Man Ray

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出版者:Taschen 作者:Heiting, Manfred 出品人: 页数:192 译者: 出版时间:2012-10 价格:$ 16.94 装帧: isbn号码:9783836539272 丛书系列:
图书标签
  • 摄影
  • ManRay
  • 畫冊
  • 画册
  • 摄影画册
  • Ray
  • Man
  • 1
  • 超现实主义
  • 达达主义
  • 摄影
  • 艺术
  • 曼·雷
  • 现代艺术
  • 肖像
  • 实验摄影
  • 时尚摄影
  • 20世纪艺术
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具体描述

This book deals with the creator of Surrealist Photography. Man Ray (1890-1976) is indisputably one of the most original artists of the 20th century. His revolutionary nude studies, fashion work, and portraits opened a new chapter in the history of photography. Born under the name of Emmanuel Radnitzky in Philadelphia, he began his artistic career in New York. In 1921 he moved to Paris, where he was enthusiastically welcomed into Dadaist and Surrealist circles. Man Ray experimented tirelessly with new photographic techniques, multiple exposure, rayography, and solarization being some of his most famous. Erotic, playful, and sometimes sinister, his compositions show unusual bodies and objects: strange, striking images that transform our perceptions of reality. This collection of famous, lesser known, and unknown works fully illustrates Man Ray's singular visionary power.

Man Ray’s work defies simple categorization, rooted deeply in the avant-garde currents of early 20th-century modernism. Known primarily as a photographer, his influence stretches across painting, sculpture, and experimental filmmaking. Born Emmanuel Radnitz in Philadelphia in 1890, he moved to New York before embracing Parisian art circles during the 1920s—a period when Dada and Surrealism were challenging traditional aesthetics. Man Ray’s photographs reveal an obsession with light, shadow, and abstraction, often transforming ordinary objects into enigmatic forms. His iconic rayographs—created by placing everyday items directly onto photographic paper and exposing them to light—eschew darkroom manipulation, embracing chance and materiality to produce haunting, dreamlike compositions. These photograms reveal his fascination with the unseen dimensions of reality, turning mundane materials like umbrellas, fabric scraps, and metal into spectral silhouettes. Beyond still photography, Man Ray experimented boldly in painting, producing abstract works marked by stark contrasts and fragmented perspectives influenced by Cubism and Futurism. His sculptural pieces, often assembling found objects or manipulating industrial forms, echo his photographic ethos—fragmentation as a tool for emotional resonance. In film, he directed surrealist short films that blurred narrative boundaries, collaborating with figures such as Lee Miller, whose presence infused his work with both intimacy and mystery. Man Ray’s legacy lies not only in specific works but in his relentless redefinition of artistic possibility—bridging mediums, embracing spontaneity, and inviting viewers to perceive beyond the literal. His practice reflects a restless curiosity, where object, image, and meaning dissolve into a continuous exploration of perception and imagination.

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用户评价

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"Nor can any of this work be considered experimental. Art is not a science." /"Dreams has no titles."

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I know just one thing :how I express myself , in one way or another . Photography offers me the means , more simply and faster than painting

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I know just one thing :how I express myself , in one way or another . Photography offers me the means , more simply and faster than painting

☆☆☆☆☆

I know just one thing :how I express myself , in one way or another . Photography offers me the means , more simply and faster than painting

☆☆☆☆☆

"Nor can any of this work be considered experimental. Art is not a science." /"Dreams has no titles."