The death of Christopher Hitchens in December 2011 prematurely silenced a voice that was among the most admired of contemporary writers. For more than forty years, Hitchens delivered to numerous publications on both sides of the Atlantic essays that were astonishingly wide-ranging and provocative. The judges for the PEN/Diamonstein-Spielvogel Award for the Art of the Essay, posthumously bestowed on Hitchens, praised him for the way he wrote “with fervor about the books and writers he loved and with unbridled venom about ideas and political figures he loathed.” He could write, the judges went on to say, with “undisguised brio, mining the resources of the language as if alert to every possibility of color and inflection.” He was, as Benjamin Schwarz, his editor at The Atlantic magazine, recalled, “slashing and lively, biting and funny—and with a nuanced sensibility and a refined ear that he kept in tune with his encyclopedic knowledge and near photographic memory of English poetry.” And as Michael Dirda, writing in the Times Literary Supplement, observed, Hitchens “was a flail and a scourge, but also a gift to readers everywhere.”
The author of five previous volumes of selected writings, including the international bestseller Arguably, Hitchens left at his death nearly 250,000 words of essays not yet published in book form. And Yet… assembles a selection that usefully adds to Hitchens’s oeuvre. It ranges from the literary to the political and is, by turns, a banquet of entertaining and instructive delights, including essays on Orwell, Lermontov, Chesterton, Fleming, Naipaul, Rushdie, Pamuk, and Dickens, among others, as well as his laugh-out-loud self-mocking “makeover.” The range and quality of Hitchens’s essays transcend the particular occasions for which they were originally written. Often prescient, always pugnacious, and formidably learned, Hitchens was a polemicist for the ages. With this posthumous volume, his reputation and his readers will continue to grow.
Christopher Hitchens was born on April 13, 1949, in England and graduated from Balliol College at Oxford University. The father of three children, he was the author of more than twenty books and pamphlets, including collections of essays, criticism, and reportage. His book God Is Not Great: How Religion Poisons Everything was a finalist for the 2007 National Book Award and an international bestseller. His bestselling memoir, Hitch-22, was a finalist for the 2010 National Book Critics Circle Award for autobiography. The New York Times named his bestselling omnibus Arguably one of the ten best books of the year. A visiting professor of liberal studies at the New School in New York City, he was also the I.F. Stone professor at the Graduate School of Journalism at the University of California, Berkeley. He was a columnist, literary critic, and contributing editor at Vanity Fair, The Atlantic, Slate, The Times Literary Supplement, The Nation, New Statesman, World Affairs, and Free Inquiry, among other publications. Following his death, Yoko Ono awarded him the Lennon-Ono Grant for Peace.
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我是一个对细节观察非常敏锐的读者,很多小说中人物的动机和环境的烘托往往显得敷衍了事。然而,在这本书里,即便是最微小的配角,作者也给予了足够的笔墨去塑造他们的背景和性格,使得整个故事世界充满了生命力。环境描写更是精彩绝伦,无论是繁华都市的喧嚣,还是偏远小镇的寂寥,作者都能用寥寥数语勾勒出那种独有的氛围,让人身临其境。读起来,我感觉自己仿佛穿越到了故事发生的那个世界,亲身经历了主人公们所经历的一切。这种沉浸式的阅读体验,是衡量一本好书的重要标准。这本书无疑做到了极致,它不仅仅讲述了一个故事,它创造了一个可以被完全呼吸、感受和体验的世界。
评分从文学性的角度来看,这本书的文字功底令人惊叹。语言的运用充满了韵律感和画面感,即便是最平淡的描述,在作者的笔下也变得富有诗意。我尤其喜欢作者在构建世界观时所展现出的想象力,虽然故事背景设定在一个相对熟悉的框架内,但其细节的丰富性和逻辑的严谨性,让整个世界观变得无比真实可信。情节的推进看似漫不经心,实则处处埋有伏笔,每一次转折都显得自然而又出乎意料,充分体现了作者高超的布局能力。读这本书,就像是在欣赏一幅精心绘制的油画,每一个笔触都经过深思熟虑,最终呈现出一幅宏大而又精致的艺术作品。它无疑是近年来我阅读过的文学成就最高的一部作品之一,为同类型的作品树立了一个新的标杆。
评分坦白说,一开始我对这本书抱持着一丝怀疑,毕竟市面上同类题材的作品太多了。但这本书很快就颠覆了我的看法。它没有落入俗套,反而以一种非常新颖的角度切入了主题,探讨了那些我们日常生活中常常避而不谈的灰色地带。作者的勇气和洞察力值得称赞,他敢于直面人性的弱点和社会的矛盾,毫不留情地展现出来,却又能在批判之中蕴含着一份温柔的理解。故事中的很多伦理困境引发了我的激烈思考,让我不断地停下来,合上书本,在脑海中与作者进行一场无声的辩论。这种强烈的互动感,是很多快餐式阅读无法提供的。这是一本需要用心去“啃”的书,每一次深入,都会有新的体会。
评分这本书的叙事结构极其巧妙,它采用了非线性的时间推进方式,将过去、现在和未来的碎片交织在一起,形成了一种独特的阅读体验。起初可能会有些许迷失,但随着阅读的深入,你会发现这些看似散乱的线索是如何被精心地编织成一张密不透风的网。这种结构不仅增加了阅读的挑战性,更极大地增强了故事的张力和悬念。特别是几个关键高潮部分的揭示,都是通过之前埋下的细微线索巧妙地串联起来的,当真相大白的那一刻,所有的疑惑都迎刃而解,带来的震撼是排山倒海的。我不得不佩服作者对时间和叙事节奏的掌控力,这本书的结构本身就是一种艺术。
评分这本小说简直是扣人心弦,读起来让人欲罢不能。作者的叙事技巧高超,将故事的节奏控制得恰到好处,时而舒缓细腻,时而紧张激烈,总能牢牢抓住读者的心。我特别欣赏作者对人物内心世界的刻画,每一个角色都栩栩如生,仿佛能触摸到他们的喜怒哀乐。主角的成长轨迹充满了挑战与挣扎,他如何面对人生的困境并最终找到自我,这个过程的描写真实而深刻,让人在阅读的同时也不禁反思自己的生活。这本书不仅仅是一个故事,更像是一面镜子,映照出人性复杂的光芒与阴影。我读完后久久不能平静,脑海中仍然回荡着那些深刻的场景和对话,这本书绝对值得反复品味,它带来的情感冲击和思考深度,远远超出了我的预期。
评分应该是最后一部了。支持的方式就是好好读一下
评分应该是最后一部了。支持的方式就是好好读一下
评分应该是最后一部了。支持的方式就是好好读一下
评分应该是最后一部了。支持的方式就是好好读一下
评分应该是最后一部了。支持的方式就是好好读一下
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