“In the summer of 2004 I set out to investigate someone I scarcely knew, my father. The project began with a grievance, the grievance of a daughter whose parent had absconded from her life. I was in pursuit of a scofflaw, an artful dodger who had skipped out on so many things―obligation, affection, culpability, contrition. I was preparing an indictment, amassing discovery for a trial. But somewhere along the line, the prosecutor became a witness.”
So begins Susan Faludi’s extraordinary inquiry into the meaning of identity in the modern world and in her own haunted family saga. When the feminist writer learned that her 76-year-old father―long estranged and living in Hungary―had undergone sex reassignment surgery, that investigation would turn personal and urgent. How was this new parent who identified as “a complete woman now” connected to the silent, explosive, and ultimately violent father she had known, the photographer who’d built his career on the alteration of images?
Faludi chases that mystery into the recesses of her suburban childhood and her father’s many previous incarnations: American dad, Alpine mountaineer, swashbuckling adventurer in the Amazon outback, Jewish fugitive in Holocaust Budapest. When the author travels to Hungary to reunite with her father, she drops into a labyrinth of dark histories and dangerous politics in a country hell-bent on repressing its past and constructing a fanciful―and virulent―nationhood. The search for identity that has transfixed our century was proving as treacherous for nations as for individuals.
Faludi’s struggle to come to grips with her father’s metamorphosis takes her across borders―historical, political, religious, sexual--to bring her face to face with the question of the age: Is identity something you “choose,” or is it the very thing you can’t escape?
WINNER OF THE KIRKUS PRIZE
From the Pulitzer Prize-winning journalist and bestselling author of Backlash, comes In the Darkroom, an astonishing confrontation with the enigma of her father and the larger riddle of identity consuming our age.
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天哪,这本书简直是为所有对“被看见”和“观看本身”感到困惑的人量身定做的。《**底片上的时间切片**》在结构上非常大胆,它不断地在回忆录、访谈录和实验性的文本片段之间跳跃,就像一台老式幻灯机在快速切换焦平面。最让我震撼的是其中关于“身份重塑”的部分,作者通过对一系列肖像的解构,探讨了在镜头前,我们是主动展示自我,还是被动地被拍摄者的意图所塑造。这种关于主体性和客体性边界模糊的讨论,贯穿全书,让人不得不停下来审视自己日常生活中那些被记录下来的瞬间——那些照片里,哪个“我”才是真实的?书中引用的理论跨度极大,从现象学到符号学都有涉猎,但作者的叙述功力极强,总能将复杂的概念用一个精准的、具有画面感的比喻瞬间点亮,完全没有晦涩难懂的感觉。它像一把锋利的手术刀,精准地切开了我们对“影像真实性”的盲目信任。
评分说实话,我一开始对这本书的期待值并不高,以为它会是一本老生常谈的“技术手册”或者某个摄影流派的自吹自擂之作,但《**暗室里的低语**》完全颠覆了我的预想。它的语言风格极其冷峻、克制,像极了早期欧洲现代主义文学的精髓。作者似乎对“完美曝光”之外的一切都保持着一种疏离的态度,这种疏离感反而营造出一种强大的张力。书中对几位核心人物在特定历史时期下的创作困境的剖析,入木三分,那种在社会变革和个人艺术追求之间的摇摆与妥协,读来令人唏嘘。我特别留意了其中关于“失焦”手法的讨论,作者没有简单地将其归类为失误,而是深入挖掘了失焦背后所代表的“不确定性美学”,这极大地拓宽了我对摄影艺术边界的认知。它要求读者慢下来,反复咀嚼那些看似轻描淡写却蕴含深意的句子,它不是一本可以快速消化的读物,而更像是一坛需要时间来品味的陈年佳酿,每次重读都能发现新的层次和况味。
评分这本《**光影迷踪**》简直是一场视觉盛宴,作者对光影的运用达到了出神入化的地步,读起来就像是亲身走进了一个充满神秘气息的暗房,空气中弥漫着化学药水的微弱气味,耳边仿佛能听到快门咔嚓的声响。书中的叙事节奏把握得极好,时而如同一位经验丰富的老摄影师,冷静而精准地捕捉着瞬间的本质;时而又像一个初涉摄影的学徒,对每一个曝光值的变化都充满了好奇与探索的激情。我尤其欣赏作者在描述人物内心挣扎时,巧妙地将光线的明暗变化作为情绪的隐喻,那些被阴影笼罩的角落,恰恰是主角内心最深处的恐惧与渴望的投射。书中的一些章节探讨了胶片摄影的物理过程,虽然技术性稍强,但作者的文笔极其生动,将原本枯燥的化学反应描述得如同魔术一般,让人不禁对手工冲洗的每一个步骤都产生了浓厚的兴趣。总而言之,它不仅仅是一部关于摄影技术的书,更是一部关于如何在“黑暗”中寻找“光明”的哲学寓言,读完后,我对世界万物的观察角度都似乎发生了一些微妙而积极的转变。
评分我很少读到一部作品能将文学的细腻与技术分析的严谨结合得如此和谐。《**光影的秘密手册**》展现了一种近乎偏执的专注力。作者对待每一次显影过程的描述,细致到令人发指,仿佛在进行一场神圣的仪式。但这种细致并非故作姿态,而是服务于一个更宏大的主题:即“控制”与“偶然”的永恒辩证关系。书中有一段关于放大机操作的段落,描述了如何通过局部遮挡和加光来雕刻画面中特定的光影区域,那段文字充满了力量感,让我联想到艺术家如何像雕塑家一样塑造粘土,只不过这里的“材料”是光子本身。这本书的语言风格非常具有“行动性”,充满了指令和明确的意图,读起来让人感觉自己也拿起了一双戴着乳胶手套的手,准备投入到创作之中。它更像是一本“操作指南”,但其指导的不仅仅是技术,更是对待创作态度的指南。
评分如果用一个词来形容《**定格的生命轨迹**》,那就是“忧郁的浪漫主义”。这本书没有太多的技术细节,更多的是对摄影史中那些“被遗忘的瞬间”和“未竟的事业”的深情回望。作者的笔触极其抒情,充满了怀旧的情绪,仿佛每一页纸都浸染了历史的尘埃和旧时光的温暖。我特别喜欢作者对那些早期新闻摄影师的描绘,他们冒着生命危险捕捉的画面,在今天看来,已经超越了新闻本身的价值,成为了一种凝固的、永恒的人类情感记录。书中关于“衰变”的主题讨论得尤为深刻——不仅是化学影像本身的褪色,更是记忆的不可逆转的流逝。读罢此书,我感到一种温柔的悲伤,认识到每一次按下快门,都是在与时间赛跑,试图将流逝的东西强行固定下来,这种徒劳而又美丽的努力,正是艺术的终极意义所在。
评分对于个人来说,这个故事虽然是真实的,但是却很怪诞。
评分《在暗室中》 听书 性别是流动的
评分可能是除了上学时候的assignment之外最最难的一本书了,但是磕磕绊绊的终于读完了!Very interesting topics on history, religion, gender, identity, family relationship, but they were all written in such an excruciating way that makes you always want to scream while reading. :)
评分"Rarely did the fanfare convey the daily texture of complicated ordinary lives" but this book made it. Daily texture of complicated ordinary life of a Hungarian American Jew, a daughter's investigation of her father's "identity" in the context of religion, history, politics, diaspora and gender! "Only one real binary is death and life"
评分1. 变性? ... 她「仍然是我父亲」 2. 身份: 自我塑造? 个人基因? 成长中的家庭/种族/宗教/文化/历史? 3. 性别是流动的
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