPQR: A History of Ancient Rome, and the bestselling, Wolfson Prize-winning Pompeii, The Roman Triumph, also The Parthenon and Confronting the Classics. Her blog has been collected in the books It's a Don's Life and All in a Don's Day.

出版者:Profile Books
作者:Professor Mary Beard
出品人:
頁數:128
译者:
出版時間:2017-11-2
價格:GBP 7.99
裝幀:Hardcover
isbn號碼:9781788160605
叢書系列:
圖書標籤:
  • 女性主義 
  • 女性 
  • 女權 
  • 英文原版 
  • Gender 
  • English 
  • 思考 
  • Classics 
  •  
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Why the popular resonance of 'mansplaining' (despite the intense dislike of the term felt by many men)? It hits home for us because it points straight to what it feels like not to be taken seriously: a bit like when I get lectured on Roman history on Twitter.

Britain's best-known classicist Mary Beard, is also a committed and vocal feminist. With wry wit, she revisits the gender agenda and shows how history has treated powerful women. Her examples range from the classical world to the modern day, from Medusa and Athena to Theresa May and Elizabeth Warren. Beard explores the cultural underpinnings of misogyny, considering the public voice of women, our cultural assumptions about women's relationship with power, and how powerful women resist being packaged into a male template.

With personal reflections on her own experiences of the sexism and gendered aggression she has endured online, Mary asks: if women aren't perceived to be within the structures of power, isn't it power that we need to redefine?

From the author of international bestseller SPQR: A History of Ancient Rome.

具體描述

讀後感

評分

評分

1.之所以没评分是因为这是被拿来研究的文本2.有一下几个问题:第一,文本中说话的权力尤指声音“菲洛米拉失去了舌头,却仍然能将事情的始末织进锦缎,以此方式对其强暴者发起指控(这也就是为什么莎士比亚笔下的拉维尼亚不仅仅被割去了舌头,还要被砍断双手)。最敏锐的古代修...  

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1、掌权的女性总是“看起来像个男人” 时至今日,女性和权力,仍然被看成是一种“并不习以为常”的组合。掌握权力的女性特别容易登上头条、成为话题焦点,而男性掌权在舆论看来则是理所当然的,如无必要,不会特殊关注。不出意外的话,掌握权力的女性多数都会“入乡随俗”,在...  

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打开电视,女性要么扮演花瓶,要么是不择手段的生存者,似乎世界的游戏规则是按照男人的权力来设计的。 在当下的社会语境中,人们对于成功男性的接受度似乎更高,而对女性的期待则是“可爱”和“温柔”,其核心价值在于“被保护、被选择”。于是,优秀和强大的女性不得不选择收...  

評分

1 读大学时,我选修了一门《性别研究》课程。然而,选修这门课的初衷并非对“性别研究”的主题有多大的兴趣,而是带着“追星”的目的去的——因为开设这门课程的是骆晓戈教授,她曾经主编的《小溪流》杂志以及创作的儿童文学作品是我童年的最爱之一。 没想到,多年以后有缘能在...  

用戶評價

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Xmas treat Sophie帶著去牛津看瞭一場witch history exhibition 關於女性/女巫/文化/權利的根源 早就在這本小冊子中被提及 那些史詩史籍裏的桎梏在今日何嘗不是每日在上演 前路漫漫

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Beard did a wonderful job to make Classics relevant to today's social-political dynamics. Her references to the passages in Odyssey, Lucretia, and many others help me see the valences of the texts. Women's voice are not so stifled nowadays, but women still receive more acerbic comments and quick negligence. Approval from men is innately a problem.

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讀瞭。從古希臘的角度講女性話語權等,是很有趣的切入角度。講雅典娜女神的男性特徵時竟然解答瞭許多我在建築史裏的疑惑。

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從文學引入女性話語權的問題,簡單,清晰。整體語言平實,明澈。

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如果我是導演想要現代地詮釋Telemachus的行為,我會覺得是齣於一種保護。我就一直覺得Penelope's bizzare lack of voice下有更多的內容。

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