At the end of the 1950s William Eggleston began to photograph around his home in Memphis using black-and-white 35mm film. Fascinated by the photography of Henri Cartier-Bresson, Eggleston declared at the time: 'I couldn't imagine doing anything more than making a perfect fake Cartier-Bresson.' Eventually Eggleston developed his own style which later shaped his seminal work in color-an original vision of the American everyday with its icons of banality: supermarkets, diners, service stations, automobiles and ghostly figures lost in space. From Black and White to Color includes some exceptional as-yet-unpublished photographs, and displays the evolution, ruptures and above all the radicalness of Eggleston's work when he began photographing in color at the end of the 1960s. Here we discover similar obsessions and recurrent themes as present in his early black-and-white work including ceilings, food, and scenes of waiting, as well as Eggleston's unconventional croppings-all definitive traits of the photographer who famously proclaimed, 'I am at war with the obvious.'
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布列松基金会2014年9月同名展览配套目录。策展思路如展览名称那样。这本书被做成了笔记本的样式，黑白照片与彩色照片交替呈现，横照片与竖幅照片尺寸相等。仔细看你会发现，埃格尔斯顿拍摄黑白照片和彩色照片的方式是一致的，他的彩色照片中的色彩魅力，决定性因素还是来自于现实环境。
评分father of instagram
评分我觉得他的黑白照片拍的比彩色的好是怎么回事？
评分出名要趁早……里面拍摄的内容放到今天可能连画册都出不了～
评分每次去方所都看一遍哈哈
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