At the end of the 1950s William Eggleston began to photograph around his home in Memphis using black-and-white 35mm film. Fascinated by the photography of Henri Cartier-Bresson, Eggleston declared at the time: 'I couldn't imagine doing anything more than making a perfect fake Cartier-Bresson.' Eventually Eggleston developed his own style which later shaped his seminal work in color-an original vision of the American everyday with its icons of banality: supermarkets, diners, service stations, automobiles and ghostly figures lost in space. From Black and White to Color includes some exceptional as-yet-unpublished photographs, and displays the evolution, ruptures and above all the radicalness of Eggleston's work when he began photographing in color at the end of the 1960s. Here we discover similar obsessions and recurrent themes as present in his early black-and-white work including ceilings, food, and scenes of waiting, as well as Eggleston's unconventional croppings-all definitive traits of the photographer who famously proclaimed, 'I am at war with the obvious.'
具體描述
讀後感
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用戶評價
布列鬆基金會2014年9月同名展覽配套目錄。策展思路如展覽名稱那樣。這本書被做成瞭筆記本的樣式，黑白照片與彩色照片交替呈現，橫照片與竪幅照片尺寸相等。仔細看你會發現，埃格爾斯頓拍攝黑白照片和彩色照片的方式是一緻的，他的彩色照片中的色彩魅力，決定性因素還是來自於現實環境。
评分我覺得他的黑白照片拍的比彩色的好是怎麼迴事？
评分father of instagram
评分Attention to dressing. Experiment with color. No interaction but to see what the picture look like. One pic for one scene.
评分日常影像的舒適感
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