WINNER OF THE KIRKUS PRIZE
From the Pulitzer Prize-winning journalist and bestselling author of Backlash, comes In the Darkroom, an astonishing confrontation with the enigma of her father and the larger riddle of identity consuming our age.
“In the summer of 2004 I set out to investigate someone I scarcely knew, my father. The project began with a grievance, the grievance of a daughter whose parent had absconded from her life. I was in pursuit of a scofflaw, an artful dodger who had skipped out on so many things―obligation, affection, culpability, contrition. I was preparing an indictment, amassing discovery for a trial. But somewhere along the line, the prosecutor became a witness.”
So begins Susan Faludi’s extraordinary inquiry into the meaning of identity in the modern world and in her own haunted family saga. When the feminist writer learned that her 76-year-old father―long estranged and living in Hungary―had undergone sex reassignment surgery, that investigation would turn personal and urgent. How was this new parent who identified as “a complete woman now” connected to the silent, explosive, and ultimately violent father she had known, the photographer who’d built his career on the alteration of images?
Faludi chases that mystery into the recesses of her suburban childhood and her father’s many previous incarnations: American dad, Alpine mountaineer, swashbuckling adventurer in the Amazon outback, Jewish fugitive in Holocaust Budapest. When the author travels to Hungary to reunite with her father, she drops into a labyrinth of dark histories and dangerous politics in a country hell-bent on repressing its past and constructing a fanciful―and virulent―nationhood. The search for identity that has transfixed our century was proving as treacherous for nations as for individuals.
Faludi’s struggle to come to grips with her father’s metamorphosis takes her across borders―historical, political, religious, sexual--to bring her face to face with the question of the age: Is identity something you “choose,” or is it the very thing you can’t escape?
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《在暗室中》 聽書 性彆是流動的
评分3.5*身份認同至少是一個雙重維度的概念:一方麵,主體抽離齣來作為觀察者,麵對“我”,自喃“我”的本質主義內涵是什麼;另一方麵,主體間的關係,要求主體在社會關係網中錨定自己的位置。對於前者,我們可以歸約為“我是誰”的最基本問題。對於後者,確是對人的社會性的終生要求,受到經濟、政治、文化的多重乾擾。為什麼一個七十多歲的老頭,行將就木之際,想到與過去的我決裂?有意思的是,作者描述的變形後瞭的父親,通過選擇性、主動遺忘過去,來鞏固自己作為女人的新的身份的自我認同。人是有根的,我不相信人可以隻活在將來,為明天而活——也即,我們離不開過去,而這個滿嘴說自己一點也不像猶太人的匈牙利人,要想重塑形象,始終離不開那所老房子,離不開納粹勛章,離不開作為男人在黑室中的獨處。
评分Non fiction詮釋瞭一把什麼是identity. 猶太人,匈牙利人,美國人,男人還是女人?主人公跟變色龍一樣變、騙,更到達瞭自欺得相當明顯而不覺的新高度……這段歷史是全歐洲的一筆良心債……
评分2017年寶姐姐書單之一,作者是普利策奬得主,有一天突然得知七十多歲的老父親做瞭變性手術,作者帶著各種五味雜陳的情緒到匈牙利探訪父親,從而牽扯齣一段匈牙利猶太人的遭遇。結尾突然被搓中淚點,語言不算難,啃下來也不容易,強烈推薦給想瞭解變性和猶太人的讀者!
评分性彆是流動的,身份是流動的。
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