The Lyrical in Epic Time pdf epub mobi txt 電子書 下載2025
David Der-wei Wang is Edward C. Henderson Professor of Chinese and Comparative Literature at Harvard University. His works include The Monster That Is History: History, Violence, and Fictional Writing in Twentieth-Century China; Fin-de-siècle Splendor: Repressed Modernity in Late Qing Fiction, 1849-1911; and Fictional Realism in Twentieth-Century China.
- 王德威
- 海外中國研究
- 文學研究
- 文學
- 文化研究
- 現代文學
- 曆史
- 中國
This book positions the lyrical as key to rethinking the dynamics of Chinese modernity and emphasizes Chinese lyricism's deep roots in its own native traditions, along with Western influences. Although the lyrical may seem like an unusual form for representing China's social and political crises in the mid-twentieth century, David Der-wei Wang contends that national cataclysm and mass movements intensified Chinese lyricism in extraordinary ways. He calls attention to not only the vigor and variety of Chinese lyricism at an unlikely historical juncture but also the precarious consequences it brought about: betrayal, self-abjuration, suicide, and silence. Above all, his study ponders the relevance of such a lyrical calling of the past century to our time.
Despite their divergent backgrounds and commitments, the writers, artists, and intellectuals discussed in this book all took lyricism as a way to explore selfhood in relation to solidarity, the role of the artist in history, and the potential for poetry to illuminate crisis. They experimented with a variety of media, including poetry, fiction, intellectual treatise, political manifesto, film, theater, painting, calligraphy, and music. Wang's expansive research also traces the invocation of the lyrical in the work of contemporary Western critics. From their contested theoretical and ideological stances, Martin Heidegger, Theodor Adorno, Cleanth Brooks, Paul de Man, and many others used lyricism to critique their perilous, epic time. The Chinese case only further intensifies the permeable nature of lyrical discourse, forcing us to reengage with the dominant role of revolution and enlightenment in shaping Chinese -- and global -- modernity.
具體描述
讀後感
原刊于《文艺争鸣》2018年第10期。 一、情动中国 在20世纪的中国，“启蒙”与“革命”的呼声此起彼落，亟欲疗救中国社会的沉疴巨痛。事实上，经过几代人前赴后继的实践，“启蒙”与“革命”也确实带来了中国社会的巨变，1949年之后，几乎重造了中国社会结构与人文景观，成为中...
評分 評分 評分本文原载于《中国图书评论》2016年第6期“书界观察”栏目。 作者，韩晗，深圳大学文化产业研究院。 哈佛大学东亚系讲座教授王德威先生将近年来的研究成果积累整理出版，命名为《史诗时代的抒情声音：1949年前后的中国现代文人》（下文简称《声音》，TheLyrical in Epic Time: ...
評分用戶評價
颱靜農的字真好看啊。費穆那章有點弱，應該隨書附贈江文也的cd
评分當我還在創造三元結構來突破關於當代文學緣起的二元論時，德威已經用抒情大船瞞天過海地將1949化解為天地玄黃。當年看《抒情傳統四論》猶有不滿足之感，現在想想，薑還是老的辣。尼瑪剩下的內容在這裏……20170111，坐標1949，我們的徵途是星辰大海
评分對情是fact還是feeling可以一看
评分2019-2020
评分剛讀完講何其芳的那一章，雖然沒有什麼新意，但是實在是對王德威的exquisite precision of rhetoric and keen perception of human psychology 嘆為觀止。讀來就像讀詩，就像讀心理小說。值得學習，值得玩味。對馮至瞭解不多，但是王的解讀真心贊，並且把馮和何其芳並置，討論如波濤一浪推慫一浪，直至最後的高潮。王這樣的學識和技巧，不去寫小說，不去寫哲學著作真是可惜瞭
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