图书标签: 白瑞旭 海外中国研究 历史 Memory 隋唐史 金石 社会史 域外汉学
发表于2024-11-05
Public Memory in Early China pdf epub mobi txt 电子书 下载 2024
In early imperial China, the dead were remembered by stereotyping them, by relating them to the existing public memory and not by vaunting what made each person individually distinct and extraordinary in his or her lifetime. Their posthumous names were chosen from a limited predetermined pool; their descriptors were derived from set phrases in the classical tradition; and their identities were explicitly categorized as being like this cultural hero or that sage official in antiquity. In other words, postmortem remembrance was a process of pouring new ancestors into prefabricated molds or stamping them with rigid cookie cutters. Public Memory in Early China is an examination of this pouring and stamping process. After surveying ways in which learning in the early imperial period relied upon memorization and recitation, K. E. Brashier treats three definitive parameters of identity--name, age, and kinship--as ways of negotiating a person's relative position within the collective consciousness. He then examines both the tangible and intangible media responsible for keeping that defined identity welded into the infrastructure of Han public memory.
K. E. Brashier is Professor of Religion at Reed College.
what it departs is a greco-(and if any) Christian notion of "memory (sometimes mnema)" -- which 顯然完全不該等同於reciting. 事實上我懷疑在佛教前中國根本不存在一個類似的,作為一種psychic image production的“記憶”的觀念。作者也沒有找出任何一個(可以代替他無數古希臘引文)的本土的概念性討論。
评分what it departs is a greco-(and if any) Christian notion of "memory (sometimes mnema)" -- which 顯然完全不該等同於reciting. 事實上我懷疑在佛教前中國根本不存在一個類似的,作為一種psychic image production的“記憶”的觀念。作者也沒有找出任何一個(可以代替他無數古希臘引文)的本土的概念性討論。
评分草草翻过,秦汉史,大背景是对古典典籍书写和背诵的“记忆文化”,主题是在公共记忆中如何定位一个人,三个主要参照点来自礼记中的“服术有六”,概括成三个是姓名(姓、名、字、谥)、年龄(古代生命线是一条斜向上直线,越老约好,死了之后还继续上升,同时细节暗淡)以及亲属(削弱个人能动性,强化人际纽带)。公共记忆中两个媒介(工具):有形的(墓碑、画像等)和无形的(化约、转换及联系三种认知策略)。与其说讲记忆,更多讲讲人观与自我。开篇是一个旌表一个叫“景云”的地方小官僚的碑,看到Jing Yun名字吓尿我了……
评分草草翻过,秦汉史,大背景是对古典典籍书写和背诵的“记忆文化”,主题是在公共记忆中如何定位一个人,三个主要参照点来自礼记中的“服术有六”,概括成三个是姓名(姓、名、字、谥)、年龄(古代生命线是一条斜向上直线,越老约好,死了之后还继续上升,同时细节暗淡)以及亲属(削弱个人能动性,强化人际纽带)。公共记忆中两个媒介(工具):有形的(墓碑、画像等)和无形的(化约、转换及联系三种认知策略)。与其说讲记忆,更多讲讲人观与自我。开篇是一个旌表一个叫“景云”的地方小官僚的碑,看到Jing Yun名字吓尿我了……
评分草草翻过,秦汉史,大背景是对古典典籍书写和背诵的“记忆文化”,主题是在公共记忆中如何定位一个人,三个主要参照点来自礼记中的“服术有六”,概括成三个是姓名(姓、名、字、谥)、年龄(古代生命线是一条斜向上直线,越老约好,死了之后还继续上升,同时细节暗淡)以及亲属(削弱个人能动性,强化人际纽带)。公共记忆中两个媒介(工具):有形的(墓碑、画像等)和无形的(化约、转换及联系三种认知策略)。与其说讲记忆,更多讲讲人观与自我。开篇是一个旌表一个叫“景云”的地方小官僚的碑,看到Jing Yun名字吓尿我了……
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Public Memory in Early China pdf epub mobi txt 电子书 下载 2024