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出版者:Abrams

作者:Carol Squiers

出品人:

页数:372

译者:

出版时间:2009-06-01

价格:USD 100.00

装帧:Hardcover

isbn号码:9780810983892

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图书标签:

画册
摄影
时尚
攝影集
RichardAvedon
Avedon
摄影画册
奢侈品
时尚摄影
阿韦东
时尚
摄影
20世纪时尚
美国时尚
肖像摄影
艺术
文化
历史

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具体描述

Avedon Fashion 1944-2000 encompasses seven decades of extraordinary images by Richard Avedon, the most influential fashion photographer of the 20th century.

This comprehensive volume offers a definitive survey, from Avedon's groundbreaking early photographs for Harper's Bazaar through his constantly inventive contributions to Vogue, Egoiste, and The New Yorker. Each carefully selected image represents an artistic collaboration with significant models, stylists, and designers. Avedon Fashion accompanies the first major exhibition to survey this body of work, at the International Center of Photography in May 2009. With critical essays by Carol Squiers, curator at the ICP, and photography critic Vince Aletti, as well as an appreciation by photo-historian Philippe Garner, Avedon Fashion chronicles an astonishing record of photographic achievement.

Avedon Fashion 1944–2000 traces the transformative evolution of fashion photography through the lens of Richard Avedon’s groundbreaking work. Spanning nearly six decades, this volume captures how Avedon redefined style and identity by blending raw emotion with minimalist composition. Unlike conventional fashion shoots of the era, his images rejected elaborate sets in favor of stark backdrops and direct gazes, emphasizing authenticity over artifice. The book chronicles pivotal moments—from post-war austerity to the exuberance of the 1960s and beyond—revealing how Avedon’s portraits became cultural touchstones that mirrored societal shifts. His collaborations with designers such as Balenciaga, Dior, and Yves Saint Laurent not only elevated fashion photography but challenged its boundaries by positioning garments within a human context rather than mere decoration. Avedon’s insistence on capturing sitters’ expressions—whether defiant, vulnerable, or contemplative—offered viewers an intimate dialogue between clothing and character. The chronology includes rare editorial spreads that illustrate the transition from structured silhouettes to fluid modernity, alongside candid shots that underscore the performer’s presence as central to the fashion narrative. Special attention is given to Avedon’s use of lighting, movement, and composition: his signature handheld camera work introduced a kinetic energy absent in studio rigidity, making each frame feel alive and immediate. The text weaves historical context with technical innovation, showing how Avedon’s approach influenced generations of photographers and designers alike. By presenting original photographs alongside critical commentary, the book offers a rich visual and intellectual journey into fashion as both art form and cultural reflection. Readers gain insight not only into iconic images but also into the philosophy behind them—the belief that true style emerges when personality and clothing exist in harmonious tension. This comprehensive study stands as an essential reference for those seeking to understand how fashion photography evolved from documentation to a powerful medium shaping identity across generations.